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Caminando

Rubén Blades

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Album Review

After an exploration away from the mainstream of salsa that would last nearly ten years, beginning with the release of 1984's Buscando América, Rubén Blades fans who missed the coro-shouting, compana-banging fun of his Fania years will rejoice in Caminando. Though a contemporary release, with plenty of contemporary influence, Blades' playlist on this record is much more salsa than fusion. From the rollicking, joyful title cut, to the slinky, trombone-driven Colón-esque "Prohibido Olvidar," the Rubén Blades made famous in the dancehalls is back, if but for a short time. The production on Caminando is unique to other Blades productions. The treatment of his voice has a hollow, retro quality that is curious and yet charming. The band, comprised mostly of his recent Seis del Solar cohorts, Ralph Irizarry, Robby Ameen, Oscar Hernandez, Eddy Montalvo, and others, sounds warm and classic. Perhaps it is the tonality of the record, or maybe 1991 was a great year for writing, but nearly every selection features coros and hooks that are more top-of-the-lungs shoutable than anywhere else in the artist's huge catalog. Though Blades would soon return to the Latin fusion experimentation that would characterize the rest of his career, this brief return to the music that made him famous is pure gold. ~ Evan C. Gutierrez, Rovi

Customer Reviews

His second great studio album

Caminando is the peak of Blades' songwriting and production after the break-up with Willie Colon (First peak: Siembra). It has all his elements, including retrieving Cipriano Armenteros, a bad-guy ballad he had attempted to write as a novel but gave as a song to Ismael Miranda. (There are also subtle shout-outs to Richie Ray and Cortijo/Ismael Rivera.) The first and last cuts are attempts to cross Caribbean boundaries and rhythms. The political peaks are Tengan Fe, about the power of memory against historical forces; and Mientras Duerme, which is a kind of vision of all the elements of society. Ella se Esconde is perhaps his best love song. Camaleon, apparently a nasty cut on his former partner, is a slow, swinging son montuno. Obalue reflects his spiritual side, and also relates to EL, my least favorite, but one of Ruben's several attempts to understand homosexuality. When I heard this material live before getting the album, Tengan Fe had me in tears. I still think it opens an entirely different view of political song that prefigures velvet revolutions. (The third peak, for me, is Mundo).

Biography

Born: July 16, 1948 in Panama City, Panama

Genre: Salsa y Tropical

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Rubén Blades is one of the most successful vocalists in the history of Panamanian music. A former member of bands led by Ray Barretto and Willie Colón, Blades has continued to influence salsa music with his highly literate, politically tinged lyrics and his modern-minded arrangements, which substitute the usual horn and Latin percussion sections with synthesizers and drum sets. Often referred to as "the Latin Bruce Springsteen," Blades provided a musical voice for the middle class of Central America....
Full Bio
Caminando, Rubén Blades
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