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Bubblegum

Clinic

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iTunes Review

Clinic’s sixth album in a decade finds the Liverpudlians trading in some of their lysergic accoutrements for slightly easier, poppier stylings. As the title might imply, the songs here are lighter than Bubblegum’s psych-pop predecessors: opening track “I’m Aware” swirls and drifts with a gentler guitar sound and willowy strings, and others — like the sweet, sanguine “Baby” and the acoustic-flavored “Forever (Demis’ Blues)” — evoke ‘60s names like the Zombies and Donovan, rather than the Velvet Underground or the Seeds. Clinic do get their psych-groove on, however, with colorful guitar pin-wheeling, surreal clouds of dulcimer and chugging wha-wha on tracks like “Evelyn,” “Another Way of Giving,” and “Orangutan,” and they kick out the jams on harder tracks like “Lion Tamer.” Instead of writing songs based on a rhythm or a groove as they’ve done in the past, here the band began with specific melodies and chords; it’s that focus on the whole of a song that gives Bubblegum its delightful — but never sweet or cloying — vibe that recalls the magical days of AM radio.

Customer Reviews

Clinic as (finally) pop music?

Clinic never ceases to amaze me. Their sound is indescribably menacing yet sweet and ironic. In other words, every Clinic album is a clinic album from the first listen--each album has gritty punk, the blues, psychadelia, etc. However, this album is less of a "strip down" than carving a little deeper into the niche of songs such as "do It!"'s "Tomorrow" or "Internal Wrangler"'s "Goodnight Georgie". This is a clinic that wants to disconnect the landline, sip some green tea, meditate, and then just smile the day away--while gettting gritty at least for a couple songs. I feel like I've grown up with Clinic--and this is one big healthy moment of maturity in their sound.

Departure

Clinic mellows out and sets this album out as a departure from their previous efforts. In some ways it reminds me of the last Horrors album but not as soaring and emotional. Clinic has stripped down some and isn't so reliant on the organ and "psychedelic" twists.

Thom Yorke wannabe

Take the voice of Thom Yorke and put him in a band that sounds like the Flamming Lips and you have possibly the girliest art band imaginable. I love Thom Yorke and I love Radiohead and I like the Flamming Lips..... and that's why I don't really care much for this album. It's like..... 'eh.... Been there, heard that'. BUT, their songs are still decent. They're just songs that I feel like I've already heard somewhere else.

Biography

Formed: 1997 in Liverpool, Lancashire, England

Genre: Alternative

Years Active: '90s, '00s, '10s

Liverpool's art punk four-piece Clinic formed in 1997 out of the ashes of Ade Blackburn and Hartley's previous band, Pure Morning. The duo added Brian Campbell and Carl Turney to the fold and released the thrashy debut single IPC Sub-Editors Dictate Our Youth on the group's own Aladdin's Cave of Golf label; it reached number nine in John Peel's Festive 50 singles roundup that year. 1998 saw the release of equally well-received singles like "Cement Mixer" and "Monkey on My Back," which also showcased...
Full Bio

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