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We Might As Well Be Strangers - Single

DJ Shadow vs. Keane

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Customer Reviews

Pretty damn good

there's some cool beats here. from being almost sick to death of listening to Hopes & Fears, along comes this little gem. definitely will be enjoyed a lot

shadow rocks my world

The beautiful craft of dj shadow has made it possible for me to wonder at this Keane sentiment again, after I had to stop listening last summer because it got so over-played. Sick of hearing reviews that said things like 'sounds like coldplay/'it's great to wash the car to etc etc'... thank the lord for the drum genius Shadow man who puts the shivers back into my spine through this gentle but passionate reworking of Keane's original poetry. If you're moved by 'Blood on the Motorway' this will make sense to you. If you love Keane because they sound like Coldplay forget it.

Simply Stunning

Simply Stunning, Shadows production here enhances the original which i just didnt like, I dont often give out a 5 Star rating but this is a truely great remix / song. Hacked up beats, beautiful strings and vocals Highly Reccomended

Biography

Born: 1972 in San Jose, CA

Genre: Electronic

Years Active: '80s, '90s, '00s, '10s

DJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label. His early singles for the label, including "In/Flux" and "Lost and Found (S.F.L.)," were all-over-the-map mini-masterpieces combining elements of funk, rock, hip-hop, ambient, jazz, soul, and used-bin finds. Although he'd already done a scattering of original and production work (during 1991-1992 for Hollywood Records) by the time Mo'...
Full bio
We Might As Well Be Strangers - Single, DJ Shadow
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