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Bam!, Vol. 1

Sister Hazel

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Album Review

As any Hazelnut will tell you, what Sister Hazel does best is craft superb pop/rock songs, hey they've been doing that since the get-go. Once upon a time it was a skill that took the group consistently into the charts; now, not so much, although that's no reflection on the band's songcraft. And that talent is in full flight here on Bam!, an album stuffed with previous cast-offs. These are numbers that didn't make the album's cut, were relegated to bonus track oblivion, B-side neglect, or left to slumber on archived studio and rehearsal tapes. All of which makes Bam! sound like a bunch of rejects, when they're actually anything but. A clutch of the songs are fairly recent, recorded across 2005, others date further back in time, some as early as 1999. A taster for the album, "What Kind of Living," has been available online, and is one of a trio of strong songs from pre-turn of the millennium. Matching them in intensity are a pair of numbers recorded at rehearsals in 2005, with "Wrong the Right Way" particularly effective in this raw form. There again the excitement that infuses "Boy Next Door," one of a clutch of songs recorded in late 2001/early 2002, the frisson of "Sweet Destiny," the muscularity of "Grand Canyon," and the uncertain yet exquisite guitars on "She's Gone," all from this same period, capture the group at their headiest heights. The newest numbers, in contrast, sound far more polished and finished, bar the more rough and ready "Little Black Heart," and thus the album envelops the entire musical process, from rehearsal to studio to final form. And what more could fans want than to hear the band at all these stages, with even the songs at their most embryonic sounding superb. No major label would dare chance a set like this. More fool them.

Customer Reviews

Another Smash!

Wow first to write a review!! Sister Hazel comes through with ANOTHER big smash hit! All the songs are in the rock-folk-bluesy style where everyone can love something about this album! The classic "Sail Away," a rock boat favorite, is finally released and it's harmonies smack it to the top of the list on this album. "Grand Canyon" and "On Your Mind" are close seconds. I highly reccommend getting this album for any loyal Hazelnut, or even someone who is just starting to get into the band!

Is there such a thing as a bad sister hazel album?

The guys take preconcieved notions of B-Side albums and flip 'em on their head...Every song belongs on an album outright! Way to go! I am such a hazel-nut...

Bam! Rocks

<i>BAM! Volume 1</i> is a strong statement from the 15 year-old band from Gainesville, FL. Their music gets deeper and tighter with each release, and both longtime fans and Hazel virgins will find plenty of reasons to keep this latest album in heavy rotation for a while. A collection of B-sides and rareities, Sister Hazel's <i>BAM!</i> is well worth devouring. Right away, the album art and liner notes describing each of the superhero alter egos of the band members is lighthearted and inviting. You know you're getting into something new and strange, but somehow, it's not completely unfamiliar. Like an old friend with a new haircut. Sister Hazel's music is friendly, catchy and thoughtful. This is like an appetizer sampler of Sister Hazel, like a mix CD someone would make for a friend to show just how good a band they are…only with new material. Here's a track-by-track rundown: What Kind Of Living - On par with their stellar <i>Absolutely</i> collection, "What Kind of Living" pulls every Sister Hazel punch and we're left with another immaculately-constructed pop song by 5 guys who have mastered the craft. The lyrics are playful and winding, Ken Block's vocals are top-notch and I just love it when an album sets the tone with such a great first track. It puts you in the right mindset. You're drawn right back into the Hazel sound, and still you can tell that there's something different about this album. Boy Next Door - Slightly different feel, but the energy stays high. It's a nice "notice me, dammit" kind of song that plenty of listeners will relate to easily. Work In Progress - Destined to be sung along to by legions of fans at live shows, "Work in Progress" is a high-energy track that manages to make clever, twisting wordplay immediately approachable and memorable. You want to listen to it again right away, know it, and sing right along with it. Sweet Destiny - Amazing, country-fried harmonies from Block and Andrew Copeland are nothing new, but this one features creative vocals…and some fun "sha-na-na-na-na" bits that seem to tip the hat to similar moments in <i>Somewhere More Familiar</i>'s "Starfish" or <i>Fortress</i> live show favorite, "Strange Cup of Tea." Again, this entire album seems entirely focused on permanently infusing its songs into your brain. They're contageous, and this one grown on me more every time I listen to it. On Your Mind - Pretty harmonies stick around, elevating a simple-enough song to another level. The solo in the middle is slick, reminding me a bit of John Mayer's play style. (Is that a mandolin? Guitarist Ryan Newell can definitely play one.) Sick To My Soul - Back to the toe-tapping, faster stuff! Being "sick" or flawed in some way seems to be a running theme. Less memorable on the first few plays than "What Kind of Living" or "Work in Progress," but still hardly a glaring defect in the middle of a quality album. It's fine. Mosquito - NOW we're talking. This song has TEETH. There's a great edge to it, right off the bat. The unrelenting drum beat that kicks in after the first refrain is a great touch; hell, every instrument sounds like it's driving forward without looking back. It just grabs you right away, and somehow remains subtle. Little Black Heart - Sounds very <i>Fortress</i>, reminding me of "Change Your Mind" musically. As <i>Fortress</i> was my first non-"All For You" introduction to Sister Hazel, it holds a special place in my heart…and it's nice to be taken back to that album, sonically. They've changed a lot since then, though. It's a reminder of how far they've come since, too. I feel like I opened a time capsule, here... Sail Away - Ooh, caliente. This one's all groove. Within ten seconds, you half expect someone to tell you to put your hands together. Cute little song, I like it. Then again, I don't think there's a Hazel tune in existence that I'll skip if it pops up on my iPod. If I sound biased, trust me…if any of this sucked, I'd tell you. Not an all-time classic song for the ages, but plenty enjoyable. Wrong The Right Way - Very nice track. Lyrically gripping, possibly the perfect song if you're in the right mood. Reminds me of <i>Lift</i>'s sound a bit. "In the Moment," only with Ken. Grand Canyon - This feels like a mix of new and old with these guys. The missing link that ties all their albums together. A pure statement of who they are, what they can do…this one fits like a comfortable sneaker. It sums up <i>BAM!</i> perhaps better than any other track so far. A great band with a deep body of work that demands your attention and stays with you forever once you've sipped the Kool-Ade. Save Myself - Not their best. Not a bad song, but I can tell why it's been kept in the meat locker until now. A bit redundant, and not quite up to snuff with similar songs in their repetoire. Won't win any popularity contests, but maybe it'll connect with someone else lyrically or something. I'm not saying it's bad, but if it weren't here, I wouldn't miss it. Can't Get You Off My Mind - I think I'm in love with Andrew Copeland. That voice adds such effortless soul to a song. This is a really nice track. I love how it breaks down. It feels familiar and unique at the same time, and Drew is the musical lovechild of Vince Gill and Billy Joel. She's Gone - Another powerful song about longing and regret…who can't relate? It's got a bit of an edge. Instantly likeable. Mona Lisas - Not the first reference to DaVinci's smiling lil' lady on <i>BAM!</i> This track is a fine punctuation mark to the disc, and tells a good story. After listening through <i>BAM! Volume 1</i> a few times, it's absolutely worth the purchase. Hot on the heels of their <i>Absolutely</i> album, <i>BAM!</i> shows clearly what fans of Sister Hazel have known for years. This is a band that's worth the investment. If you start with <i>BAM!</i>, you won't be disappointed by the rest of their discography. It's a great primer for their what you're getting into!

Biography

Formed: 1993 in Gainesville, FL

Genre: Rock

Years Active: '90s, '00s, '10s

Combining elements of acoustic rock, folk, and jangle pop, Sister Hazel formed in 1993 in Gainesville, FL. The band's five members all boasted ties to the city's local scene; vocalist/guitarist Ken Block and guitarist/vocalist Andrew Copeland canvassed the coffee shop circuit as a duo, lead guitarist Ryan Newell honed his chops with the local band Waterdog, bassist Jett Beres studied his instrument while pursuing a degree in architecture, and drummer Mark Trojanowski played with several Florida-based...
Full Bio
Bam!, Vol. 1, Sister Hazel
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