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Broken (and Other Rogue States)

Luke Doucet

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Album Review

Where Americans are often stereotyped as being loud and boorish, Canadians are frequently portrayed as being overly polite. If there's a major criticism to be leveled against this sophomore album from former Sarah McLachlan guitarist Luke Doucet, it's that his downtrodden tales of battered hearts and broken dreams are wrapped in poppy musical packaging that's simply a bit too pleasant to deliver the necessary emotional impact. Never has heartbreak seemed so damn cheery. Called the break-up album of the year by various critics in Canada (where the album was released in 2005), Broken (And Other Rogue States) features some impressive Americana influences that could benefit from a bit more minor key melancholy here or a darker vocal melody there. When the soft-voiced songwriter croons, "So cry if you want to/Yeah, you can come undone/But you've gotta have a heart to have a broken one," there's virtually no bite behind the lyrical spite. He's obviously a master song craftsman, as evidenced by the South-of-the-border vibe of "Emily, Please," the deft acoustic balladry of "Wallow," and the shambling blues of "One Too Many." But it's not until the next to last track — the devastating "No Love to Be Made Here Now" — that Doucet approaches the greatness of, say, Elliott Smith, delivering a string-laden epic that hits like a sucker punch to the chest. Still, there are simple pop pleasures aplenty to be found here, offering glimpses of an accomplished songwriter just starting to hit his stride.

Customer Reviews

Very good

I am surprised that more people haven't rated this album.

Some very good art comes from musician/poets who experience heartbreak. You get real human emotion in the form of song. The three best breakup albums I have ever heard (not in any particular order):
Timothy Seth Avett as Darling "The Mourning, the Silver, the Bell"
Sean Hayes "Big Black Hole and the Little Baby Star"
Luke Doucet "Broken"

They all take a different approach to the emotion. Avett is gut-wrenching beauty -- like Romeo & Juliet. Hayes is bitter anger mixed with humor and bad decisions. This album takes a more upbeat approach. If you're not paying attention to the words, it's entirely possible to miss the pain.

This is well-composed and worth the price.

Pete Yorn meets the Old 97s

This is very good album. Knocks against the poppy, happy nature of his voice are misguided and misplaced. Dark and sad is so 2004. This certainly doesn't make my Top 100 of all-time albums, but it's a nice, easy to listen to addition to my collection. Some really cool/fun harmonies and musical ensembles.

This guy's good...

I just saw Luke Doucet a couple of months ago, opening for Kathleen Edwards.He's been around for a while, having played with Sarah Mclachlan and others. He finally has his chance to shine. This isn't his first record,but my favorite by far. He keeps the songs, most of which deal with heartbreak, upbeat. It's so easy sing a love gone wrong song dead slow, and he avoids this, and it pays off in spades. If you're interested in more of his stuff, check out "Outlaws-Live & Unreleased," which contains an awesome cover of the Tom Waits' tune "Gun Street Girl."

Biography

Born: 1974 in Manitoba, Canada

Genre: Alternative

Years Active: '90s, '00s

Canadian singer/songwriter Luke Doucet is a difficult figure to pin down. On the one hand, he is an acclaimed singer, songwriter, and guitarist whose songs sound like a prairie-bred and countrified Elliott Smith; on the other, he spent several years as the leader of the spacy neo-psych rockers Veal, Vancouver's answer to the Flaming Lips. A proud and vocal member of Canada's exploding indie music scene,...
Full Bio
Broken (and Other Rogue States), Luke Doucet
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