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Thought So...

Nightmares On Wax

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Album Review

Thought So... is a bit of a travelogue for Nightmares on Wax, consisting of tracks recorded in locales ranging from Leeds to Ibiza — and definitely many places in between. Utilizing an intriguing studio named Camper Van Somewhere (as in, "Recorded on the..."), George Evelyn and Robin Taylor-Firth keep their productions painfully sparse, par for the course in the NoW catalog. Sometimes they're a little too sparse, specifically the first few tracks, where listeners might get the feeling they're trapped back in 1996 — when a naked breakbeat and an occasional effect or sample were the only things necessary for an innovative production. By the time they get to "Bringin It," however, it's clear that Evelyn and Taylor-Firth haven't lost their touch for finding grooves that transcend terms like lazy and instead achieve superlatives like effortless. There are a few additional moments of greatness ("Moretime" is a clear highlight), but also a few more tracks on the opposite side — they may make for great background listening, but seem to require altered states to get through while focusing on the music.

Biography

Formed: 1988 in Yorkshire, England

Genre: Electronic

Years Active: '80s, '90s, '00s

The combined project of George Evelyn and Robin Taylor-Firth, Nightmares on Wax became one of the brightest spots on the post-rave British techno map of the early '90s. NoW's debut album, A Word of Science, was — along with early tracks by LFO, Tuff Little Unit, and Tricky Disco — a crucial bridge between the competing influences of New York house and electro, Detroit techno and soul, London rave and acid, and the burgeoning eclecticism of the years to come. Forming in the late '80s in...
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Thought So..., Nightmares On Wax
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