The Ditch
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- £4.99
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- £4.99
Publisher Description
Longlisted for the Dublin Literary Award 2021
'Herman Koch has made a career from saying the apparently unsayable.' - Financial Times
When Robert Walter, the popular mayor of Amsterdam, sees his wife toss her head back with laughter while chatting to one of his aldermen at a New Year's reception, he immediately suspects she is cheating on him. Though happily married, he has always wondered why Sylvia, born and raised in a distant country, chose him.
Soon afterwards, a journalist unearths an old photograph of a police officer being beaten up by three Vietnam War protesters, one of whom she claims is Robert. Just as unexpectedly, Robert's ninety-four-year-old father announces that he and his wife would rather end their lives than burden their son with their deteriorating health. Once stable and successful, Robert becomes entangled in his fears and suspicions, consumed by jealousy and paranoia. Nothing is what it seems, or is Robert finally beginning to see the world - and his life - as they are, for the first time?
Written with Herman Koch's trademark originality, playfulness and edge and translated from Dutch, The Ditch is a wildly clever - and guttingly familiar - story of a man whose sadistic skill for undermining himself and his marriage comes to cost him nearly everything.
PUBLISHERS WEEKLY
The mayor of Amsterdam stumbles through a thicket of domestic dramas in the disappointing latest from Koch (Summer House with Swimming Pool). After mayor Robert Walter sees his wife, Sylvia, chatting amiably with an alderman at a New Year's reception, he becomes convinced they are having an affair. Robert goes on to spend many pages ruminating on whether Sylvia is cheating on him and what she and the alderman may or may not say or text to one another. Robert is a pleasant enough narrator, but his refusal to actually do much of anything (other than ponder) gets old quickly. Meanwhile, Robert's nonagenarian parents have decided on elective suicide, the timeline for which keeps shrinking; a reporter confronts Robert with damning evidence of alleged wrongdoing from his past (Robert's reaction is exceedingly hard to believe); and Robert's old friend faces a stark decision about his life. This comes across as a case of a narrator in search of a plot; some passages are real head-scratchers (anyone who has ever wondered about the recent history of Amsterdam's municipal glass recycling program is in for a treat) and the narrative's late tilt into metaphysical matters is ill-advised. Less definitely would have been more; hopefully Koch returns to form next time.
