Album Review
What do Fiona Apple, the Blasters, Cibo Matto, the Creatures, Divinyls, Jewel, Ben Lee, Sean Lennon, the Lemonheads, NOFX, Michael Penn, Lou Reed, Tom Waits, and Victoria Williams have in common? Well, besides being a representative sample of the most influential projects and artists of the last two decades, all these names are on the collective résumé septet Brazzaville. Put together by saxophonist David Brown (Beck), Brazzaville boasts, slinky, spy-at-the-beach sounds that suggest exotic, tropical vacations courtesy of the Federal Witness Protection Program, or an invitation into dangerously cool, Yakuza hangouts where nobody knows your name until all the doors are locked. World traveler Brown gathered his journeyman musician friends together to create music fusing his Far East and South American influences. The result, which has room to reconcile both West Coast cool jazz and New York City hip-hop flavors, also allows room for some vivid spoken word in the gritty "Sewers of Bangkok" and the now-I-am-become-Kali "Ocean" featuring Joe Frank (National Public Radio). Eclectic arrangements that successfully synthesize a multiplicity of genres rich in percussion, while incorporating organ, turntables, piano and more, give every track a unique and exotic feel. This self-titled debut is one of those rare albums that more than fulfills its promise.
Biography
Genre: Rock
Years Active: '90s, '00s
Led by Beck saxophonist David Brown, Brazzaville's exotic, globally minded indie pop was as much a product of Brown's extensive travels as it was the Los Angeles coffeehouse scene from whence most of its members came. Born in L.A., Brown had been a teenage runaway and heroin addict before cleaning up and finding a new lease on life from his love of traveling the world on the cheap. He criss-crossed Europe, South America, and Asia, picking up musical influences from the Far East, Brazil (bossa nova...
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