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Bad Penny

Spectrals

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iTunes Review

The fact that Slumberland released this debut by Spectrals (a.k.a. Louis Jones) makes for a perfect pairing. Bad Penny resonates with a deep love for the bygone C86 sound, where whimsical melodies and jangly guitars shine through a tastefully muted production (here courtesy of Richard Formby from the band Spectrum). “Get a Grip” starts things with what sounds like an old Rickenbacker chiming alongside buoyant beats and a bass that’s not afraid to climb down the fretboard and pump out salient melodies. Jones’ subtle English accent goes perfectly with his lackadaisical vocal approach, especially on “Lockjaw,” when he sings “You can’t take everything too hard” while sounding a bit like a slow-motion Morrissey. The guitar and keyboard melodies of “You Don’t Have to Tell Me” nearly upstage Jones’ own, but he makes up for it in spades with the memorable “Luck Is There to Be Pushed,” which smolders on a slow-burning attack. “Confetti” is another catchy ditty that’s sure to get critics dusting off comparisons to recordings by Prefab Sprout and The Pastels.

Customer Reviews

u need a singer

lighten up dude

Biography

Born: Heckmondwike, West Yorkshire, Eng

Genre: Alternative

Years Active: '00s, '10s

One-man band Louis Jones, hailing from Heckmondwike, West Yorkshire, recorded slightly skewed, reverb-heavy amalgamations of ‘60s doo wop, Brill Building pop, and bashful garage rock — often with dazed surf guitar accents — as Spectrals. The 7” single “Leave Me Be” was released in 2009 on Captured Tracks. Early the following year, he issued split singles with Fair Ohs (on Tough Love) and Mazes (on Love Is Disgusting), both of which featured two of his songs. Later in the year, Jones linked...
Full Bio
Bad Penny, Spectrals
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Contemporaries

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