Back Seat Producers
By Tony Mast
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Podcast Description
We Don't Make Movies, But We'll Let You Know What Is and Isn't Working in Hollywood.
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BSP Episode 229: The Fall | Release date: 5/30/2008 Roadside Attractions Directed by Tarsem Singh Produced by Tarsem Singh Ajit Singh Tommy Turtle Written by Tarsem Singh Dan Gilroy Nico Soultanakis Cast Lee Pace Roy Walker/Red Bandit Catinca Untaru Alexandria/Red Bandit’s daughter Before discussion of the movie even begins, there is a necessary and sexy discussion regarding David’s beard, it’s transformation and the future of his facial hair. Initial comments by the hosts: Darrell thought it was a very strange movie (in a good way!) that sucked you in, in the way that it kept falling into the fantasy and Alexandria’s (Catinca Untaru) imagination of what Walker’s (Lee Pace) story meant to her (how she translated it in her young mind). He also thought that between the sounds and the visual beauty of the film, you kept falling down this rabbit-hole, not knowing where it was going to end. David adored the movie and loved that this film fully explored the visual medium. He was very impressed with the fact that there were no special effects used in the movie. He was less interested in the story in the hospital, but thought it was still fantastic. The hosts all agreed that the little girl stole every scene she was in. Because most of Untaru’s acting consisted of reacting to what was given to her and not having very much of a scripted dialogue, she gave a very natural performance. Tony said that when he finished the movie, he was still processing it, and it wasn’t until later that he could fully embrace how good the movie was. The hosts all appreciated how the film was less about the story itself and more about the relationship between Walker and Alexandria. One thing that resonated with Darrell was the way that Walker used and manipulated Alexandria to procure drugs for him (morphine), as an addict does. Tony and David argued that neither of them felt that Walker was an addict, but was only trying to kill himself. The manner in which Alexandria pulled the characters (the hospital workers in dual roles) into Walker’s story was reminiscent of The Wizard of Oz and very well done. The hosts also liked how Walker used his relationship with his Evelyn and Sinclair/Odious to shape his story for the little girl. Tony and Darrell brought up how the sounds of the outside world would bleed into the story and impact it, as sometimes happens in dreams. They also liked how Walker had to keep adapting the story to keep Alexandria interested, as one would have to do for a child. Another fantastic piece was how Alexandria believed the story was real throughout most of the film, but when Walker began to kill off the characters at the end, she insisted that Walker was making that part of the story up. The hosts all enthusiastically recommend this film Trivial bits and pieces: This movie was inspired by the Bulgarian movie, Yo ho ho. The film was shot on 26 locations over 18 countries. Catinca Untaru initially believed that Lee Pace was really a paraplegic, and Tarsem Singh found that this brought an added level of believability to her dialogue, so he decided to keep almost the entire cast and crew under the same impression. It was difficult to keep up the lie, as a makeup artist almost passed out from shock after walking into a room to find Pace standing up. The hospital scenes with Untaru were shot in chronological order, as the child’s English improved over time; she grew taller and lost her two front baby teeth before filming started. Alexandria’s misinterpretation of the letter E as the number 3 in the “morphine” note written by Walker was an actual mistake by Untaro. Singh realized he could adapt that into a clever twist in the story. Your Producers for this episode were: Tony Darrell David This episode was recorded: 5/9/2012 | 5/27/12 | Free | View In iTunes |
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Back Seat Box Office #88 | Picks: Tony, Jonathan, Lena: MIB 3 The Avengers Chernobyl Diaries Battleship The Best Exotic Marigold Hotel (wide release) Andrew, William: MIB 3 The Avengers Battleship Chernobyl Diaries The Best Exotic Marigold Hotel Father Beast: MIB 3 The Avengers Chernobyl Diaries Battleship Dark Shadows Mrs. Beast: The Avengers MIB 3 Battleship The Dictator Chernobyl Diaries Mennolly: The Avengers MIB 3 Battleship Dark Shadows The Dictator There are no other wide releases this week. | 5/25/12 | Free | View In iTunes |
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Back Seat Box Office #87 Results and Voice Mail | Thanks to Tad for the voice mail. Congrats to BD, Lena, Tony, and Monty for their 25s this week. | 5/22/12 | Free | View In iTunes |
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Back Seat Quickies #47: Being Elmo | In the seat: Scott Sam Recorded: 05/21/12 | 5/22/12 | Free | View In iTunes |
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BSP Episode 228: This is Spinal Tap | Part 5 of our 5 part Rock ‘n Roll series Release date: 3/2/1984 Embassy Pictures Directed by Rob Reiner Produced by Karen Murphy Written by Christopher Guest Michael McKean Harry Shearer Rob Reiner Cast Rob Reiner Marty DiBergi Michael McKean David St. Hubbins Christopher Guest Nigel Tufnel Harry Shearer Derek Smalls 1:03 2012 RPG Podcast Listeners’ Survey – TAKE THE SURVEY! http://rpgpolls.com/fill/survey/2012-RPG-Podcast-Listener-Survey/The-Podge-Cast 3:28 Prometheus – Happy Birthday, David. http://www.youtube.com/watch?v=WFyU10B5Jt0 4:05 David discusses watching Michael Fassbender urinate. 5:10 Host reviews. 8:00 This is the one time the pod didn’t open, why didn’t they show all the other times? 8:25 David (unless you’re Tony, then he’s Adam) has hairballs. 8:50 David’s the only one at the table who could shave and pull off a Wolverine. 9:25 David admitted that he fast-forwarded every time a song started… you what?? 9:35 Big Bottom... Sex Farm. 9:40 I’m gonna plow your beanfield! 9:48 My silo is rising! 10:10 The hosts loved the cameos. 10:42 David: Who’s Angelica Houston? Jill: (sighing) Oh my God. 11:40 What Jill liked… 12:10 What Tony liked… 12:25 Rob Reiner’s awkward hand movements. 12:45 Rob Reiner in spandex? There isn’t a pod big enough! 13:12 Some else’s vomit. You can’t dust for vomit. 14:15 The bass player with the pipe, he’s the intellectual one. 14:45 Jill dared to say it… Nic Cage is not aging well! 15:00 David will take any Nic Cage he can get. 15:10 How did Lenny Kosnowski become David St. Hubbins? 15:52 Stonehenge sh*% was hysterical! 16:10 We have armadillos in our pants! 17:23 Trivia time with Jill. 18:00 Is Spinal Tap a real band? 18:40 Darrell discusses Spinal Tap’s DVD releases and copywriting issues. 19:20 Help, we are going into the pop business! 20:00 Well, we’re huge in Japan. 20:34 The hosts get sentimental with lyrics. 20:35 My baby fits me like a flesh torpedo, I love to sink her with my pink torpedo. 20:45 Talk about mud flaps, my baby’s got ‘em! 21:00 The looser the waistband, the deeper the quicksand. Or so I have read. 21:08 Drives me out of my mind. How can I leave this… behind? 21:27 Lick my love pump. 21:35 It’s a mix between Mozart and Bach. 22:00 Oh, she’s dead. What? No. Yeah. No. No, she’s not dead. You’re right. 22:45 Geoff: Part of the brilliance of the movie was the gradual deterioration of the band’s success as represented by dwindling Americana. 23:09 And the puppets have a bigger dressing room. 23:55 Odd sexual references to Deuce and Luke. 24:45 Mr. Bentley from The Jeffersons. 25:30 Their other movies; A Mighty Wind, Best in Show, For Your Consideration, Waiting for Guffman. 25:55 They named the drummers after the different “Curly” characters from The Three Stooges. 26:25 A nice wrap-up to the Rock Series. 26:35 David was disappointed by the lack of p***s in the movie. 26:50 Well, there WAS the cucumber! 27:23 Instead of a movie where a nobody becomes a rock star (Rock Star), this was a movie about how a rock star can become a nobody. 28:00 Back to Rock Star, lamenting the fact that Jennifer Aniston didn’t get naked. 28:36 David wants Tony to record a parody video, playing the part of all three characters. 28:45 Challenge accepted (yet… I’ve seen no such video). 29:00 Spinal Tap-only karaoke at David’s Cinco de Mayo party. 29:44 Broken mailboxes and more vomit. 30:10 David’s beloved track pants. 30:30 Darrell wraps this party up by stating that This Is Spinal Tap is rated by The Library of Congress as one of the Top 100 Movies of all Time. 31:10 David’s turned on by lists. 31:20 Melina calls David to get the story straight. 32:30 Relationship pro-tip from David. | 5/20/12 | Free | View In iTunes |
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Back Seat Box Office #87 | Picks: Jonathan: The Avengers Battleship What to Expect When You're Expecting The Dictator Dark Shadows Andrew, William: The Avengers Battleship The Dictator What to Expect When You're Expecting Dark Shadows Tony, BD, Lena: The Avengers Battleship The Dictator Dark Shadows What to Expect When You're Expecting There are no other wide releases this week. | 5/19/12 | Free | View In iTunes |
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Back Seat Box Office #86 Results and Voice Mail | Thanks to Tad for his voice mail this week. Congrats to Lena and Menolly for their 25s this week. | 5/16/12 | Free | View In iTunes |
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Back Seat Quickies #46: The Pirates! Band of Misfits! | In the seat: Sam Scott Recorded: 05/13/12 | 5/14/12 | Free | View In iTunes |
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ExplicitBSP Episode 227: Rock Star | Part 4 of our 5 part Rock ‘n Roll series Release date: 9/7/2001 Warner Bros. Directed by Stephen Herek Produced by Robert Lawrence Toby Jaffe George Clooney (executive) Mike Ockrent (executive) Steven Reuther (executive) Written by John Stockwell Cast Mark Wahlberg Chris “Izzy” Cole Jennifer Aniston Emily Poule Dominic West Kirk Cuddy Initial comments by the hosts: Darrell points out that this movie was inspired by what happened with Judas Priest when they replaced lead singer Rob Halford with Tim “Ripper” Owens (who had been in a Judas Priest and Pink Floyd tribute band.) The consensus from all three hosts was that the movie was… okay… filtered, lackluster, problematic in how the story was told. The basis of the story was less about realizing your dream than it was in living someone else’s fantasy. David wasn’t thrilled with Jennifer Aniston’s performance, but Darrell and Tony both thought she wasn’t all that bad. Their complaint was in how the character was written. Emily (Aniston) seemed completely oblivious to the “rock star” life and her reactions to hers and Izzy’s life were very unrealistic. The movie seemed to be pandering to much less of a rock ‘n roll audience than a mainstream audience. Tony listened to the commentary track after watching the movie and stated that some of the most interesting parts of the movie seemed to have been cut out, including one scene in which Emily's character had taken drugs with some of the other rock wives and girlfriends. The movie appeared to be designed to make Izzy’s character sympathetic so that the audience would approve of Izzy and Emily getting back together at the end. Their biggest complaint was not in the acting or the actors, but in the editing, writing, deleted scenes. Tony would have liked to have seen Izzy’s character be a bit darker, which would have fit more into the story. They all thought Aniston was miscast in this role. She was still doing Friends at the time and they thought that having Aniston portray any type of unpleasant character might not have gone over well with fans of Friends. One of the other issues the hosts brought up was that in Izzy’s life, there was no conflict; he liked his day job, he loved his music and his family and friends were supportive of what he did. Even when Emily broke up with him, there was no conflict! The only time Izzy faced any kind of opposition was when he brought some of his own music to Steel Dragon and they dismissed him. This is what ultimately caused Izzy to leave Steel Dragon (in the same way he joined Steel Dragon). Many of the musicians in the movie are actual musicians: Mark Wahlberg - Marky Mark and the Funky Bunch Jason Bonham (Steel Dragon drummer) –Bonham, and he is the son of John Bonham (Led Zeppelin) Jeff Pilson (Steel Dragon bassist) – Dokken Zakk Wylde (Steel Dragon guitarist) – Black Label Society, and he played with Ozzy Osborne Blas Elias (Blood Pollution drummer) – Slaughter Brian Vander Ark (Blood Pollution bassist) - The Verve Pipe Nick Catanese (Blood Pollution guitarist) - Black Label Society Stephan Jenkins (Black Babylon singer) - Third Eye Blind Your Producers for this episode were: Tony Darrell David This episode was recorded: 4/25/2012 | 5/13/12 | Free | View In iTunes |
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Back Seat Box Office #86 | Picks: Jonathan and Andrew and Scott and William: The Avengers Dark Shadows Think Like a Man The Hunger Games Pirates! Tony: The Avengers Dark Shadows Think Like a Man Pirates! The Hunger Games Lena: The Avengers Dark Shadows Think Like a Man The Hunger Games The Lucky One There are no other wide releases this week. | 5/11/12 | Free | View In iTunes |
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Back Seat Quickies #45: The Avengers | In the seat: Bhavna Scott Kylie Recorded 04/04/12 on a bus | 5/9/12 | Free | View In iTunes |
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Back Seat Box Office #85 Results and Voice Mail | Congrats to the solo 25 for the week, Father Beast. Thanks to Tad for the voice mail this week. | 5/9/12 | Free | View In iTunes |
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BSP Episode 226: Velvet Goldmine | Part 3 of our 5 part Rock ‘n Roll series Release date: 11/9/1998 Miramax Films Directed by Todd Haynes Produced by Christine Vachon Michael Stipe Bob Weinstein Harvey Weinstein Written by Todd Haynes James K. Lyons Cast Ewan McGregor Curt Wild Jonathan Rhys Meyers Brian Slade Christian Bale Arthur Stuart Toni Collette Mandy Slade Eddie Izzard Jerry Devine Initial comments by the hosts: Darrell isn’t a big fan of “flash-back” story telling but he liked this movie and thought it offered a nice little history of glam rock. Jill loved it, thought it had a lot of layers but didn’t see it as a historical piece. She looked at it not to look back at history but to look forward to where we are now. David thought he would hate it, but he really enjoyed it because it wasn’t about the music itself, it was about the human interaction. Tony liked all the pieces of the movie but wasn’t blown away by it as a whole. He thought that acting, the music and the visuals were great. Jill, being a big David Bowie fan, said she constantly finds new references every time she goes back to watch this movie again. The hosts get into an interesting discussion regarding whether culture today embraces the different musicians/styles/visuals the way that Britain did in the early 1970s, and specifically whether America did versus the way Britain adapted to that style. They also agreed that the movie is more about Arthur’s (Christian Bale) character than either of the musicians. Jill liked how the music was used to push the narrative along with abstract music video pieces, performance pieces and soundtrack pieces. It was also impressive that both Ewan McGregor and Jonathan Rhys Meyers both sang for this movie. Tony brought up that he found the story line very similar to Eddie & The Cruisers in that the lead character faked his death and a reporter tries to figure out what really happened, but the similarity pretty much ends there. The story itself is more about the reporter trying to figure out who he is, his experiences, and how he related to that movement. David appreciated that this movie tackled relationships not in a childish way, which he tends to see in music-themed movies, but in a more realistic way that shows relationships as “complicated, messy, and broken.” It was agreed that all of the acting was outstanding, with extra kudos to Eddie Izzard for stealing every scene he was in. David brought up the question of whether music played an integral part in your development as a person. Jill emphatically said “yes” and followed it up by saying that this movie is an indictment of the United States in that the cultural references die away in this country, more so than others. David stated that, which he has specific memories tied to some music, he doesn’t have any emotional connections to music. Jill found that this movie resonated with her in that you can be an “alien” and find a world of other aliens/alienated people, through music. David would have been perfectly fine if this movie had removed the soundtrack because the human narrative spoke more to him than the music did. The parallel of podcasting is brought up, and both Tony and David talk about how podcasting (though not necessarily in the genre of movie reviews) is an essential part of their lives at this point. The friendships that have been gained over the years through this shared forum are often closer and/or stronger than friendships gained through childhood. It was brought up that there were a lot of critical complaints about this movie that there was no real completion to the story lines. The hosts disagreed with those complaints; arguing that there were, in fact, completed story lines (What happened to Brian Slade?) and also arguing that there didn’t need to be a completion regarding Arthur Stuart’s character. You don’t know what will happen next with him, | 5/6/12 | Free | View In iTunes |
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Back Seat Quickies #44: Thematic Elements of Batman Begins and The Dark Knight | In the seat: Scott Recorded: 05/03/12 | 5/4/12 | Free | View In iTunes |
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Back Seat Box Office #85 | Picks: Tony and Andrew: The Avengers Think Like a Man Pirates! The Five Year Engagement The Hunger Games Jonathan: The Avengers Think Like a Man Pirates! The Hunger Games The Five Year Engagement | 5/4/12 | Free | View In iTunes |
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Back Seat Box Office #84 Results and Voice Mail | Thanks to Tad for the voice mail. Congrats to Tony, BD and Andrew... who all scored higher than 13. OUCH! | 5/2/12 | Free | View In iTunes |
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BSP Episode 225: Almost Famous | Part 2 of our 5 part Rock ‘n Roll series Release date: 9/15/2000 DreamWorks and Columbia Pictures Directed and Written by Cameron Crowe Produced by Cameron Crowe Ian Bryce Cast Billy Crudup Russell Hammond Patrick Fugit William Miller Frances McDormand Elaine Miller Kate Hudson Penny Lane Jason Lee Jeff Bebe Initial comments by the hosts: Before discussion of the movie began, the hosts talked about how difficult it was to find Almost Famous in streaming form. It’s available for rental, and even that is limited, and the movie is also broken up into 12 parts on You Tube. This is a semi-autobiographical movie of how Cameron Crowe got his start and you really get the sense that this movie feels a biopic, even though it’s a fictional story. Darrell points out that there are lots of little inside jokes in the movie (some of these will be listed at the end of the notes). Darrell thought it was funny that, only in the 1970’s, could a 14 year-old boy get a job with Rolling Stone Magazine, go on tour with a band and his mother does NOT completely freak out over this. Lena (from the chat room – watcher of the You Tube version) noted that it was nice to be reminded that Kate Hudson is actually talented. Tony thought Frances McDormand was fantastic; her character was a force in this movie. He also was impressed with the acting talent throughout the movie, not only of the main stars but also of the background/secondary characters, such as Fairuza Balk and Anna Paquin (The Band Aids), Zooey Deschanel, Jimmy Fallon, and Phillip Seymour Hoffman, to name just a few. Every character had a distinct voice and Crowe did a very good job at capturing and realizing these different people. Billy Crudup did a very good job at portraying Russell Hammond, the lead guitarist of Stillwater, who struggles through his ascent from musician in an up and coming band to a Rock God. Two of the favorite “quirks” of controlling single mom Elaine Miller (McDormand) was her referring to Simon and Garfunkel as the devil’s music and her making her kids celebrate Christmas in September, “when it’s not commercial.” Jason Lee was good at portraying Jeff Bebe as the leader of Stillwater, both insecure and someone who knows what to look for, what can (and eventually does) cause a rift in the band. Patrick Fugit, as William (Billy) Miller, was able to capture the innocence of a teenager in the 70s, the excitement of a fan travelling with a band and the eye-opening breaking through from adolescence to adulthood as he begins to see what life is really like outside of the world his mother created for him. The critical scene, near the end of the movie, shows not only the band members crumbling under the threat of their plane crashing, but also Billy Miller’s transformation from boy to man when he confronts the band about how they treat their fans… specifically their biggest fan, Penny Lane (Kate Hudson). Trivia notes for this movie (this is only a small selection): This film was Cameron Crowe’s semi-autobiographical account of life as a young Rolling Stone reporter. The actual group that Crowe first toured with was The Allman Brothers Band (Gregg Allman kept asking him if he was a narc). The near-fatal plane crash happened while traveling with The Who, and the character of Russell Hammond is based on Glenn Frey (Eagles). The roles of Russell Hammond and Penny Lane were originally offered to Brad Pitt and Sarah Polley. Polley dropped out to work on her own project, and Pitt worked with Crowe for mo | 4/30/12 | Free | View In iTunes |
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Back Seat Box Office #84 | Picks: Andrew: Think Like a Man The Five Year Engagement The Pirates! The Lucky One The Hunger Games Jonathan: The Five Year Engagement Think Like a Man Pirates! The Lucky One The Raven Tony (whose fault it is that this is stupidly late): Think Like a Man Pirates The Lucky One The Raven The Five Year Engagement Safe is also in wide release this weekend. | 4/27/12 | Free | View In iTunes |
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Back Seat Box Office #83 Results and Voice Mail | Show notes to follow | 4/25/12 | Free | View In iTunes |
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Back Seat Quickies #43: Quadrophenia (supplement) | Do scooters really have a backseat? Hosting: Scott Recorded: 04/24/12 | 4/24/12 | Free | View In iTunes |
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Back Seat Box Office #83 | Picks: Jonathan, Mrs. Beast: The Lucky One The Hunger Games Think Like a Man The Three Stooges The Cabin in the Woods Andrew: The Lucky One Think Like a Man The Hunger Games The Three Stooges The Cabin in the Woods Father Beast Hunger Games The Lucky One Think Like a Man Cabin in the Woods The Three Stooges There are no other new wide releases. | 4/20/12 | Free | View In iTunes |
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Back Seat Box Office #82 Results and Voice Mail | Thanks to Art and Tad for their voice mail. Congrats to Tad and Jonathan for their 25s! | 4/19/12 | Free | View In iTunes |
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Back Seat Quickies #42: Hitchhiker’s Guide to the Galaxy | Hoopy Frood: Scott Recorded: 04/16/12 with a towel. | 4/17/12 | Free | View In iTunes |
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BSP Episode 224: Quadrophenia | Part 1 of our 5 part Rock ‘n Roll series Release date: 9/14/1979 The Who Films Directed by Franc Roddam Written by Dave Humphries Franc Roddam Martin Stellman Pete Townshend Produced by Roy Baird Bill Curbishley Cast Phil Daniels Jimmy Cooper Leslie Ash Steph This recording starts with a discussion about the finale of The Walking Dead. It contains spoilers so… fair warning… if you haven’t seen the finale yet and don’t want to know what happened or if you don’t watch The Walking Dead and want to skip forward, the section runs from the beginning to 9:55. Initial comments by the hosts: David likes The Who (or other “old British bands – The Doors, Led Zeppelin, Rush” but I’m not really keeping score) but this movie makes him not like The Who. Darrell said it was hard to watch but he made his way through it and kind of liked it, or at least liked the movie. Tony found the movie almost unwatchable at points. He thought the movie was trying too hard to be A Clockwork Orange and it was a failure. There was also a general consensus… or was that confusion… that there was a great deal of naked males but NO naked females. Even during the sex scenes, there were no female bits and pieces to be seen. Some of the scenes were much too long, with 360 degree tracking shots and some scenes that seemed more like time fillers. The hosts thought that the movie could have easily been cut down to no more than an hour (running time is 117 minutes) and been more interesting. Tony thought that Phil Daniels (Cooper) looked and acted like Christian Bale and David thought that this movie should have won an award for the “most actors who look like other people.” He thought that one of Cooper’s friends looked like one of the Weasley twins (doesn’t matter which one). Scott (from the chat room) summed it up with the statement, “This is a cast made up of ugly British people.” David admitted to jumping ahead in five minute intervals out of sheer boredom and correctly assumed that he really wasn’t missing much. Tony didn’t understand the angst that the movie was trying to convey. Cooper comes from a working class background and he has a job. Given, he doesn’t really like his job but he still HAS a job, which is a hell of a lot more than most of his friends have. When the discussion turned to the Steph character, Tony thought that the character was written to be a hated person. Tony admitted that the hosts made the conscious choice to watch Quadrophenia as part of the Rock ‘n Roll series over Pink Floyd’s The Wall… at least he’s proud enough to admit that this might not have been the wisest choice! And now on to… The Hunger Games! (Starts at 32:07) It was widely agreed that the best parts of The Hunger Games were Lenny Kravitz (Cinna) and Woody Harrelson (Haymitch). Tony thought the movie overall was good, David thought it was great (your happy note-taker agreed with David). They also liked the characters of Rue and Thresh, but David’s only complaint was the District 11 scene (after Rue is… ) because they broke the 1st person immersion. David thought that the Katniss character was a strong female heroine that hasn’t been forced into a female “gender” role. She’s all business throughout the movie and she doesn’t break out of that role. He also would have liked to have seen more of an interaction between Peeta and Haymitch. Tony didn’t think the movie lived up to the hype. Neither did David, but that didn’t change his opinion that he really liked it. Also listen to Tony’s idea for an earlier story line on Cinna and Haymitch. Your Producers for this episode were: Tony Darrell David This episode was recorded: 3/28/2012 | 4/15/12 | Free | View In iTunes |
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Back Seat Box Office #82 | Picks: Jonathan: Hunger Games The Three Stooges Cabin in the Woods Titanic American Reunion Tony, Lena: Hunger Games The Three Stooges Cabin in the Woods American Reunion Titanic Andrew, Menolly: Hunger Games Cabin in the Woods The Three Stooges Titanic American Reunion Mrs. Beast Hunger Games American Reunion Cabin in the Woods The Three Stooges Lockout Father Beast Hunger Games Cabin in the Woods American Reunion Lockout The Three Stooges William Pall Hunger Games The Three Stooges American Reunion Cabin in the Woods Titanic There are no other new wide releases. | 4/13/12 | Free | View In iTunes |
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Back Seat Box Office #81 Results and Voice Mail | Thanks to Art and Tad for their voice mail picks and to Tad for clarifying his Axis and Allies strategy. Congrats to BD, Scott, Monty, Marc, Jonathan and Art for their 25s! | 4/11/12 | Free | View In iTunes |
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Back Seat Quickies #41: Top 5 Dystopian Bloodsport Films | Hosting: Scott Recorded 04/08/12 | 4/10/12 | Free | View In iTunes |
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BSP Special Episode 15: Fancast Part Deux | Your producers for this episode are: Tony Becca Sam William Lena This episode was recorded: 2/22/12 | 4/9/12 | Free | View In iTunes |
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ExplicitBack Seat Box Office #81 | Join us on GamesByEmail.com and Yucata.de! Picks: Tony, Andrew: Hunger Games Titanic American Reunion Wrath of the Titans Mirror, Mirror Jonathan: Hunger Games American Reunion Titanic Wrath of the Titans Mirror, Mirror Father Beast: American Reunion Hunger Games Titanic Wrath of the Titans Mirror, Mirror Uriah, Lena Titanic Hunger Games American Reunion Wrath of the Titans Mirror, Mirror There are no other new wide releases. Edit: Jonathan, in a hunger-induced haze, screwed up his own picks in the show notes. They've been corrected to match the audio picks. | 4/6/12 | Free | View In iTunes |
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Back Seat Box Office #80 Results and Voice Mail | Congrats to the overwhelming number of 25s this week. Thanks to Tim, Tad and Art for the voice mail. | 4/4/12 | Free | View In iTunes |
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Back Seat Quickies #40: The Hunger Games | In the seat: Sam Scott Recorded 04/01/12 on a couch. | 4/3/12 | Free | View In iTunes |
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BSP Episode 223: I Love You, Phillip Morris | Release date: 12/3/2010 Roadside Attractions Based on Mark Millar's “I Love You Phillip Morris: A True Story of Life, Love, and Prison Breaks Directed & Screenplay by Glenn Ficarra, John Requa Produced by Andrew Lazar, Far Shariat Cast Jim Carrey Steven Russell Ewan McGregor Phillip Morris Leslie Mann Debbie Initial comments by the hosts: Sam really liked this movie. He thought it was funny and an interesting character study and dubbed it “the two gay guys-funnier Shawshank Redemption.” Jill did not like the movie at all and had to go back to it three times to finally get through it. She did not connect with the characters at all and found them to be superficial stereotypes and didn’t see how the relationships made sense. Darrell thought he wasn’t going to like it and was surprised to find that he really enjoyed it; he thought the story was compelling. Tony said that the movie surprised him at every turn. It was not the movie he was expecting it to be, and he was very happy with it. He’s very hit-or-miss with Jim Carrey, and he really liked him in this performance. Sam thought the narration worked very well in this movie and Jill thought it was necessary in order to explain some of the more absurd parts of the movie. Tony liked that the narrator (Steven Russell) flat-out lied, because the character can’t tell the truth. During Jimmy’s death scene, from AIDS, Steven appeared to be mourning Jimmy’s death but years later Steven faked his own death from AIDS. So, was Steven really sad when Jimmy died or was he simply filing that bit of information away to possibly be used later? Jill took issue with how Steven’s life took such drastic changes when #1, he found his mother and #2, he came out of the closet as a gay man and took on that stereotypical, over the top, extravagant lifestyle. She appreciated, at least, that they also portrayed him as a liar and a jerk. Sam thought it wasn’t that much of an unrealistic portrayal since the movie would have taken place in the late 1970s and into the late 1990s, as that wasn’t really a set stereotype at that time. Darrell countered that Steven, who moved to Miami, would have lived during the time of that exact type of life, that stereotype. Tony thought that this showed one of the flaws of the character. Steven was attracted to men but he only knew how live as a gay man by fulfilling this stereotype, that this was the only thing he knew. Throughout most of the film, Jim Carrey played the character in a reserved manner, as he clearly should have, but Jill found a few moments in the film when Carrey let his larger-than-life comedic side come forward, and all the hosts agreed that this was unnecessary. Darrell brought up the scene where Steven is walking up to his office and finds a slew of FBI agents waiting for him. In his escape, he took a slightly more physically comedic route, and that would have played much more realistically if it has been played in a more reserved manner. Sam thought that the movie, in its narration, was framed through the lens of a comedy more than a drama. He thought that the comedy was Steven trying to poke fun at himself in hindsight. Tony disagreed with the major life-changing event of the car accident, which then brought Steven to announce that he was gay and this subsequently changed every single aspect of his life. He found it to be too much of a leap to be believable. Jill wondered if, without knowing that the movie was based on a true story, the viewers would buy the story? Tony agreed that he wouldn’t have and Sam stated that he simply enjoyed the movie, true story or no | 4/1/12 | Free | View In iTunes |
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Back Seat Box Office #80 | Picks: Tony, Jonathan, Lena, Father Beast: Hunger Games Wrath of the Titans Mirror, Mirror 21 Jump Street The Lorax Andrew, Uriah Hunger Games Wrath of the Titans 21 Jump Street Mirror, Mirror The Lorax William, Mrs. Beast Hunger Games Mirror, Mirror Wrath of the Titans 21 Jump Street The Lorax Menolly Hunger Games Wrath of the Titans 21 Jump Street The Lorax Mirror, Mirror There are no other new wide releases. | 3/30/12 | Free | View In iTunes |
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Back Seat Box Office #79 Results and Voice Mail | Congrats to all the 25s! #DittoWilliam! | 3/28/12 | Free | View In iTunes |
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Back Seat Quickies #39: The Ocean Waves | In the seat: Sam Recorded: 03/26/12 | 3/27/12 | Free | View In iTunes |
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BSP Episode 222: Kick-Ass | Release date: 4/16/2010 Lionsgate Directed by Matthew Vaughn Screenplay by Matthew Vaughn Jane Goldman Based on “Kick-Ass” by Mark Millar John Romita, Jr. Produced by Matthew Vaughn Brad Pitt Kris Thykier Adam Bohling Tarquin Pack David Reid Cast Aaron Johnson Dave Lizewski/Kick-Ass Nicolas Cage Damon Macready/Big Daddy Chloë Grace Moretz Mindy Macready/Hit-Girl Christopher Mintz-Plasse Chris D’Amico/Red Mist Happy Birthday, Sam!! Initial comments by the hosts: Melina thought it was a great overall movie with awesome acting, writing and music. Jill enjoyed it and thought there were some neat parallels to other movies and she loved the characters. Sam thought this movie was surprisingly violent, appropriately voiced-over and he enjoyed the hell out of it! Darrell thought… simply put… it kicked ass! David really liked it. Tony thought it was hyper-violent and hyper-awesome. One thing the hosts brought up is that they pretty much all thought that the movie was going to be a light comedy with superhero elements… not so much. As much as Aaron Johnson gave a good, solid performance as Kick-Ass, Chloe Grace Moretz stole the show as Hit-Girl. Nicolas Cage was fantastic in this movie! They thought his voice and mannerisms were very Adam West-Batman/Captain Kirk. The hosts didn’t think that any other actor could have pulled off the father/daughter relationship any better than Cage. David liked that the arc of this story didn’t follow the typical arc of a comic-book story. Typically there is one single large-scale event that motivates the character to become a superhero, or an event that physically changes the character. In Kick-Ass, Dave Lizewski (Johnson) is bullied and sees too many people turning the other way when they witness bullying. This is his motivation. Favorite “kills” from the movie: Tony – when Hit-Girl is wearing the school girl outfit and she shoots the other guys in the building lobby through the man’s mouth… and after everyone else is dead, she casually turns back and shoots the first man one more time to kill him. Melina – her favorite sequence is Hit-Girl’s first scene (where the funky version of the Banana Splits theme was playing) and in between killing people, she looks up at Kick-Ass and gives him a big, creepy smile. David – his favorite sequence is Kick-Ass’s jet pack scene, completely with a portion of “An American Trilogy” by Elvis Presley. Darrell – he liked the scene where Hit-Girl had all pretty much lined up and then she’s waiting with guns in both hands and she explodes out and kills them out. His favorite scene in that part was where she reloaded her guns, by tossing the magazines in the air, while still marching down the hallway. Sam – as much as he loved the microwave scene, his favorite was when she was in the library and, after she shoots one of the men, he falls and his sawed-off shotgun then shoots him through his chin. Tony liked how the crime wall and the back story for Damon Macready/Big Daddy were all hand drawn in comic book style. Nicolas Cage modeled his speech mannerisms as Big Daddy on original Batman – Adam West. According to Matthew Vaughn, Cage started acting out his lines this way at the first costume fitting. The director was happy for Cage to continue with this performance in the film, citing his irritation with the gravelly voice Christian Bale used in “The Dark Knight.” According to Mark Millar, the "C-word" moment in issue three of the comic ultimately convinced Vaughn that it was a worthy project. Cage came up with his character's "disguise": that Damon Macready would have a mustache, while "Big Daddy" would have an even larger mustache via adhesive extensions. | 3/26/12 | Free | View In iTunes |
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Back Seat Box Office #79 | Picks: Andrew, Tony, Jonathan, William, Lena: Hunger Games 21 Jump Street The Lorax John Carter [of Mars] Act of Valor Scott, Mrs. Beast Hunger Games 21 Jump Street The Lorax John Carter [of Mars] Project X There are no other new wide releases. | 3/23/12 | Free | View In iTunes |
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Back Seat Box Office #78 Results and Voice Mail | Notes soon | 3/22/12 | Free | View In iTunes |
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Back Seat Quickies #38: Only Yesterday | Back in the seat: Sam Scott Recorded 03/19/12 at a bus station. | 3/20/12 | Free | View In iTunes |
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BSP Episode 221: She’s Gotta Have It | Release date: 8/8/86 Island Pictures Directed by Spike Lee Written by Spike Lee Produced by Pamm R. Jackson Spike Lee (Credited as Shelton J. Lee) Cast Tracy Camilla Johns Nola Darling Tommy Redmond Hicks Jamie Overstreet John Canada Terrell Greer Childs Spike Lee Mars Blackmon Welcome back, David! Initial comments by the hosts (short and sweet): David liked the movie, although he expected not to. Jill liked it, and she’s also a fan of Spike Lee movies. Sam didn’t like the movie. Tony thought it was good for an indie movie, it had flaws but it was an interesting character study… he thought he would end up liking the discussion more than the movie itself. Tony was disappointed in the fact that the three men, who all knew they were in a relationship of sorts with Nola, were “babies” about it. Each thought they had something more important than the other, some kind of power/control over her, but none of them did. None of the hosts agreed with Tony, though. They didn’t see any of the male characters as thinking or feeling as if they “owned” Nola in any way. While Greer seemed to treat Nola more as an accessory or a trophy than a partner and Jamie seemed to be more the female counterpart of his relationship with Nola, he is also the only one who took a stand and told Nola that she had to make a choice or he was leaving. Mars appeared to be the only one who had the most realistic view of the relationship, although he also wasn’t too happy about it. The hosts also discussed the “rape” scene… was it truly a rape scene at all? Nola never said no to Jamie, never moved to stop Jamie. She took on the submissive role, for the first and only time in the movie. Did she force Jamie to play that more violent hand by calling him over in the middle of the night for sex (while he is already in his bed with another woman)? The hosts discuss what IT might be, but there isn’t a clear answer. Is it sexual satisfaction, is it a general satisfaction with her life, is it a singular relationship, is it power or control, is it independence? David brought up the fact that the movie is not presented in a way to portray Nola’s sexuality as negative and was hard pressed to think of other characters treated in the same way. The only other comparison that was brought up was Samantha Jones in “Sex and the City.” Tony found it interesting that Nola went to a sex therapist, considering she didn’t have any personal issue with her relationships. Then Sam brought up the fact that Nola also entered a phase, albeit short-lived, of celibacy. For someone who seemed so steady in her beliefs and in how she lived her life, she still took in the judgments made by the people in her life and took time for self-examination before returning, again, to knowing that she is who she is. Tony compared Nola Darling’s character to a precursor to “500 Days of Summer” in that she was always honest and upfront about who she is and how she leads her life. Sam saw a little bit of a “Chasing Amy” comparison. Darrell (from the chat room on this night) liked the fact that the actors constantly broke the 4th wall. David didn’t like that, reminding him too much of current reality TV. Tony said it was done in “mockumentary” style. Tony asked if, at the end of the movie, was Nola truly happy with her life? David and Jill thought so, even though they show Nola being alone at the end, she is ultimately living the life she wants to live. She has a | 3/19/12 | Free | View In iTunes |
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Back Seat Box Office #78 | Picks: Andrew 21 Jump Street (Red Band) The Lorax John Carter [of Mars] Project X Act of Valor Jonathan 21 Jump Street The Lorax John Carter [of Mars] Project X Silent House Tony 21 Jump Street The Lorax John Carter [of Mars] Project X Act of Valor Lena 21 Jump Street The Lorax John Carter [of Mars] Project X Act of Valor Tim 21 Jump Street The Lorax John Carter [of Mars] Project X Act of Valor There are no other new releases. Don't forget, if you get the chance, wish Julie @Juliemast a happy birthday, tomorrow, March 17! | 3/16/12 | Free | View In iTunes |
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Back Seat Box Office #77 Results and Voice Mail | A big welcome back to Tim and Rich. Congrats to Tim, Andrew and Uriah for hitting 25 this week. Thanks to Tad and Art for their voicemail contributions | 3/14/12 | Free | View In iTunes |
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Back Seat Quickies #37: Good For Nothing | GOOD FOR NOTHING is an adventurous romp set in the sweeping Old West from Mike Wallis in his directorial debut. Inspired by the Spaghetti Westerns and celebrating the Western genre with an interesting twist, the film follows an odd romance and the resulting emotional confusion of an outlaw who reluctantly develops strong feelings for a woman he has kidnapped. Yet when the outlaw (Cohen Holloway) tries to force himself on the young and beautiful Isabella Montgomery (Inge Rademeyer), he finds himself unable to ‘get it up’ due to a surprising bout of performance anxiety. Unable to understand the reason for his erectile dysfunction, the outlaw goes on a quest to find a solution for his problem with the kidnapped Isabella in tow. He tries various means to cure his ailment – including tracking down fancy doctors and sage medicine men – all in an attempt to fix his problem and finally having his way with Isabella. But the pair are pursued by an unpredictable posse who are set on killing both the outlaw and Isabella, who they have mistaken for a w***e and accomplice to the outlaw. For more information about the film, check out: http://www.goodfornothingmovie.com/ In the seat on the back of a horse: Tony This episode was recorded 3/12/2012. | 3/13/12 | Free | View In iTunes |
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BSP Episode 220: Dead Men Don’t Wear Plaid | 5th in this series of four Modern Black & White movies (Yep, 5th!) Release date: 5/21/82 Universal Pictures Directed by Carl Reiner Written by Carl Reiner George Gipe Steve Martin Produced by Carl Reiner Richard McWhorter David V. Picker Cast Steve Martin Rigby Reardon Rachel Ward Juliet Forrest This movie was chosen specifically because it’s a comedy, a parody, a satire, and it uses the movies from the 1940s and 1950s interspersed with the modern actors and dialogue. Initial comments by the hosts: Tony thought that this movie was the perfect capper to the last month of movies that they’d been watching. Tony, who isn’t a fan of voiceovers, thought that they were hysterical in this movie. Darrell agreed in that it was a “relief” after the four more downer-themed movies and it spotlighted and made fun of the tropes that they’d been looking at in the last four movies. He also compared watching it now to when he saw it when it came out in 1982. He didn’t have a lot of knowledge about film noir then, so it was simply a comedy film at that time, and not necessarily a successful comedy. Now, having a stronger base comprehension of noir, he could much more appreciate how funny the movie was. Sam questioned how did that film, relying so heavily on the audience having a noir background, not make it an automatically successful movie? This brought the discussion back to who this movie is for? It was a movie that poked fun of movies made 30-40 years earlier, so the audience would need to have a touch point to those older films. This would be the equivalent to making a movie today that makes fun of movies from the 80s. Sam brought up Hot Tub Time Machine as such a movie in that filmgoers would need to have some kind of a memory of movies and culture from the 1980s to understand Hot Tub Time Machine. At this point the discussion turned to the idea that one needs to have particular cultural references to enjoy certain films. Sam stated that American Pie is not going to make sense in 20 years. Tony disagreed, but Sam thought that technology would advance enough and social interaction will have changed enough that the perils of American Pie simply will not be relevant. Please feel free to insert your own personal “pie” thoughts and jokes here. Tony used Animal House as his comparison, and Lena (from the chat room) argued that if Sam’s American Pie argument held up, no one would ever watch Porky’s again. Sam brought up the fact that everyone probably has a movie or two that, as you watch it again and again over the years, delivers something new each time. His examples were Blade Runner and Ghostbusters. Lena also brought up Tootsie and Airplane as her examples of movies that changed/evolved as she’s seen them again over the years. Other movies that rely on cultural references? Darrell brought up It’s A Mad, Mad, Mad, Mad World and Sam brought up South Pacific and Rent. Tony mentions North by Northwest as a movie that can’t be remade for modern audiences due to technological or social advancements, stating that a simple phone call clears up the whole problem, but things are too far gone by the time they get to that point. Some of the hosts’ favorite quotes from Dead Men Don’t Wear Plaid: Jimmie Sue’s father: Don't go near my daughter again. Don't try to see her. Don't write her and don't phone her. Rigby Reardon: Can I use her underwear to make soup? Juliet Forrest: But what does "FOC" mean? Rigby Reardon: It's a slang word. It's when a man and a woman are in love, the man puts his... Juliet Forrest: No, no. It's written here: "F. O. C." Rigby Reardon: My plan was to kiss her with every lip on my face. Rigby Reardon: I hadn't seen a body put together like that since I'd solved the case of the Murdered Girl with the Big T**s Car | 3/12/12 | Free | View In iTunes |
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Back Seat Box Office #77 | Tony The Lorax John Carter [of Mars] Silent House Project X Act of Valor featuring real NAVY SEALS Andrew The Lorax John Carter Project X Act of Valor Silent House Jonathan The Lorax John Carter [of Mars] Project X Silent House Act of Valor Lena The Lorax John Carter [of Mars] Silent House Project X Act of Valor Also releasing this week is A Thousand Words. | 3/9/12 | Free | View In iTunes |
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Back Seat Box Office #76 Results and Voice Mail | Thanks to Tad and Art for the voicemail this week. Congrats to Tony and Lena for their 25s this week. | 3/7/12 | Free | View In iTunes |
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BSP Episode 219: Good Night, and Good Luck | 4th in this series of four Modern Black & White movies Release date: 10/7/05 Warner Independent Pictures Directed by George Clooney Written by George Clooney Grant Heslov Produced by Grant Heslov Cast: David Strathairn Edward R. Murrow Initial comments by the hosts: For an independent film, the hosts agreed that it didn’t have the look or the feel of an independent film. Darrell liked the movie and thought it had a nice feel to it. Even though it’s a serious subject, he thought that you could really sit back and enjoy the film. Jill agreed and thought it was tight and finely crafted and had excellent acting and an interesting subject matter. She liked that the story was confined and George Clooney didn’t try to make it a complete biography on Edward R. Murrow. Tony agreed and thought they made some interesting choices on the stories that were about the people in the newsroom as side stories, but they weren’t necessarily directly tied to McCarthy or Murrow. He thought it was a subtle way of bringing out those extra stories. One of the underlying themes of the movie was how much CBS Corp. was so deeply in bed with all of its advertisers and in fear of trying to keep their advertisers to keep their programs on the air. Darrell found it interesting how relevant the story still is. How you can remove the word “communism” and replace it with “terrorists” and still have the same story today. Also, the point still stands that news is driven by entertainment value and advertising dollars. Jill liked the speech “bookends” of how the story was set up, how it kept your focus. The hosts also liked the jazz singer, Jill likened her to the Greek chorus who explains the story but this also gave the viewer time to process the information you’d been given between the scenes. In discussing acting, they all loved David Strathairn’s portrayal of Edward R. Murrow. Darrell thought he had Murrow’s voice and mannerisms down cold. They liked that every clip of Joseph McCarthy was the actual footage of McCarthy from that time. Also, some of the video used in the monitors was actually Murrow, as well. Darrell found Murrow to be a cold, unsympathetic man, but Jill disagreed and found that to be passion about doing the right thing and telling the truth. She liked the use of facial expressions, silence, fading to black (to the point of making it uncomfortable for the viewers), to convey his conflicted emotions and his struggles. Tony thought that as much as Murrow seemed aloof, he also seemed disconnected. He didn’t seem to know a lot about the things happening directly around him because he was so focused on what he was doing. The hosts also singled out the performances of Robert Downey, Jr. as Joe Wershba and Frank Langella as William Paley. Jill believed they did a nice job at incorporating archival film footage into the movie and made it look seamless. Tony learned, through this movie, some of the underhanded tactics that McCarthy used to get information. He also gained a respect for journalism during that time. Journalism today is completely different, the integrity is lost, and no one can (or would) do today what Murrow did then. In discussing the use of actual McCarthy footage (instead of using an actor to portray him), Clooney said that 20% of the people who saw a test of the movie didn’t know who McCarthy was and wanted to know who was the actor portraying him. Clooney also thought that no matter which actor played McCarthy, he would be played as a jerk. Instead, if you’re watching the actual footage of McCarthy, you can see how some people could have understood and took his side. Clooney wanted this movie to be a conversation starter. It also shows the “other side” in which McCarthy had a good idea in that there was something to be afraid of with communists infiltrating the government, but he took it to a level | 3/4/12 | Free | View In iTunes |
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Back Seat Box Office #76 | Picks: Andrew The Lorax Project X (Red Band (NSFW)) Act of Valor Journey 2: The Mysterious Island Tyler Perry's Good Deeds Jonathan The Lorax Project X Act of Valor Journey 2: The Mysterious Island Tyler Perry's Good Deeds Tony The Lorax Project X Act of Valor Safe House Tyler Perry's Good Deeds Lena The Lorax Project X Act of Valor Safe House Tyler Perry's Good Deeds B.D. The Lorax Project X Act of Valor Tyler Perry's Good Deeds Journey 2: The Mysterious Island William Pall The Lorax Project X Act of Valor Safe House Journey 2: The Mysterious Island There are no other wide releases this week. Rest in Peace, Kal-el Mast, 2000-2012 | 3/2/12 | Free | View In iTunes |
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Back Seat Box Office #75 Results and Voice Mail | Thanks to Lena for ROCKING OUT this results show. Thanks to Art and Tad for the voice mail. Congrats to Cougron, Tad and Marc for their 23s. | 2/29/12 | Free | View In iTunes |
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Back Seat Quickies #36: on Two-Part Movie Adaptations | On the soapbox: Scott Recorded 02/27/12 with a head cold. | 2/27/12 | Free | View In iTunes |
| Total: 50 Episodes |
Customer Reviews
A couple of guys like you talking about movies
The Tonys are a couple of guys that I could easily see myself sitting down with and chatting about movies and popular culture. I don't always agree, but I enjoy their straightforward enthusiasm and honest take they provide on the topics they take on. Tune in and find out what I'm talking about!
"We're not here to be credible. We're just here to start a conversation"
They may not have all their facts exactly 100% right. They may occasionally use harsh language. You may disagree vehemently with their opinion on the merits of a particular film. But one way or another, two things are always true. First, these guys love film. Absolutely, positively, love it, largely regardless of genre. (Well, they are guys, so they may not be as enthusiastic about Yet Another Jane Austen Movie as they are about Die Hard but still...), and Second, you will want to be a part of this conversation. Even if it is just to tell them how screwed up their opinions are. (Die Hard 3? Best of the Die Hards? Really?)
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