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Sometimes The Blues Is Just A Passing Bird

The Tallest Man On Earth

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Albumrecension

Sweden’s Kristian Matsson, aka the Tallest Man on Earth, keeps it sparse with a summertime EP of fingerpicked acoustic guitar and vocals, written on the road just after the release of The Wild Hunt. Comparisons to a young Bob Dylan are common, and in a rustic, intimate setting such as this, the similarities are hard to ignore. Sometimes the Blues Is Just a Passing Bird, Matsson's quietest EP, demonstrates just how powerful a man can be alone with a guitar and a voice. “Little River” and “Thrown at Me” find him at his most near and dear, further validating that there is no need for added frills when someone can perform this tender-heartedly. For a change of pace, there's "The Dreamer," where Matsson trades in his acoustic for an electric, plugged into a reverby amp, without ever breaking from his austere style.

Kundrecensioner

Masterpiece

Another gem from this artist that is just getting better and better

Masterwork

Transcendental. Terrestrial. Tremendous.

Biografi

Född: Sweden

Genre: Alternativt

Aktiva år: '00s, '10s

Montezumas frontman Kristian Matsson started recording a set of rustic, gravelly-voiced tunes, ones that nodded to fellow Swedes Homesick Hank and Thomas Denver Jonsson, under the nom de solo act the Tallest Man on Earth in the early 2000s. His self-titled debut EP was released on Sweden's Gravitation Records in 2006. The "Pistol Dreams" single followed one year later, leading up to the release of the Tallest Man on Earth's first full-length album, Shallow Grave, which hit stores in 2008. Matsson...
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Sometimes The Blues Is Just A Passing Bird, The Tallest Man On Earth
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