| Name | Artist | Time | Price | ||
|---|---|---|---|---|---|
|
1 |
Manipulation | Chicago | 3:44 | $0.99 | View In iTunes |
|
2 |
Upon Arrival | Chicago | 3:48 | $0.99 | View In iTunes |
|
3 |
Song for You | Chicago | 3:41 | $0.99 | View In iTunes |
|
4 |
Where Did the Lovin' Go | Chicago | 4:05 | $0.99 | View In iTunes |
|
5 |
Birthday Boy | Chicago | 4:55 | $0.99 | View In iTunes |
|
6 |
Hold On | Chicago | 4:14 | $0.99 | View In iTunes |
|
7 |
Overnight Cafe | Chicago | 4:18 | $0.99 | View In iTunes |
|
8 |
Thunder and Lightning | Chicago | 3:32 | $0.99 | View In iTunes |
|
9 |
I'd Rather Be Rich | Chicago | 3:08 | $0.99 | View In iTunes |
|
10 |
The American Dream | Chicago | 3:18 | $0.99 | View In iTunes |
|
11 |
Doin' Business | Chicago | 3:30 | $0.99 | View In iTunes |
|
12 |
Live It Up | Chicago | 3:21 | $0.99 | View In iTunes |
|
13 |
Soldier of Fortune | Chicago | 3:50 | $0.99 | View In iTunes |
| Total: 13 Songs |
Album Review
This 2003 CD reissue of Chicago XIV includes three bonus selections — the funky "Live It Up" from James Pankow (trombone) as well as a pair of Robert Lamm rockers, "Soldier of Fortune" and "Doin' Business" — the latter of which was previously only available as a bonus track on the Group Portrait (1991) box set. Chicago's 14th long-player went primarily unnoticed when first released in the summer of 1980. After replacing the late Terry Kath (guitar) with former Stephen Stills sideman Donnie Dacus (guitar), the band attempted to update and stabilize its sound. His contributions were short-lived, however, and prior to working on Chicago XIV, Chris Pinnick was hired and soon became the combo's third lead guitarist in as many years. In fact, it seems as if they had yet to completely recover from the loss of Kath. When coupled with the poor sales of Chicago's previous albums as well as the group's complete de-prioritization from its record label, the significant lack of focus resulted in a disjointed effort. Tellingly, the vast majority of material came from either the Peter Cetera (bass/vocals) or Lamm (keyboards/vocals) camps. While the pair had long been considered Chicago's strongest respective songwriters, Cetera in particular was emerging with a definitive and soulful delivery, especially notable on "Song for You" and "Overnight Café." However, he bails on the half-baked "Hold On." Conversely, Lamm's "Manipulation" is a strong and aggressive opener, yet any initial momentum quickly dissipates with lesser sides such as "Upon Arrival" or the tongue-in-cheek "I'd Rather Be Rich." A decidedly more successful outing from Cetera, Lamm, and Danny Seraphine (drums) is "Thunder and Lightning" — highlighted by some jazzy chord changes. After the group's dismissal from Columbia Records — with whom it had been associated for over a decade — Chicago took a two-year hiatus. They reemerged with Chicago 16 (1982), ultimately garnering several chart-topping singles as well as their first Top Ten album in nearly six years.
Customer Reviews
Chicago XIV - Not popular but not bad, either!
This controversial album was a turning point for the band, and it also marked the end of another chapter of awesome tunes from this hit machine. Most fans know that Chicago 16 in '82 starts another chapter, so Chicago XIV from 1980 holds a special place in the hearts of many who have followed the guys this amazing ride. Chicago XIV comes eleven years after the debut album. The late 70s was a tough period for the band for many reasons, as "Hot Streets" and "Chicago 13" did ok, but not as well as all Chicago records from approx 1970-77. It was back to the Roman Numerals we love for this release, and after this they went to solid numbers for quite some time until around XXV with the Christmas Album in '98 and XXVI (Live) in '99. Over half of the songs are great...which usually shows that you have a winner. The Good: "Hold On" should have been released as a single, and I think it would have become a huge hit. This is by far the best song on the album. 'Overnight Cafe,' 'Thunder and Lightning,' 'Upon Arrival,' 'Where did the Lovin' Go,' and 'The American Dream' follow as the best songs. Of the bonus tracks, the two previously unissued songs are great (Live it Up, Soldier of Fortune.) The bad: 'Song for You', 'Birthday Boy', 'I'd Rather be Rich', and the bonus track 'Doin' Business.' SFY and BB are really bad but the rest of this record makes up for it. 'Manipulation' is adequate but should not be considered their #1 song from this album. Stories swirl about how Columbia mistreated this record, how it was barely visible on the store shelves back in 1980, and about how the band wasn't promoted properly. It only reached #71 on the famous Billboard list, a far cry from what Chicago was used to. Chris Pinnick, who took over for the departed Donnie Dacus, was an official member of Chicago from 1980-84. It's a little known fact that he also played for Peter Cetera in 1981 on Peter's solo album! Give this album a try if you haven't already. There are some really good songs on here!
Worth it for a only a couple of reasons...
For those Chicago fans that do not already own this music, I have to say it is - as most professional reviewers agree - not Chicago's best work. But, for those of us who are also Peter Cetera fans, this music makes good sense. His songs here are the stronger pieces. The other reason to buy this is to be 'complete' in a collection of Chicago music. Other than that - let it pass - you will not find any hit singles in this collection...
Too Bad Foster Didn't Step In Here
It was said that Danny Seraphine wanted David Foster to produce this album. Darn. It would have been so much better if he had. Their comback would have happened a lot sooner. But Thunder and Lighting, Manipulation, and Overnight Cafe are good songs. The rest, meh.
Biography
Formed: February 15, 1967 in Chicago, IL
Genre: Rock
Years Active: '60s, '70s, '80s, '90s, '00s


![The Best of Chicago (40th Anniversary Edition) [Remastered], Chicago](http://a5.mzstatic.com/us/r1000/009/Features/32/9e/de/dj.zklonsya.100x100-75.jpg)











