The Freud Museum, London.
By The Freud Museum, London.
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Podcast Description
The Freud Museum, at 20 Maresfield Gardens in Hampstead, was the home of Sigmund Freud and his family when they escaped Nazi annexation of Austria in 1938.
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| 1 | VideoMarina Warner: ‘Family Romances: The Daughters of Eve, the Sisters of Cain’ | Freud Memorial Lecture. A sold out event, filmed at the Anna Freud Centre on 22 May 2012. Marina Warner is a writer whose works include novels and short stories as well as studies in cultural history, art, myths, symbols, and fairytales. She is a Professor in the Department of Literature at the University of Essex. Her most recent book, Stranger Magic: Charmed States 8 the Arabian Nights, was recently published by Chatto 8 Windus. This year’s Freud Memorial Lecture will connect with the two major London exhibitions for 2012 which are running concurrently: Louise Bourgeois: The Return of the Repressed, at the Freud Museum, and Lucian Freud Portraits, at the National Portrait Gallery. Images © Louise Bourgeois Trus | 23 5 12 | Free | View In iTunes |
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Psychic Geometry: Seduction and Mourning as themes in Louise Bourgeois’ early and late sculpture. | Professor Griselda Pollock. A sold out event recorded at the Anna Freud Centre on 17 May 2012. Griselda Pollock is Professor of Social 8 Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds. She has written on several key works by Louise Bourgeois includingMaman, the late gouache drawings of fecund and sexual bodies, and works that deal with the trauma of ageing. Her forthcoming book, After-Affect/After-Image: Trauma and Aesthetic Transformation, includes a chapter on what she terms Louise Bourgeois’s ‘Geometry of Absence’ | 22 5 12 | Free | View In iTunes |
| 3 | VideoHow the Textile Works : Transformational Matter and Tactile Space | Recorded at the Anna Freud Centre on 10 May 2012. An illustrated talk by Claire Pajaczkowska An illustrated talk on Louise Bourgeois’s textile pieces, some of which feature in our current exhibition, Louise Bourgeois: The Return of the Repressed. Claire Pajaczkowska is Research Leader at the Royal College of Art. Researchers in the School of Material investigate the subjective process of working creatively with materials. The College brings together scientific and art thinking to develop knowledge of the creative process. Recent publications include Tension, Time and Tenderness: Indexical traces of the hand in textiles' in Bryant 8 Pollock eds Digital and Other Virtualities (IB Tauris, 2010); The Sublime Now, with Luke White, (Cambridge Scholars Press, 2010); Shame and Sexuality: Psychoanalysis and Visual Culture, with Ivan Ward (Routledge, 2008). Images © Louise Bourgeois Trus | 17 5 12 | Free | View In iTunes |
| 4 | Video‘Ghost Track’ and ‘Kong Lear’ | A live performance. Filmed at the Freud Museum on 30th April 2012. Ghost Track is very beautiful because Claire quite clearly gets into a dialogue with her own biographies so it circles around her as a person but it expands into her field, it has a clear context and expands into space’ Serge von Arx theatre architect and scenographer Berlin A solo performance by Claire Hind, written in collaboration with Gary Winters of Lone Twin, co-directed with Alexander Kelly of Third Angel. Ghost Track is a performance that weaves autobiography with King Lear, and the perennial difficulties of the father-daughter relationship. Claire Hind tells stories about the thoughts and terrors one has when waking up in the middle of the night, about her petrol pump neurosis and her 7 dads, one of whom is her ‘ghost dad’. It is a work that carefully braids humour with the power that fear and anxiety has over us as we lead very busy lives and juggle many roles. This work draws upon the ‘Father’ of psychoanalysis Sigmund Freud and thinks about the different ways in which his writing inscribes himself into his work, including his moving paper ‘The theme of the three caskets’ (1913) that takes King Lear and his three daughters as his prime example. Psychoanalysis is used as a compositional strategy to write a space for the performer – and also as a zone in which the playfulness of the performer as storyteller can be explored. Ghost Track demonstrates the slippages that occur in story-telling and uses the Nano pad (a sound sampler) as a symbol of the unconscious mind that disrupts our sense of cohesion, functioning as a buffer zone between play and fear. The material is developed from a series of performance writing workshops that Claire experienced with artist Gary Winters of the international renowned performance duo Lone Twin. They became interested in the repetition of language that occurs in act one scene one of King Lear, Nothing. Nothing will come of nothing and the repetition of the ritual in this act – each daughter coming forward to repeat a similar speech act to their father - and relate this to the death drive and the Electra complex. Kong Lear Super 8mm film Kong Lear is a humorous and touching film referencing King Lear’s madness upon some heath and re-imagining King Kong inside Lear’s psyche as woman. It is an Ubu for the 21st Century – Andrew Head, Hull University. The images of Kong Lear on the screen are beautiful and evocative. One minute she (as Kong Lear) appears playful, the next vulnerable and melancholic, absorbed in a world where nature once stood. Arrested Motion. Kong Lear is a play on words of the two male characters of King Kong and King Lear. We like the idea that Kong is inside King Lear’s psyche and we like the idea that the character of Kong Lear is played by a woman – imagine that… Freud would have a field day! This short film is the B track – the flip side to the live show. We decided to write a piece for super 8mm film to act as if the live show’s material had an unconscious, or a psyche. We are playing with the idea that the id, in Freudian psychoanalysis is silent and we became fascinated about the position of writing on silent film’s intertitles – for us they have the possibility to reveal what is hidden inside the character’s and performer’s psyche. Our playful merging of these two icons produced a string of images, texts and activities that included the filming of the character looking down upon the city of York from the Lord Mayors’ apartment roof, running feral along Fifth Avenue in New York and ascending a climbing wall inside a Go Outdoors store on Foss Island retail park (not Skull island). Lone Twin are currently working on a project for the Cultural Olympiad entitled the Boat Project | 2 5 12 | Free | View In iTunes |
| 5 | VideoThe Lost Objects of Childhood Author’s talk: Deborah Levy | The Lost Objects of Childhood Author's talk: Deborah Levy. Filmed at the Freud Museum London on 26 April 2012 'When I read biographies of famous people, I only get interested when they escape from their family and spend the rest of their life getting over them.' (extract from Swimming Home) Deborah Levy's new novel, Swimming Home, is a subversive thriller about the footprints the past leaves on the everyday of a sun-drenched family holiday. Its witty and beguiling exploration of the complexities and mysteries of family life have enthralled readers and critics in equal measure. Levy will read from her book and discuss its connecting conversation with Louise Bourgeois’s life-long artistic preoccupation with the strange drama of being a wife, mother and daughter. Deborah Levy is a playwright and novelist. She recently dramatised two of Freud's case histories, The Wolfman andDora for BBC Radio 4. She was AHRC Fellow in Creative and Performing Arts at The Royal College of Art from 2006-9. A new fiction exploring the ways in which everyday objects might conceal and reveal our anxieties, Weeping Machines is published in Issue 4 of The White Review. An interview with Levy about her writing can be found here | 2 5 12 | Free | View In iTunes |
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Reflections on Louise Bourgeois: The Return of the Repressed | An informal discussion between psychoanalysts Anouchka Grose and Estela Welldon, who give their personal responses to the Freud Museum’s current exhibition Louise Bourgeois: The Return of the Repressed. A sold out event, recorded on Thursday 19 April 2012. Anouchka Grose is a writer and psychoanalyst. She is a member of the Centre for Freudian Analysis and Research, where she regularly lectures. She is the author of two novels and, more recently, the non-fiction books, No More Silly Love Songs: A Realist's Guide to Romance' (2010) and Are You Considering Therapy? (2011). She also writes and speaks about contemporary art. Estela Welldon is Founder and Honorary Elected President for Life of the International Association for Forensic Psychotherapy; a Fellow of the Royal College of Psychiatrists; an Honorary Consultant Psychiatrist in Psychotherapy at Tavistock Portman NHS Clinics; and a Senior Member of the British Association for Psychotherapy. She is the author of Mother, Madonna W***e, the Idealization and Denigration of Motherhood(1988); Sadomasochism (2002) and Playing with Dynamite(2011) and is the co-editor of A Practical Guide to Forensic Psychotherapy (1997) | 25 4 12 | Free | View In iTunes |
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Louise Bourgeois Day Conference, Part 4 of 4 | This one day conference, held at the Courtauld Institute of Art, draws on the recent discovery of Louise Bourgeois’s psychoanalytic writings. Bourgeois was born in Paris in 1911 and became one of the best known artists of the 20th century, inspiring a rich commentary from academics and critics alike. What is not generally known is that she undertook psychoanalysis spanning three decades. These extraordinary writings record her reactions to psychoanalysis and suggest new ways of thinking about her creative process. The conference brought together scholars and practitioners from the worlds of art and psychoanalysis to discuss these areas as part of a wider conversation about the fundamental relationship between art and life, and the therapeutic nature of art itself. Part 4 of 4. Juliet Mitchell: ‘War and warring in the writings of Louise Bourgeois’ followed by the final Q8A and closing remarks. Juliet Mitchell, Andrew W Mellon Foundation MA Visiting Professor at the Courtauld Institute of Art; director of PhD programme in Psychoanalytic Studies, UCL; Emeritus Professor of Psychoanalysis and Gender Studies, University of Cambridge, and Founder-Director of the University’s Centre for Gender Studies | 12 4 12 | Free | View In iTunes |
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Louise Bourgeois Day Conference, Part 3 of 4 | This one day conference, held at the Courtauld Institute of Art, draws on the recent discovery of Louise Bourgeois’s psychoanalytic writings. Bourgeois was born in Paris in 1911 and became one of the best known artists of the 20th century, inspiring a rich commentary from academics and critics alike. What is not generally known is that she undertook psychoanalysis spanning three decades. These extraordinary writings record her reactions to psychoanalysis and suggest new ways of thinking about her creative process. The conference brought together scholars and practitioners from the worlds of art and psychoanalysis to discuss these areas as part of a wider conversation about the fundamental relationship between art and life, and the therapeutic nature of art itself. Part 3 of 4. John Woods: ‘Images of violence and trauma in the work of Louise Bourgeois: an illustrated exploration of the clinical application of her work in the treatment of violent and perverse patients’ followed by David Morgan: ‘From symbolic equation to symbolic representation: the relationship between traumatic experience, creativity and psychoanalysis in the work of Louise Bourgeois’ John Woods, Psychotherapist, Portman Clinic, author ofBoys Who Have Abused; psychoanalytic psychotherapy with young victim/perpetrators of sexual abuse, 2003, and Compromise; a play about psychotherapy, 2005 David Morgan, Psychoanalyst; formerly Consultant Psychotherapist, Portman Clinic, London; co-editor ofViolence, Perversion and Delinquency, 200 | 12 4 12 | Free | View In iTunes |
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Louise Bourgeois Day Conference, Part 2 of 4 | This one day conference, held at the Courtauld Institute of Art, draws on the recent discovery of Louise Bourgeois’s psychoanalytic writings. Bourgeois was born in Paris in 1911 and became one of the best known artists of the 20th century, inspiring a rich commentary from academics and critics alike. What is not generally known is that she undertook psychoanalysis spanning three decades. These extraordinary writings record her reactions to psychoanalysis and suggest new ways of thinking about her creative process. The conference brought together scholars and practitioners from the worlds of art and psychoanalysis to discuss these areas as part of a wider conversation about the fundamental relationship between art and life, and the therapeutic nature of art itself. Part 2 of 4. Frances Morris and Phyllida Barlow: ‘In-conversation’ Frances Morris, Curator and Head of Collections, International Art at Tate; curator of the 2007 retrospective of Louise Bourgeois, Tate Modern and Yayoi Kusama, Tate Modern 2012 Phyllida Barlow, internationally acclaimed artist, Royal Academician (2011), and recipient of the Aachen Art Prize (2012); solo shows in 2012 include New Museum, New York, Ludwig Fourm, Aachen and Henry Moore Institute, Leeds; in 2012, Barlow will also exhibit at The First Kiev International Biennial of Contemporary Ar | 12 4 12 | Free | View In iTunes |
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Louise Bourgeois Day Conference, Part 1 of 4 | This one day conference, held at the Courtauld Institute of Art, draws on the recent discovery of Louise Bourgeois’s psychoanalytic writings. Bourgeois was born in Paris in 1911 and became one of the best known artists of the 20th century, inspiring a rich commentary from academics and critics alike. What is not generally known is that she undertook psychoanalysis spanning three decades. These extraordinary writings record her reactions to psychoanalysis and suggest new ways of thinking about her creative process. The conference brought together scholars and practitioners from the worlds of art and psychoanalysis to discuss these areas as part of a wider conversation about the fundamental relationship between art and life, and the therapeutic nature of art itself. Part 1 of 4. Introduction by Carol Seigel, Director of Freud Museum London, Welcome from Meg Harris Williams (Chair) and the first speaker, Mignon Nixon and her talk "Freud Fleuri". Meg Harris Williams (Chair), artist and author of books on poetry, psychoanalysis and aesthetic experience, includingThe Vale of Soulmaking (2005), The Aesthetic Development(2010), and co-author (with Donald Meltzer) of The Apprehension of Beauty (1988) Mignon Nixon, Professor of Art History at the Courtauld Institute of Art, University of London, author of Fantastic Reality: Louise Bourgeois and a Story of Modern Art (MIT Press/October Books, 2005) | 12 4 12 | Free | View In iTunes |
| 11 | VideoThrough the Writings of Louise Bourgeois: New Perspectives on Art and Psychoanalysis | This one day conference, held at the Courtauld Institute of Art, draws on the recent discovery of Louise Bourgeois’s psychoanalytic writings. Bourgeois was born in Paris in 1911 and became one of the best known artists of the 20th century, inspiring a rich commentary from academics and critics alike. What is not generally known is that she undertook psychoanalysis spanning three decades. These extraordinary writings record her reactions to psychoanalysis and suggest new ways of thinking about her creative process. The conference brought together scholars and practitioners from the worlds of art and psychoanalysis to discuss these areas as part of a wider conversation about the fundamental relationship between art and life, and the therapeutic nature of art itself. This video podcast - Mignon Nixon: Freud Fleuri Mignon Nixon, Professor of Art History at the Courtauld Institute of Art, University of London, author of Fantastic Reality: Louise Bourgeois and a Story of Modern Art (MIT Press/October Books, 2005). © Louise Bourgeois Trus | 3 4 12 | Free | View In iTunes |
| 12 | VideoLouise Bourgeois: The Return of the Repressed | Curator's talk: Philip Larratt-Smith with Jerry GorovoyOn 8 March 2012, Philip Larratt-Smith, curator of Louise Bourgeois: The Return of the Repressed, and Jerry Gorovoy, Louise Bourgeois’s long-standing assistant and friend, discussed the exhibition at Freud Museum London (8 March – 27 May 2012). © Louise Bourgeois Trus | 3 4 12 | Free | View In iTunes |
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Louise Bourgeois: The Return of the Repressed: Part 5 - the Exhibition Room | A personal introduction by Curator Philip Larratt-Smith This five part podcast highlights a personal tour of the exhibition at the Freud Museum by its curator giving a unique and enthralling insight into the life and work of Louise Bourgeois. | 9 3 12 | Free | View In iTunes |
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Louise Bourgeois: The Return of the Repressed: Part 4 - the Viewing Room | A personal introduction by Curator Philip Larratt-Smith This five part podcast highlights a personal tour of the exhibition at the Freud Museum by its curator giving a unique and enthralling insight into the life and work of Louise Bourgeois. | 9 3 12 | Free | View In iTunes |
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Louise Bourgeois: The Return of the Repressed: Part 3 - the Landing | A personal introduction by Curator Philip Larratt-Smith This five part podcast highlights a personal tour of the exhibition at the Freud Museum by its curator giving a unique and enthralling insight into the life and work of Louise Bourgeois. | 9 3 12 | Free | View In iTunes |
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Louise Bourgeois: The Return of the Repressed: Part 2 - the Study | A personal introduction by Curator Philip Larratt-Smith This five part podcast highlights a personal tour of the exhibition at the Freud Museum by its curator giving a unique and enthralling insight into the life and work of Louise Bourgeois. | 9 3 12 | Free | View In iTunes |
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Louise Bourgeois: The Return of the Repressed: Part 1 - the Dining Room | A personal introduction by Curator Philip Larratt-Smith This five part podcast highlights a personal tour of the exhibition at the Freud Museum by its curator giving a unique and enthralling insight into the life and work of Louise Bourgeois. | 9 3 12 | Free | View In iTunes |
| 18 | VideoBeyond EartH DeatH - Jane McAdam Freud | Lucian Freud My Father Artist's Talk: Jane McAdam Freud On the 22nd February 2012 Jane McAdam Freud joined us to discuss her exhibition Lucian Freud My Father - A personal portrayal. This is a video excerpt from that event. Artist Jane McAdam Freud presented a large scale sculpture portraying her father Lucian Freud. It was unveiled and exhibited for the first time in the Freud Museum – once home to her great grandfather, Sigmund Freud. Jane spent many hours with her father in the months before his death in July 2011 making sketches for this new work. It was shown at the Freud Museum alongside other smaller scale work and preparatory sketches. The show ran from 25 January 2012 - 4 March 201 | 7 3 12 | Free | View In iTunes |
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‘Hysteria, heredity and anti-Semitism: Freud’s challenge to the Jewish stereotype’ by Estelle Roith | 'Hysteria, heredity and anti-Semitism: Freud's challenge to the Jewish stereotype' A Talk by Estelle Roith Recorded at the Freud Museum London on 28 February 2012. Estelle Roith is a psychoanalytic psychotherapist and trained at the London Centre for psychotherapy. She is the author of the of The Riddle of Freud: Jewish influences on his theory of female sexuality published in 1987, in the New Library of Psychoanalysis. Her recent work includes:Ishmael and Isaac: An Enduring Conflict, in Sibling Relationships'by Coles, 2006, Dr. Roith is currently working on a study that proposes that significant events in Freud's time, overlooked until now, have been an important influence in his life and in the development of psychoanalysis | 1 3 12 | Free | View In iTunes |
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Audio: The Graving Tool - Harriet Walter in conversation with Timberlake Wertenbaker | The Graving Tool Harriet Walter in conversation with Timberlake Wertenbaker Recorded at the Freud Museum London on 26 February 2012. This year playwright Timberlake Wertenbaker isWriter in Residence at the Freud Museum, generously funded by the Leverhulme Trust. Timberlake is organising The Graving Tool, a series of conversations between herself and leading theatre practitioners probing how they create complex characters. These conversations will take place on Sunday evenings in January/February 2012 at the Freud Museum. Timberlake will ask how actors and directors explore the physical and mental makeup of a character on stage. How does an actor enter into the psychology of a character, particularly in a new play? What physical manifestation, including habits or tics do they come up with and how is this used in the performance? What do they read, particularly when acting a disturbed character? Where do they find this in themselves? How are actors affected by the personalities they inhabit? Harriet Walter has enjoyed a varied and distinguished career on stage screen and radio spanning 30 years. She is an associate artist of the RSC where she has played most roles from Viola and Beatrice to Lady Macbeth and Cleopatra as well as regularly appearing with the NT. For The Royal Court she played Ophelia to Jonathan Pryce's Hamlet, The Seagull and Timberlake Wertenbaker's Three Birds Alighting on a Field which transferred to the Manhattan Theatre Club. For the Hampstead Theatre she appeared in Maguerite Duras 's La Musica , Stephen Poliakoff's Sweet Panic and Tamsin Oglesby's US and Them. She received the Olivier award for Twelfth Night and Three Sisters and the Evening Standard award and a Tony nomination for her role as Elizabeth 1 in the Donmar's production of Mary Stuart. Her films include The Wedding Video (to be released this year)Young Victoria, Sense and Sensibility, Atonement andBabel. On television she is best known as Harriet Vane in the Lord Peter Wimsey series, The Price, The Men’s Room, Little Dorritt and Law and Order:UK . She is the author ofOther People’s Shoes, Macbeth; portrait of a Marriage (for Faber series Actors on Shakespeare) and Facing It. Timberlake Wertenbaker is an acclaimed and prolific playwright whose works have been performed and studied all over the world. Her play Our Country’s Good is an A level text and won the Laurence Olivier Play of the Year award in 1988. She is also a translator, translating and adapting plays for performance from French (examples include Marivaux’s False Admissions, Anouilh’s Wild Orchids and Racine’s Phedre) and from classical Greek (examples include Sophocles Elektra and Euripides Hippolytus.) Her recent translation of Racine’s Britannicus received rapturous reviews at Wilton’s Music Hall. She is using her residency at the Freud Museum to complete her latest play, The Suicide of Colonel A. Ajax inspired by Sophocles’ Ajax. | 1 3 12 | Free | View In iTunes |
| 21 | VideoVideo: The Graving Tool - Harriet Walter in conversation with Timberlake Wertenbaker | The Graving Tool Harriet Walter in conversation with Timberlake Wertenbaker Recorded at the Freud Museum London on 26 February 2012. This year playwright Timberlake Wertenbaker isWriter in Residence at the Freud Museum, generously funded by the Leverhulme Trust. Timberlake is organising The Graving Tool, a series of conversations between herself and leading theatre practitioners probing how they create complex characters. These conversations will take place on Sunday evenings in January/February 2012 at the Freud Museum. Timberlake will ask how actors and directors explore the physical and mental makeup of a character on stage. How does an actor enter into the psychology of a character, particularly in a new play? What physical manifestation, including habits or tics do they come up with and how is this used in the performance? What do they read, particularly when acting a disturbed character? Where do they find this in themselves? How are actors affected by the personalities they inhabit? Harriet Walter has enjoyed a varied and distinguished career on stage screen and radio spanning 30 years. She is an associate artist of the RSC where she has played most roles from Viola and Beatrice to Lady Macbeth and Cleopatra as well as regularly appearing with the NT. For The Royal Court she played Ophelia to Jonathan Pryce's Hamlet, The Seagull and Timberlake Wertenbaker's Three Birds Alighting on a Field which transferred to the Manhattan Theatre Club. For the Hampstead Theatre she appeared in Maguerite Duras 's La Musica , Stephen Poliakoff's Sweet Panic and Tamsin Oglesby's US and Them. She received the Olivier award for Twelfth Night and Three Sisters and the Evening Standard award and a Tony nomination for her role as Elizabeth 1 in the Donmar's production of Mary Stuart. Her films include The Wedding Video (to be released this year)Young Victoria, Sense and Sensibility, Atonement andBabel. On television she is best known as Harriet Vane in the Lord Peter Wimsey series, The Price, The Men’s Room, Little Dorritt and Law and Order:UK . She is the author ofOther People’s Shoes, Macbeth; portrait of a Marriage (for Faber series Actors on Shakespeare) and Facing It. Timberlake Wertenbaker is an acclaimed and prolific playwright whose works have been performed and studied all over the world. Her play Our Country’s Good is an A level text and won the Laurence Olivier Play of the Year award in 1988. She is also a translator, translating and adapting plays for performance from French (examples include Marivaux’s False Admissions, Anouilh’s Wild Orchids and Racine’s Phedre) and from classical Greek (examples include Sophocles Elektra and Euripides Hippolytus.) Her recent translation of Racine’s Britannicus received rapturous reviews at Wilton’s Music Hall. She is using her residency at the Freud Museum to complete her latest play, The Suicide of Colonel A. Ajax inspired by Sophocles’ Ajax. | 1 3 12 | Free | View In iTunes |
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After-affect/After-image: Part 2 - From Aesthetics to Psychoanalysis: Case Studies | Trauma and Aesthetic Transformation Convened by Griselda Pollock, Centre for Cultural Analysis, Theory and History University of Leeds. AHRC Research Fellowship Symposium at the Anna Freud Centre 20 Maresfield Gardens, London NW3 on the 18th February 2012 Two weeks before the opening of the exhibition Louise Bourgeois: The Return of the Repressed, the Freud Museum presented an afternoon symposium for anyone interested in a transdisciplinary encounter across art, psychoanalysis and feminism. Griselda Pollock’s research has engaged with a series of artistic, cinematic and literary case studies dealing with bereavement, seduction, Holocaust survival, exile, migration and second generation transmitted trauma, in order to explore the proposition that art can be ‘a transport station of trauma’ (Bracha Ettinger). Examining the work of several different artists including Louise Bourgeois, Chantel Akerman and Vera Frenkel, the symposium will use psychoanalytical approaches to trauma in order investigate specific art practices as sites of transformation, blockage, encryption and dangerous failure. The symposiums aim was to open up a dialogue with clinical practitioners, cultural theorists and artists working in this area in order to ask: Do artists travel away from or towards an encounter with the traces of trauma? Can aesthetic practices teach us anything significant about the possibility of transformation of trauma or the dangers of such a re-encounter? Can art produce what Geoffrey Hartman calls ‘traumatic knowledge’? | 23 2 12 | Free | View In iTunes |
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After-affect/After-image: Part 1 - From Psychoanalysis to Aesthetics | Trauma and Aesthetic Transformation Convened by Griselda Pollock, Centre for Cultural Analysis, Theory and History University of Leeds. AHRC Research Fellowship Symposium at the Anna Freud Centre 20 Maresfield Gardens, London NW3 on the 18th February 2012 Two weeks before the opening of the exhibition Louise Bourgeois: The Return of the Repressed, the Freud Museum presented an afternoon symposium for anyone interested in a transdisciplinary encounter across art, psychoanalysis and feminism. Griselda Pollock’s research has engaged with a series of artistic, cinematic and literary case studies dealing with bereavement, seduction, Holocaust survival, exile, migration and second generation transmitted trauma, in order to explore the proposition that art can be ‘a transport station of trauma’ (Bracha Ettinger). Examining the work of several different artists including Louise Bourgeois, Chantel Akerman and Vera Frenkel, the symposium will use psychoanalytical approaches to trauma in order investigate specific art practices as sites of transformation, blockage, encryption and dangerous failure. The symposiums aim was to open up a dialogue with clinical practitioners, cultural theorists and artists working in this area in order to ask: Do artists travel away from or towards an encounter with the traces of trauma? Can aesthetic practices teach us anything significant about the possibility of transformation of trauma or the dangers of such a re-encounter? Can art produce what Geoffrey Hartman calls ‘traumatic knowledge’? | 23 2 12 | Free | View In iTunes |
| 24 | VideoPhotography and Freud: From Roma-Amor to Erotic Saturn | An Illustrated Hampstead Authors Society Talk by Mary Bergstein Video Recorded at the Freud Museum on 13 February 2012 Mary Bergstein, gave an illustrated talk at the Freud Museum, introduced by HAS Chaiman Zsuzsanna Ardó. The talk explored Freud's visual imagination in terms of the photography he (and his patients) pondered. It is important that Freud believed repressed memories were unconscious, and that the most potent memories and desires would emerge in psychoanalysis from deep inside, via dreams. In the period from Freud's childhood to his old-age ruminations, several kinds of photographs were prominent: portraits, psychiatric illustrations, archaeological photography, and ethnographic documentation. These images along with the erotic photography and films of the era, that Mary Bernstein will introduce, paralleled the phenomena of Freudian memories and dreams. Mary Bergstein is a scholar of Italian Renaissance sculpture, painting, and architecture. She has also published widely on the cultural history of photography, which includesMirrors of Memory: Freud, Photography, and the History of Art (2010). Bergstein is interested in the social history of art and visual culture, and has written on topics from Donatello and Michelangelo, to “reproductive” photography, to advertising art and contemporary manufactured dolls such as Barbie and Bratz. The Hampstead Authors Society (HAS) is a transcultural, transdisciplinary creative society, connecting ideas, people and places. HAS venues and partners include the Royal Institute, the British Film Academy (BAFTA), Nehru Centre, Jewish Cultural Centre, French Cultural Institute, Riverside Studio, Everyman Cinemas, Artsdepot Gallery, La Notte Blu di Firenze, Casa della Creativita, 12 Star Gallery, Europe House | 22 2 12 | Free | View In iTunes |
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The Graving Tool: Sian Thomas in conversation | Recorded at the Freud Museum London on 22 January 2012 The Graving Tool Sian Thomas in conversation with Timberlake Wertenbaker This year playwright Timberlake Wertenbaker isWriter in Residence at the Freud Museum, generously funded by theLeverhulme Trust. Timberlake Wertenbaker is an acclaimed and prolific playwright whose works have been performed and studied all over the world. Her play Our Country’s Good is an A level text and won the Laurence Olivier Play of the Year award in 1988. She is also a translator, translating and adapting plays for performance from French (examples include Marivaux’s False Admissions, Anouilh’s Wild Orchids and Racine’s Phedre) and from classical Greek (examples include Sophocles Elektra and Euripides Hippolytus.) Her recent translation of Racine’s Britannicus received rapturous reviews at Wilton’s Music Hall. She is using her residency at the Freud Museum to complete her latest play, The Suicide of Colonel A. Ajaxinspired by Sophocles’ Ajax. Timberlake is organising The Graving Tool, a series of conversations between herself and leading theatre practitioners probing how they create complex characters. These conversations will take place on Sunday evenings in January/February 2012 at the Freud Museum. Timberlake will ask how actors and directors explore the physical and mental makeup of a character on stage. How does an actor enter into the psychology of a character, particularly in a new play? What physical manifestation, including habits or tics do they come up with and how is this used in the performance? What do they read, particularly when acting a disturbed character? Where do they find this in themselves? How are actors affected by the personalities they inhabit? Siân Thomas is an award-winning Welsh actress who has appeared on stage, on TV and in films. After graduating in acting from the Central School of Speech and Drama, she spent a year in rep before working for two years at the Glasgow Citizens' Theatre, which she describes as one of the happiest times of her life. Shortly after she made her debut as "Katarina" in the Royal Shakespeare Company's production of "The Taming of the Shrew" and has since worked with several leading stage groups, notably the National Theatre. Most recently she played Agrippina in Timberlake Wertenbaker's translation of Britannicus, that she recently played Martha in Who's Afraid of Virginia Woolf at the Shefiield Crucible and that she is currently appearing at the Donmar's Richard the Second as the Duchess of York. | 26 1 12 | Free | View In iTunes |
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The Graving Tool: Michael Pennington in conversation with Philip Franks | Recorded at the Freud Museum London on 8 January 2012 The Graving Tool: A Series of Talks Hosted by Timberlake Wertenbaker Michael Pennington in conversation with Philip Franks This year playwright Timberlake Wertenbaker is Writer in Residence at the Freud Museum, generously funded by theLeverhulme Trust. Timberlake Wertenbaker is an acclaimed and prolific playwright whose works have been performed and studied all over the world. Her play Our Country’s Good is an A level text and won the Laurence Olivier Play of the Year award in 1988. She is also a translator, translating and adapting plays for performance from French (examples include Marivaux’s False Admissions, Anouilh’s Wild Orchids and Racine’s Phedre) and from classical Greek (examples include Sophocles’ Elektra and Euripides’ Hippolytus.) Her recent translation of Racine’s Britannicus received rapturous reviews at Wilton’s Music Hall. She is using her residency at the Freud Museum to complete her latest play, The Suicide of Colonel A. Ajaxinspired by Sophocles’ Ajax. Timberlake is organising The Graving Tool, a series of conversations between herself and leading theatre practitioners probing how they create complex characters. Timberlake will ask how actors and directors explore the physical and mental makeup of a character on stage. How does an actor enter into the psychology of a character, particularly in a new play? What physical manifestation, including habits or tics do they come up with and how is this used in the performance? What do they read, particularly when acting a disturbed character? Where do they find this in themselves? How are actors affected by the personalities they inhabit? Michael Pennington is a British director and actor, most of his career has been on stage in works such as Hamlet(RSC), Oedipus the King, The Entertainer and Gross Indecency: The Three Trials of Oscar Wilde. In 1986, Pennington and director Michael Bogdanov together founded the English Shakespeare Company. As joint artistic director, he starred in the company's inaugural productions of The Henrys and, in 1987, the seven-play history cycle of The Wars of the Roses, which toured worldwide. He appeared in the 2005 film Fragile, co-starring Calista Flockhart and is the author of the book Are You There, Crocodile? which combines biographical material about the Russian playwright Anton Chekhov with a narration of Pennington's efforts to write a one-man play about Chekhov. In April 2004 he became the second actor, after Harley Granville-Barker in 1925, to deliver the British Academy's annual Shakespeare lecture. The lecture was entitledBarnadine's Straw: The Devil in Shakespeare's Detail. Philip Franks is an English director and actor, he has directed many plays including Kafka's Dick and The Kiss of the Spiderwoman (Nottingham Playhouse), Hamlet(Greenwich and tour), The Duchess of Malfi (West Yorkshire Playhouse, Greenwich and West End), Private Lives and The Heiress (Royal National Theatre) and The White Devil(Lyric Theatre, Hammersmith). Franks is best known for his roles as tax inspector Cedric "Charley" Charlton in the British sitcom The Darling Buds of May, and Sgt. Raymond Craddock on Heartbeat. He has also made guest appearances in Absolutely Fabulous andFoyle's War. Other appearances include the TV miniseriesBleak House, Martin Chuzzlewit, The Buddha of Suburbia, The Green Man and To Serve Them All My Days. Franks is also a member of the Royal Shakespeare Company. | 17 1 12 | Free | View In iTunes |
| 27 | VideoRichard Crow - Radio Schreber, Soliloques for Schziophonic (extract), 20.4.2011 | Richard Crow - Radio Schreber, Soliloques for Schziophonic (extract), 20.4.2011 Phantasmic voices of Radio Schreber: Richard Crow, Gabriel Séverin, Anna Teresa Scheer, Nick Couldry, Adam Bohman, Douglas Park and others who remain obscure and unknown... Radio Schreber, Soliloques for Schziophonic voices investigates the recurring theme of ‘hearing voices’ in sonic and literary works by paying homage to Daniel Paul Schreber’s Memoirs of My Nervous Illness. Written in 1903 during his second mental illness at Sonnenstein Public asylum, the Memoirs detail an alternate delusional world famously analysed by Freud in his Psycho-analytic Notes on An Autobiographical account of a case of paranoia (Dementia Paranoides) published in 1911. For the centenary of Schreber’s death (and Freud’s Psychoanalytic Notes), a sound performance by artist Richard Crow will give voice to Schreber’s visionary text through a specially created composition that will be premiered at the Freud Museum London. As a continuation of his project, Imaginary Hospital Radio, Richard Crow will work in collaboration with sound-poet Gabriel Séverin in exploring a sonic tableaux of phantasmic and disembodied voices embedded in the text as well as in its physical and imaginary locations inhabited by Schreber. Presented by Sound Threshold. Curated by Lucia Farinati with the assistance of Rita Correddu. Recorded by Colin Potter. | 21 12 11 | Free | View In iTunes |
| 28 | VideoCrash Bash Trash (Video Version) | Crash Bash Trash A stand up performance on CBT at the Anna Freud Centre on Tuesday 6th December 2011 at 7pm. Psychotherapist by day, comedienne by night, Liz Bentley uncovers the truth about Cognitive Behavioural Therapy. Armed with ukulele and Casio keyboard Liz is one of the quirkiest voices on London’s spoken word scene. “Like a female Ivor Cutler” The Scotsman “A refreshingly multi-talented writer and performer. Her sharp wit combined with her unique style and delivery is highly infectious – comes thoroughly recommended!” New Writing South Liz Bentley sought psychoanalytical psychotherapy at age 23 . Struggling with bulimia, drugs, relationships and the diagnoses of Multiple Sclerosis, her therapy allowed her to be creative and provided a way of making sense of her difficulties. Liz has performed at London literature festival at Southbank, the National Theatre and has had three successful shows at Edinburgh festival (2008 being in Edinburgh’s only swimming pool venue, included hosting over 100 other writers/performers in the water. Liz’s experiences of mental and physical health have taken her into disability arts where she has performed at Bonkersfest, Liberty festival (2009 Liberty laureate) and Da Da festival. She strives to smash the apartheid between disability and mainstream arts. Liz has worked as a counsellor/psychotherapist for 18 years. She lives in Peckham with her family and currently works in the NHS and has a private practice. She has a special interest in psychosomatic, medically unexplained persistent physical symptoms and has just completed an MA dissertation on this subject | 8 12 11 | Free | View In iTunes |
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Crash Bash Trash (Audio Version) | Crash Bash Trash A stand up performance on CBT at the Anna Freud Centre on Tuesday 6th December 2011 at 7pm. Psychotherapist by day, comedienne by night, Liz Bentley uncovers the truth about Cognitive Behavioural Therapy. Armed with ukulele and Casio keyboard Liz is one of the quirkiest voices on London’s spoken word scene. “Like a female Ivor Cutler” The Scotsman “A refreshingly multi-talented writer and performer. Her sharp wit combined with her unique style and delivery is highly infectious – comes thoroughly recommended!” New Writing South Liz Bentley sought psychoanalytical psychotherapy at age 23 . Struggling with bulimia, drugs, relationships and the diagnoses of Multiple Sclerosis, her therapy allowed her to be creative and provided a way of making sense of her difficulties. Liz has performed at London literature festival at Southbank, the National Theatre and has had three successful shows at Edinburgh festival (2008 being in Edinburgh’s only swimming pool venue, included hosting over 100 other writers/performers in the water. Liz’s experiences of mental and physical health have taken her into disability arts where she has performed at Bonkersfest, Liberty festival (2009 Liberty laureate) and Da Da festival. She strives to smash the apartheid between disability and mainstream arts. Liz has worked as a counsellor/psychotherapist for 18 years. She lives in Peckham with her family and currently works in the NHS and has a private practice. She has a special interest in psychosomatic, medically unexplained persistent physical symptoms and has just completed an MA dissertation on this subject. | 8 12 11 | Free | View In iTunes |
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ADULT LOVE AND ITS ROOTS IN INFANCY - Part 4 of 4 | Day Conference at the Tavistock Centre, London on 3rd December 2011 - a four part podcast. Part 4 of 4: Estela Welldon - The Dangers of First Love This conference investigated adult love by bringing together the worlds of psychoanalysis, literature, and performance. The most sublime, exhilarating and painful of emotions, love puzzles the intellect and almost defies description. It motivates the best and worst of us, overwhelming us with the ferocity of its demands, while thwarted love and perverse love are at the heart of much violent behaviour and neurotic suffering. Psychoanalysis unlocks the mystery of love by tracing its roots to childhood. The conference will be of interest to anyone involved in adult psychotherapy or counselling, and anyone who has ever been in love. ABSTRACTS Estela Welldon The first love between mother and baby will forever mark future encounters and relationships. Mother-baby love has a unique characteristic in that both parties are involved not only psychologically but also biologically. The possibility exists of a mutual and reciprocal experience of blissful and satisfying union. The expectation is of ‘unconditional love’. This is the situation in the perfect world, however things are not that simple and uncomplicated. In this talk we shall be addressing failures of that 1st love leading to violent relationships and escalating to forensic cases. Using clinical examples from both forensic and non-forensic psychotherapy this paper will show how the first experiences of love mark people for future love encounters, and how new patterns of loving can be established. | 6 12 11 | Free | View In iTunes |
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ADULT LOVE AND ITS ROOTS IN INFANCY - Part 3 of 4 | Day Conference at the Tavistock Centre, London on 3rd December 2011 - a four part podcast. Part 3 of 4: Anna Furse - When I touch the keys my flesh melts: On writing Don Juan.Who? This conference investigated adult love by bringing together the worlds of psychoanalysis, literature, and performance. The most sublime, exhilarating and painful of emotions, love puzzles the intellect and almost defies description. It motivates the best and worst of us, overwhelming us with the ferocity of its demands, while thwarted love and perverse love are at the heart of much violent behaviour and neurotic suffering. Psychoanalysis unlocks the mystery of love by tracing its roots to childhood. The conference will be of interest to anyone involved in adult psychotherapy or counselling, and anyone who has ever been in love. ABSTRACTS Anna Furse The theatre production Don Juan.Who?/Don Juan.Kdo? (Athletes of the Heart with Mladinsko, Ljubljana and Riverside Studios 2008) was created in an especially assembled private 'cyberstudio' where geographically dispersed collaborators wrote confessionally and anonymously for 18 months to produce a performance text on the Don Juan archetype. An online masquerade, the project aimed to get under the skin of PC and reveal how the nomadic, priapic, irresponsible seducer lurks in women - and men's - minds. As the company met weekly to write on this theme, the actual erotic of the writing process began to reveal itself, as well the pleasure in cross-dressing at will, being interrupted, merging with others, and getting lost in the 'ballroom' of cyberspace. | 6 12 11 | Free | View In iTunes |
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ADULT LOVE AND ITS ROOTS IN INFANCY - Part 1 of 4 | Day Conference at the Tavistock Centre, London on 3rd December 2011 - a four part podcast. Part 1 of 4: Lisa Appignanesi (Chair) - All About Love 8 Introductory Remarks and Bernard Barnett Psychoanalytic Love, Real Love and Love in Anna Karenina. This conference investigated adult love by bringing together the worlds of psychoanalysis, literature, and performance. The most sublime, exhilarating and painful of emotions, love puzzles the intellect and almost defies description. It motivates the best and worst of us, overwhelming us with the ferocity of its demands, while thwarted love and perverse love are at the heart of much violent behaviour and neurotic suffering. Psychoanalysis unlocks the mystery of love by tracing its roots to childhood. The conference will be of interest to anyone involved in adult psychotherapy or counselling, and anyone who has ever been in love. ABSTRACTS Bernard Barnett In my paper I will discuss the nature of love (and to a lesser extent of hate) and take a fresh look at the psychoanalytic relationship and especially the the paradox of psychoanalytic love. I will draw on the work of Freud, Winnicott, Shakespeare, Hardy and especially Tolstoy and with the use of material from one of my own patients, I will explore a few of the many different kinds of love and arrive at some tentative conclusions. | 6 12 11 | Free | View In iTunes |
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Playing with dynamite: A personal approach to forensic psychotherapy A talk by Estela Welldon | Playing with dynamite: A personal approach to forensic psychotherapy A talk by Estela Welldon at the Freud Museum on 10 November 2011. Estela Welldon discusses her personal understanding of perversions, violence and criminality based on her many years experience at the Portman Clinic and her latest bookPlaying with Dynamite. 'Estela Welldon has taught a whole generation of clinicians to question their idealisation of the mother-child relation. In this superb new study, she challenges both popular and professional preconceptions about perversion, violence, and crime. Drawing on years of research and clinical practice, she shows us the importance of thinking before blaming, and gives us the clinical and conceptual tools to do so. A brave and deeply humane work, this invites us to go beyond gut moralism and to enter the minds of those it is always easier to incarcerate than to understand.’ Darian Leader, psychoanalyst Estela Welldon is a psychotherapist who worked for many years at the Portman Clinic and in private practice. She is the founder of the International Association for Forensic Psychotherapy and a Fellow of the Royal College of Psychiatrists. She is most famous for her book Mother, Madonna W***e: The Idealization and Denigration of Motherhood (1988) which quashed the myth that ‘perversion’ was largely a male preserve and opened up a whole new field of therapeutic enquiry. She is the author ofSadomasochism (2002) and principal editor of A Practical Guide to Forensic Psychotherapy (1997). Her latest publication is Playing with Dynamite: A Personal Approach to the Understanding of Perversions, Violence and Criminality (Karnac, 2011 | 14 11 11 | Free | View In iTunes |
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Author’s Talk: Marilyn’s Last Sessions Michel Schneider in Conversation with Lisa Appignanesi | Author's Talk: Marilyn's Last Sessions Michel Schneider in Conversation with Lisa Appignanesi A special event from the Freud Museum London, held at the Anna Freud Centre on 1 November 2011. 4.25 am, 5 August 1962, West Los Angeles Police Department ‘Marilyn Monroe has died of an overdose’, a man’s voice says dully. And when the stunned policeman asked ‘What?’, the same voice struggled to repeat ‘Marilyn Monroe has died. She has committed suicide.’ In the three years running up to this phonecall, psychoanalyst Dr Ralph Greenson became the most important person in Marilyn Monroe’s life. They met almost every day. He was her analyst, her friend and her confessor. He was the last person to see her alive, and the first to see her dead. In this highly acclaimed novel, based on the transcripts of their meetings, Marilyn’s last years are brilliantly recreated. It is the story of the world’s most famous and elusive actress, told partially in her own words. The book raises questions about the increasingly blurred lines between fact and fiction, as well as giving powerful insight into the workings of Hollywood and its close links with psychoanalysis. Michel Schneider has written on psychoanalysis, Baudelaire, Proust, Schumann and Glenn Gould. His essay collection, Morts Imaginaires (Grasset, 2003), won the Médicis Essay Award. He lives in France. Lisa Appignanesi is a writer, broadcaster and chair of trustees of the Freud Museum London. Her most recent book All about Love, is an intimate and illuminating look at how love shapes our lives and our world. | 11 11 11 | Free | View In iTunes |
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Psychotherapy without foundations? A conference podcast, part 4 of 4 | On Saturday 29th October 2011, the Freud Museum Public Programme held a one day conference, “Psychotherapy without foundations?” at the Anna Freud Centre, 12 Maresfield Gardens, London, NW3 5SH. Podcast 4 of 4 Session 4: Training John Heaton: Wittgenstein and the implications for the training of psychotherapists. Del Loewenthal and Robert Snell: A training in post-existentialism - towards a therapy without foundations. Bice Benvenuto - Respondent. followed by a group discussion | 8 11 11 | Free | View In iTunes |
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Psychotherapy without foundations? A conference podcast, part 3 of 4 | On Saturday 29th October 2011, the Freud Museum Public Programme held a one day conference, “Psychotherapy without foundations?” at the Anna Freud Centre, 12 Maresfield Gardens, London, NW3 5SH. Podcast 3 of 4 Session 3: Theory and Research Julia Cayne: Researching the between as unknown: Post-phenomenology for practice, theory and research. Phil Mollon - Respondent. followed by a group discussion. | 8 11 11 | Free | View In iTunes |
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Psychotherapy without foundations? A conference podcast, part 2 of 4 | On Saturday 29th October 2011, the Freud Museum Public Programme held a one day conference, “Psychotherapy without foundations?” at the Anna Freud Centre, 12 Maresfield Gardens, London, NW3 5SH. Podcast 2 of 4 Session 2: Therapeutic Practice Tom Cotton: Laing and ‘the treatment is the way we treat people’ Rhiannon Thomas: Language, experience and misrepresentation: The case of Lola Voss Haya Oakley - Respondent. followed by a group discussion | 8 11 11 | Free | View In iTunes |
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Psychotherapy without foundations? A conference podcast, part 1 of 4 | On Saturday 29th October 2011, the Freud Museum Public Programme held a one day conference, “Psychotherapy without foundations?” at the Anna Freud Centre, 12 Maresfield Gardens, London, NW3 5SH. Podcast 1 of 4 Session 1: Introduction Del Loewenthal: On the very idea of a therapy without foundations. Robert Hinshelwood - Respondent followed by group discussion | 8 11 11 | Free | View In iTunes |
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Barbara Loftus in Conversation with Monica Bohm-Duchen | An exclusive event at the Freud Museum London. On 26 October 2011 at 7pm: Barbara Loftus in Conversation with Monica Bohm-Duchen Artist Barbara Loftus discusses her exhibition Sigismund’s Watch: A Tiny Catastrophe, with the shows curator Monica Bohm-Duchen.Sigismund’s Watch: A Tiny Catastrophe is a beautifully executed and intellectually thought-provoking cycle of artworks, prompted by the recollections of the artist’s mother Hildegard, who fled from Germany to England as a Jewish refugee in 1939. The story is told through a series of oil paintings and works on paper, vividly contextualised by documentary images and quotations from the Weimar period. Barbara Loftus is a figurative painter who also makes artist’s bookworks. She combines a traditional studio practice with performed re-enactment, historical research and digital media to feed into her image making process. Monica Bohm-Duchen is an independent writer, lecturer and exhibition organiser. The institutions for which she has worked include the Tate Gallery, the National Gallery, The Royal Academy of the Arts and the Courtauld Institute. The publications to which she has contributed include The Jewish Quarterly, RA Magazine, Art Monthly and Modern Painters. | 8 11 11 | Free | View In iTunes |
| 40 | VideoVideo Introduction: Victor Ross in conversation with Michael Molnar. | A video introduction to the special event - Victor Ross in conversation with Michael Molnar. On 6 May 1926, at a party in Bergasse 19, Vienna's psychoanalytic establishment turned out to celebrate Sigmund Freud's 70th Birthday. Guests came from far afield: Princess Marie Bonaparte from Paris, Ernest Jones from London, Ernst Simmel from Berlin. Also present were Dorothy Burlingham and Eva Rosenfeld, at that time as close to Anna Freud as a sister and Eva's young son, Victor Ross. 85 years on, Freud scholar and former Freud Museum Director, Michael Molnar talks to Victor Ross about his life and relations to the Freud family. This is a rare and fascinating opportunity to hear recollections from someone who knew the Freud family well, and has personal memories of the Freuds both when they were living in Vienna and at 20 Maresfield Gardens. This talk is part of the Museum’s 25th anniversary programme and was recorded at the Anna Freud Centre on Wednesday 21st September 2011. | 27 10 11 | Free | View In iTunes |
| Total: 40 Episodes |
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