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A Watched Pot

Bleu

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Album Review

Six years after songwriter and popmeister Bleu briefly flirted with mainstream success — a song on the soundtrack to Spiderman and a distribution deal with Columbia for his album Redhead — he's finally gotten around to releasing a follow-up, A Watched Pot, and while the title seems to hint at the record's extended gestation period, the results sound polished and professional without suggesting Bleu has been worrying this material during his downtime. Bleu's music is smart and laden with hooks, and the production by John Fields makes the most of the melodies, adding a solid crunch when the tunes are supposed to rock, a solid old-school R&B groove when he feels like dancing, and a swooning vulnerability when Bleu is wearing his heart on his sleeve. Or rather, when he acts like he's wearing his heart on his sleeve — many of the songs on A Watched Pot walk a fine line between a true romantic's sincerity and a snarky air of sarcasm, summed up in "No Such Thing as Love" and "I Won't F**k You Over (This Time)." While over in the country singer/songwriters section Lyle Lovett has built a career around characters who embody this sort of duality, Lovett can negotiate the balance in a way that makes his characters sound dastardly but interesting, while Bleu generally just seems shallow when he tries the same trick. This failing is all the more frustrating since A Watched Pot is a great-sounding pop album, with just enough contemporary sheen to make it a clear product of the present day while revealing the ear of a classicist who has learned from a lot of great records of the '70s and '80s. Ultimately, A Watched Pot is the work of an artist who writes great tunes but could use some help with the words — anyone know a good lyricist who likes to write about guys who are a little on the shifty side?

Customer Reviews

Some of Bleu's Best Work

There is an emotional journey that this record takes. I've been a fan of Bleu for a good 10 years now. When I received this record I was happy to hear the growth from Redhead, but the feeling that this IS a Bleu record. Bleu has a great way of using the personal pro-noun so that you feel the relation to the song first hand. My favorite aspect of this recording though has to be what happens on the "B-Side" of the record. There is an emotional pang that occurs around the time of "Won't F*** You Over" that continues all the way out to the end of the record. Some sort of longing, that just creeps through every song from that point out. Maybe it's a relationship or a personal struggle, but he seems to give you a number of songs that you can use to put into your own life. The inclusion of "Go" (which was recorded by Hanson as well) shows that Bleu can take a song that another artist has already made successful and put his own pain back into his own lyrics. You get the Queen inspiration that Bleu pulls in on the track "One Day." His shout chorus becomes a huge choir that just hammers that point home that one day you will make it.

I think you've made it.

Biography

Born: July 18, 1975

Genre: Pop

Years Active: '00s, '10s

Before becoming one of the biggest names in Boston's power-pop scene, Bleu (born William James McAuley III) made his mark on the local scene with Bing Bang Holidang, a Christmas-themed charity album that highlighted guest appearences by fellow Bostonians like Dicky Barrett (Mighty Mighty Bosstones) and Kay Hanley (Letters to Cleo). In 2000, he teamed up with engineer/producer Ducky Carlisle for his solo debut, Headroom, which was released later that year. After winning the WBCN Rock 'n' Roll Rumble,...
Full Bio
A Watched Pot, Bleu
View In iTunes
  • $9.99
  • Genres: Pop, Music
  • Released: Jul 14, 2009

Customer Ratings

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