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Above & Beyond: An Evening In Grand Rapios

Billy Bang

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Album Review

This is a remarkable album on several levels. Recorded at a performance by the Billy Bang Quintet at the Urban Institute for Contemporary Arts in Grand Rapids, MI on April 28, 2003 and captured using a laptop running ProTools, it was to be the last recorded appearance of tenor sax great Frank Lowe, who died four months later from lung cancer. While it is obvious at times during the evening that wind is a priority for Lowe (he only had one lung at this point), this is far from a shaky outing for him, and his short, lyrical lines are central to this stunning set. Bang and Lowe were unknowingly at the endgame of their long collaboration together (they first began working together in the mid-'70s) during this two week tour, and the whole unit (Andy Bemkey on piano, Todd Nicholson on bass, Tatsuya Nakatani on drums) is sharp and focused, easing into each selection gently, allowing the musicians to find a center, then building and growing the improvisations in a natural flow before gliding back to the main theme for compositional resolve. The result is a kind of free jazz moving with — as opposed to against — a melodic center, and even when these selections slide to the atonal side, it all fits and manages to be both surprising and expected at the same time, which means this set is wonderfully accessible. Bang's violin work is as fresh and vital as always, and one quickly forgets the oddity of a violin at the center of a jazz combo as Bang and Lowe play off of and around each other with a sharp but free flowing precision that only comes with a deep respect and familiarity for each other's talent and range. The powerful "Dark Silhouette" is the emotional center of this performance, but all four selections are a tangible part of a whole, and it is a disservice to this album to look at it any other way. The show may have been a swan song for Lowe, but it is still full of a delightful, gentle joy, and the music is uplifting, natural and — in the best sense — logical. Lowe on his deathbed asked Bang to make sure this performance was released. One can hear why. It's magnificent.

Customer Reviews

Right recording, right time

This group played in the alterno jazz fest in New Orleans two weeks after this gig and while playing before a crowd of a dozen from about as many different countries managed to bring the strength of their ensemble to bear in a mix of such poignance, near-atonality, funk and straight-ahead vibes that people were seated like so many bobble heads, yet with a tear or two at times -- not because of Lowe's gaunt, senior appearance but because of the sheer rightness of the collaborations. We won't hear it again live. Thanks to the laptop geniuses at Grand Rapids for getting the essence, distinctly and with no lost power at all.

Another great Billy Bang Live album !

Billy Bang always seems to convey his musical ability best, Live ! This particular band really works well together, check out his live albums with Kahil El'Zabar ....different but also excellent.

Biography

Born: September 20, 1947 in Mobile, AL

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s, '00s

Although he played an instrument more closely identified with uptown concert halls than downtown jazz clubs, there was no mistaking the primary source of Billy Bang's musical inspiration. While his violin technique was extensive and his familiarity with contemporary classical forms apparent, Bang's rough-edged, sometimes almost guttural tone, old-fashioned sense of swing, and lexicon of vocalic expressive devices defined him as a jazz musician. Bang improvised lines that might have been lifted straight...
Full Bio
Above & Beyond: An Evening In Grand Rapios, Billy Bang
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