We Are the Void

Toward the end of the '90s, Scandinavian death metal — or at least one branch of it — began to evolve into a more accessible amalgamation of death metal intensity, a bit of progressive metal experimentation, and more traditional late-'70s/early-'80s British metal, with its catchy, groove-oriented riffs and twin-guitar lead lines. Although the style was hardly confined to one place, there was an especially fertile scene centered in the Swedish city of Gothenburg, and Dark Tranquillity...