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Apocalyptica (iTunes Version)

Apocalyptica

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Recensione album

A listen to Apocalyptica's Apocalyptica brings with it the nagging urge to figure out where, exactly, the music fits. Certain moments — entire tracks, even — are given over to classical formality, and it is in those moments, steeped as they are in traditional loveliness, that a listener can come dangerously close to thinking he is hearing something lofty and important. He is not. Apocalyptica, the genre-splicing Finnish instrumental band that changed headbangers' perception of the cello, is not pretentious exactly, but its effect is the same as that of a rock band whose lead singer is audibly British: it sounds smart. Too smart, for instance, to issue from the headphones of a kid just discovering Black Sabbath or lining up for Slipknot tickets. Where Apocalyptica might fit, then, is not with heavy rock scenesters but with aging metal heads. It is not hard to envision tracks like "Fatal Error" and "Fisheye" booming from the speakers of a splashy convertible with a bald guy at the wheel. Elaborate fantasy-concocting gamers — Dungeons & Dragons players and their descendants — also stand a better chance than most of finding relatable rock bliss here.

Biografia

Formato(a): 1993, Helsinki, Finland

Genere: Rock

Anni di attività: '90s, '00s, '10s

The Helsinki, Finland quartet Apocalyptica were initially comprised of classically trained cellists Eicca Toppinen, Max Lilja, Antero Manninen, and Paavo Lotjonen; formed in 1993, the group made waves internationally in 1996 with Plays Metallica by Four Cellos, which combined their formal background with their love of heavy metal. The album found favor with both classical buffs and metalheads alike, and two years later, Apocalyptica resurfaced with Inquisition Symphony, which featured covers of material...
Bio completa
Apocalyptica (iTunes Version), Apocalyptica
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