Planet Simpson
How a cartoon masterpiece documented an era and defined a generation
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3.0 • 1 Rating
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- £5.99
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- £5.99
Publisher Description
Astute, funny, literate, politically and culturally aware; in this analysis of The Simpsons, Chris Turner, a provocative new writer, dissects the world's favourite TV show - its genesis, past, characters and influence. Bart, Homer and Marge have entered the lexicon of iconic, global characters. Bart has the highest recognition factor amongst kids in the UK & US, way above that of Harry Potter. The British voted it their favourite TV programme ever. The Archbishop of Canterbury called it 'one of the most subtle pieces of propaganda around in the cause of sense, humility and virtue.'
Yet The Simpsons is thoroughly subversive and irreverent. Bringing the savvy insight to The Simpsons that has been brought to publishing on global politics, the internet and the fast-food industry, Chris Turner looks at how teh programme is created and the unique two-way relationship of inspiration and influence it has with the real world. From Marge and moral values to Lisa and the environment, from Homer and consumerism to Citizen Burns and corporate villainy - this is the first book to be written that is as intelligent, subversive, wide-ranging and funny as the show itself.
PUBLISHERS WEEKLY
Although this unauthorized book "was not prepared, licensed, approved, or endorsed by any entity involved in creating or producing" The Simpsons, Canadian journalist Turner embarks on an encyclopedic exposition of the show's episodes, catchphrases, characters, cultural impact, social commentary, themes and influences. In 1987, 33-year-old cartoonist Matt Groening devised the dysfunctional family during a 15-minute wait before pitching the concept to producer James L. Brooks. Short segments on Fox's Tracey Ullman Show escalated into the full series in 1989 1990, with accolades and awards piling up during the following 15 years. Turner flavors his straightforward Simpsons study with footnotes and facts on everything from Ayn Rand and Columbine to Y2K and Yeats. Unraveling and analyzing plot threads, he views the series as "more anti-authoritarian by far than almost anything else that's ever aired in prime time," and he praises it as a "cultural institution" comparable to the Beatles. Turner's fannish enthusiasm and tsunami of trivia will appeal mainly to devotees, though cultural historians may value it for its vision of Springfield as a satirical mirror reflecting the trials and tribulations of contemporary life.
