Mary Ann in Autumn
Tales of the City 8
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4.4 • 32 Ratings
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- £4.99
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- £4.99
Publisher Description
The eighth novel in the beloved Tales of the City series, Armistead Maupin’s best-selling San Francisco saga.
'Perhaps the most sublime piece of popular literature America has ever produced’ Salon
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A touching portrait of friendship, family, and fresh starts, the City by the Bay welcomes back Mary Ann Singleton, the beloved Tales of the City heroine who started it all. A new chapter begins in the lives of both Mary Ann and Michael ‘Mouse’ Tolliver when she returns to San Francisco to rejoin her oldest friend after years in New York City… the reunion that fans of Maupin’s beloved Tales of the City series have been awaiting for years.
Hurdling barriers both social and sexual, Maupin leads the eccentric tenants of Barbary Lane through heartbreak and triumph, through nail-biting terrors and gleeful coincidences in a sexually-liberated San Francisco. The result is a glittering and addictive comedy of manners that continues to beguile new generations of readers.
PUBLISHERS WEEKLY
In the sure-to-please follow-up to Michael Tolliver Lives, the bestselling Tales of the City reboot, it's been 20 years since series anchor Mary Ann Singleton left her family and headed to New York. Maupin's San Francisco is comforting in its familiarity, and the gang is (mostly) all here, older, wiser, and settled in: Michael "Mouse" Tolliver is married to Ben; Shawna, Mary Ann's estranged daughter, is a popular sex blogger who is dating Otto, an enigmatic professional clown; and grand dame Anna Madrigal, once landlady to Michael and Mary Ann, is still kicking in her late 80s. Into this milieu returns Mary Ann, who ditched her husband and the young Shawna for a career in television. Now, nearing 60, she's back with news she can't bear to tell anyone but Michael. From the haven of his tiny garden cottage, Mary Ann regroups and confronts some uncomfortable chapters in her past. As ever, Maupin's edgy wit energizes the layered story lines. His keen eye for irony and human foible is balanced by an innate compassion in this examination of the life of a woman of a certain age.
