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Album Review

OMD's glistening run of top-flight singles and chart domination came to a temporary but dramatic halt with Dazzle Ships, the point where the band's pushing of boundaries reached their furthest limit. McCluskey, Humphreys, and company couldn't take many listeners with them, though, and it's little surprise why — a couple of moments aside, Dazzle Ships is pop of the most fragmented kind, a concept album released in an era that had nothing to do with such conceits. On its own merits, though, it is dazzling indeed, a Kid A of its time that never received a comparative level of contemporary attention and appreciation. Indeed, Radiohead's own plunge into abstract electronics and meditations on biological and technological advances seems to be echoing the themes and construction of Dazzle Ships. What else can be said when hearing the album's lead single, the soaring "Genetic Engineering," with its Speak & Spell toy vocals and an opening sequence that also sounds like the inspiration for "Fitter, Happier," for instance? Why it wasn't a hit remains a mystery, but it and the equally enjoyable, energetic "Telegraph" and "Radio Waves" are definitely the poppiest moments on the album. Conceived around visions of cryptic Cold War tension, the rise of computers in everyday life, and European and global reference points — time zone recordings and snippets of shortwave broadcasts — Dazzle Ships beats Kraftwerk at their own game, science and the future turned into surprisingly warm, evocative songs or sudden stop-start instrumental fragments. "Dazzle Ships (Parts II, III, and VII)" itself captures the alien feeling of the album best, with its distanced, echoing noises and curious rhythms, sliding into the lovely "The Romance of the Telescope." "This Is Helena" works in everything from what sounds like heavily treated and flanged string arrangements to radio announcer samples, while "Silent Running" becomes another in the line of emotional, breathtaking OMD ballads, McCluskey's voice the gripping centerpiece.

Customer Reviews

Right place at the wrong time

As Bob Stanley asks in The Guardian, how does a band lose 3 Million Fans in a Single Step? Answer: Create something like Dazzle Ships. It's hard to understand the backlash now, as Dazzle Ships has probably stood the test of time much better than most of OMD's records, but it was and is radical and experimental. Rather than being this alienating menace of a record however, I find it extremely interesting, beautiful, and engaging. The sounds and subject matter seem centered on war (real war - Falklands, psychological - Cold War) and what the future looked like in the days of analog and nuclear paranoia. The songs themselves are beautifully structured, atmospheric gems. "Romance of the Telescope" and "International" could have easily fit in on Architecture and Morality, but are perfectly placed here. Not a record for fans of later OMD and very straightforward pop, but definitely recommended for those who like a bit of a challenge with their synth sounds.

Their best album

Radio Waves, All The Things We've Made, The Romance Of Telescope, International, and Genetic Engineering are amazing songs, but this is a truly beginning to end record. transitions between songs are perfect and engaging. Such a perfect follow up to ORGANIZATION ending with Stanlow and then to have this record. So ahead of their time. They are touring again and have played Radio Waves.

Kraftwerk inspired electropop masterpiece

I bought this cassete out of a bargain bin at the college bookstore on my first day at college in 1982. I didnt like it at first but over the years I listened to it countless times realizing it was an amazing concept album. I ended up buying every OMD album but this has always been my favorite. Recently I saw OMD in a doc about electro pop in Britain. They said they were inspired primarily by Kraftwerk a group Id never heard. So now im a hue Kraftwerk fan! Several songs on Dazzle Ships are clearly homages to Kraftwerk, primarily the ones without singing. But the ones wirh vocals are pure OMD! I am happy they are still making new songs!

Biography

Formed: 1978 in Liverpool, England

Genre: Pop

Years Active: '70s, '80s, '90s, '00s, '10s

Featuring the core members Paul Humphreys and Andy McCluskey, the Liverpudlian synth pop group Orchestral Manoeuvres in the Dark formed in the late '70s. Humphreys and McCluskey began performing together in school, playing in the bands VCL XI, Hitlerz Underpantz, and the Id. After the Id split in 1978, McCluskey was with Dalek I Love You for a brief time. Once he left Dalek, he joined with Humphreys and Paul Collister to form Orchestral Manoeuvres in the Dark. The group released its first single,...
Full Bio

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