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Apache

Link Wray

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iTunes Review

If not for the exaggerated and upfront production, 1990’s Apache might have sounded as timeless as any of Link Wray’s early recordings. Lucky for Wray, Bruce Brand handled not only rhythm guitar duties, but rhythm in general – a multi-instrumentalist who has played with Thee Milkshakes, Thee Headcoats/Thee Headcoatees and Holly Golightly (amongst others), Brand plays bass and drums here as well as piano and harmonica, giving Wray plenty of room to stretch out starting with “The Wild One” — an original inspired by the classic 1953 biker film starring Marlon Brando and Lee Marvin, Wray somehow approximates a motorcycle engine’s growl with his guitar before bending strings and strumming those heavily reverberated tremolos associated with his signature sound. Things simmer down on the sweltering “Dallas Blues” updating Luther Dixon and Al Smith’s “Big Boss Man” with fiery fret-board freak-outs and some soulful singing. Though it was composed by Jerry Lordan, the minor-key-laden title-track was inspired by Wray’s own Native American ancestry and performed here with a palpable parley between guitar and drums that upstages the Shadows’ 1960 hit version.

Customer Reviews

Link's old style with better studio sound

I don't know what year this album was, but what a difference it makes when Link gets in a studio that can get a quality recording over his old bare-bones basement sound from years past. The whole album is solid.

The only thing that has me scratching my head about is the lyrics to "Dick Tracy Private Eye". Some of the lines don't make sense. It sounds like he's a private detective trying to console a distraught woman about her dead daughter, but then laughs maniacally. He also talks about the "headcoat", the one with the "mortarboard" then rambles on about the "hangman's on the way" and "this is USA, not England". Anyway, a weird tune. Stop reading this and start downloading!

Biography

Born: May 2, 1929 in Dunn, NC

Genre: Rock

Years Active: '50s, '60s, '70s, '80s, '90s, '00s

Link Wray may never get into the Rock & Roll Hall of Fame, but his contribution to the language of rockin' guitar would still be a major one, even if he had never walked into another studio after cutting "Rumble." Quite simply, Link Wray invented the power chord, the major modus operandi of modern rock guitarists. Listen to any of the tracks he recorded between that landmark instrumental in 1958 through his Swan recordings in the early '60s and you'll hear the blueprints for heavy metal, thrash,...
Full Bio

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