Moscow Memoirs
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- $21.99
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- $21.99
Publisher Description
In the early 1960s Anna Akhmatova encouraged Emma Gerstein to record her own memories of the renowned Russian poet, Osip Mandelstam. But Gerstein's vivid and uncompromising account was not at all what she had expected. When first published in Moscow in 1998 Gerstein's memoirs provoked responses from condemnation to rapturous praise amongst Russian readers. A shrewd observer, a close member of the Mandelstam and Akhmatova family circles, and a serious literary specialist in her own right, Gerstein is uniquely qualified to remove both poets from their pedestals without diminishing them, or their work, and to bring back to life the Soviet 1930s. Part biography, part autobiography, this book radically alters our view of Russia's two greatest 20th century poets, providing memorable glimpses of numerous other figures from that partly forgotten and misunderstood world, and offers several unforgettable vignettes of Boris Pasternak. Gerstein's integrity and perceptive comment make her account compulsively readable and enables us to re-examine that extraordinary epoch.
PUBLISHERS WEEKLY
Born to a man who became a high-ranking Soviet physician, Gerstein (1903-2002) rebelled against her father's political affiliations early on. After a string of unsatisfying jobs, she followed a desire to write, establishing herself as a literary scholar and ensconcing herself among the literati of Soviet Russia. Her life changed dramatically in 1928, when she met Mandelstam and his wife, Nadezhda; Gerstein now had access to a quite famous living poet and his circle of friends, eventually including Akhmatova. The group suffered through the political woes of the time but also reveled in its literary excitement. Weaving biographical threads with autobiographical filaments, as well as selections from the poetry and letters of these two Soviet literary giants, Gerstein offers insightful glimpses into their world. She recalls how, when in transit, Akhmatova would paste an inoffensive poem over a more offensive one (the poem on Stalin that got Mandelstam repeatedly exiled was too hot to write down), as well as the way Akhmatova aged before Gerstein's eyes when she learned of her son's imprisonment. While the standard first-person account of Mandelstam is his wife's Hope Against Hope, Gerstein's portraits provide angles absent in that great work, despite a flat translation.
