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Adapt or Die - 10 Years of Remixes

Everything But the Girl

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Album Review

Adapt or Die: Ten Years of Remixes is a half-accurate title for this discerning compilation of Everything but the Girl's commissioned mixes. It actually entails 15 years of remixes, spanning from the dawn of the '90s through 2004. (To be fair, the four remixes performed since 1999 were done specifically for this set.) "Adapt or Die" is, however, an ideal way to indicate the duo's approach to remaining relevant to club music for such an extended period of time. These tracks also show that keeping up with trends in dance doesn't always have to be at the expense of timelessness. No matter how reliant upon a bygone trend a remix might be, a song remains somewhere in the core. This is one of the best remix compilations released by a contemporary pop group, not only because there's such a deep pool of strong material to choose from. As opposed to most like-themed packages, Adapt or Die works as a flowing album, not just a collection of tracks slapped onto a disc. For all the hopping between house, trip-hop, drum 'n' bass, and contemporary R&B, the transitions are remarkably smooth. Most of the previously released selections won't be foreign to fans, but the new and previously unreleased versions — including some hot turns from King Britt and DJ Jazzy Jeff — should be very significant enticements for anyone remotely interested.

Customer Reviews

It's The Songs

What seperates Everything But The Girl from everybody else in electronica is that Ben Watt and Tracey Thorn create songs, not just beats, and that's probably because the duo started out as a quasi-jazzy/folk duo with an emphasis on songwriting and Tracey's perfect, yes, perfect, vocal delivery. Ben Watt was busy perfecting the art of songwriting long before he got bit by the DJ bug, and that translated into 2 classic albums of electronica in Walking Wounded and Temperamental. Here we get remixes from EBTG's catalog of songs concentrating on those two albums. For having so many remixers involved, it's a fairly cohesive collection, owing mostly to the fact that the songs are timeless.

Excellent

Everything but the Girl has yet to be given the recognition they deserve in the states.

EBTG Rules!!!

Where was I when this was released??? What I love about EBTG is that they are timeless. You can't pigeon hole them into a decade. They take you on an emotional rollercoaster. Tracey Thorne's voice can be so seductive but yet so desperate at the same time and I think that we can all relate to those emotions at some point or another. It's great to be an adult.

Biography

Formed: 1982 in Hull, England

Genre: Pop

Years Active: '80s, '90s, '00s

Originating at the turn of the 1980s as a leader of the lite-jazz movement, Everything but the Girl became an unlikely success story more than a decade later, emerging at the vanguard of the fusion between pop and electronica. Founded in 1982 by Hull University students Tracey Thorn and Ben Watt, the duo took their name from a sign placed in the window of a local furniture shop, which claimed "for your bedroom needs, we sell everything but the girl." At the time of their formation, both vocalist...
Full Bio

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