Buckle In the Bible Belt

Album Review

Formerly known as Amsterband, Missouri's Ha Ha Tonka burst out of the starting gate on their album Buckle in the Bible Belt with "Up Nights," an up-tempo union of alt country twang, indie rock melodic efficiency, and barrelhouse energy as they deliver an oblique but bitter lyric that on close inspection turns out to be about child abuse. It's only the first of many surprises on Buckle in the Bible Belt, and just about all of them are welcome; in a genre where lots of guitar is the order of the day, Brett Anderson's rollicking keyboards bring some welcome (and non-ironic) boogie to the mix, though Anderson and Brian Roberts do know how to rock the six-string when the songs call for it, and the band isn't afraid to show they're tight and blessed with impressive chops while also having the good sense to keep the songs tuneful and concise (nothing over four minutes, and the disc wraps up in under a half-hour). Ha Ha Tonka manage the neat trick of keeping their music engaging and genuinely fun while tackling some serious subject matter in their lyrics, such as the failings of organized religion ("Saint Nick on the Fourth in a Fervor"), consumer culture ("Cure for the Common Cold") and organized racism ("Caney Mountain"). Buckle in the Bible Belt's no-nonsense production lets the music do the talking, and it speaks up loud and clear; Ha Ha Tonka deserve more than thirty minutes to share all they have on their minds, but it's an impressive starting point and fine listening.