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Cornerstone

Styx

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Album Review

Presenting radio with one of the best rock ballads ever, Cornerstone gave Chicago's Styx their big break with the number one single "Babe," which held that spot for two weeks in October of 1979. "Babe" is a smooth, keyboard-pampered love song that finally credited Dennis De Young's textured vocals. While this single helped the album climb all the way to the number two spot on the charts, the rest of the tracks from Cornerstone weren't nearly half as strong. "Why Me" made it to number 26, and both "Lights" and "Boat on the River" implement silky harmonies and welcoming choruses, yet failed to get off the ground. De Young's keyboards are effective without overly dominating the music, and the band's gritty rock & roll acerbity has been slightly sanded down to compliment the commercial market. The songs aren't as tight or assertive as their last few albums, but Shaw's presence can be felt strongly on most of the tracks, especially where the writing is concerned. Outside of "Babe," Cornerstone tends to sound a tad weaker than one would expect.

Customer Reviews

My Favorite Styx Album

This has always been and always will be my favorite Styx Album. This is Styx at their best. Despite Babe, and First Time....Simply Awesome from Track to Track! BUY!

huh?

Scotti dog in FL has no clue, and probably not from that era. This is one of the best from STYX

Aside From "Babe", Still A Strong Album

This is may the least coveted of all Styx albums, which is unfortunate, because it is still a solid effort. Although far more commercial than some previous efforts, this album still has highlights such as the first track "Lights" which retains an infectious vocal melody. "Borrowed Time" shows of some ambitious keyboard work, while "Boat On A River" and "Why Me" show the Tommy Shaw influence. Listen to some of the samples and decide for yourself.

Biography

Formed: 1970 in Chicago, IL

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

Although they began as an artsy prog rock band, Styx would eventually transform into the virtual arena rock prototype by the late '70s and early '80s, due to a fondness for bombastic rockers and soaring power ballads. The seeds for the band were planted in another Chicago band during the late '60s, the Tradewinds, which featured brothers Chuck and John Panozzo (who played bass and drums, respectively), as well as acquaintance Dennis DeYoung (vocals, keyboards). By the dawn of the '70s, the group...
Full Bio

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