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Blouse

Blouse

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iTunes Review

There’s a tingling chill running through Blouse’s self-titled debut album that suggests both erotic reverie and nervous foreboding. The Portland, Ore.-based electronic pop unit combines the suavity of Beach House with the romantic angst of ‘80s icons like Modern English and Talk Talk. Singer Charlie Hilton’s languid vocals and elusive lyrics are beguiling yet remote, sustaining a dreamlike mood. The near-martial tempo of “Roses” contrasts nicely with the moaning distortion of “Videotapes” and the grimy atmospherics of “White.” A mentholated mist pervades “Time Travel,” underscoring the song’s askew perspective. Themes of alienation and longing predominate, with “Firestarter” and “Controller” hinting at smoldering desires beneath the icy sonic veneer. “Fountain in Rewind” ends the album on an unexpectedly grand note, matching an expansive soundscape with Hilton’s visions of ultimate release. Blouse seems to be a work in progress, but this provocative first effort shows the band is heading for fascinating territory.

Customer Reviews

SO GOOD.

This is THE best album of the year.

More Refreshing Chillwave!

Reminds me of Cocteau Twins or the Raveonettes

Amazing - been waiting for this one

Sooooooo good - press preview, get mind blown, press the buy album button, enjoy!

Biography

Formed: 2010 in Portland, Oregon

Genre: Alternative

Years Active: '10s

A Portland, Oregon trio crafting ethereal yet driving electronic pop, Blouse feature Charlie Hilton, Patrick Adams, and Jacob Portrait (also the bassist for Unknown Mortal Orchestra). Hilton, whose aloof vocals give Blouse an otherworldly quality reminiscent of Broadcast or Beach House, met Adams in art school during the summer of 2010; after making a few home recordings together, they connected with Portrait and began laying down tracks in his warehouse studio. This version of the group posted some...
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Blouse, Blouse
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