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Demons and Wizards

Uriah Heep

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Album Review

This is the album that solidified Uriah Heep's reputation as a master of gothic-inflected heavy metal. From short, sharp rock songs to lengthy, musically dense epics, Demons and Wizards finds Uriah Heep covering all the bases with style and power. The album's approach is set with its lead-off track, "The Wizard": it starts as a simple acoustic tune but soon builds into a stately rocker that surges forth on a Wall of Sound built from thick guitar riffs, churchy organ, and operatic vocal harmonies. Other highlights include "Traveller in Time," a fantasy-themed rocker built on thick wah-wah guitar riffs, and "Circle of Hands," a stately power ballad with a gospel-meets-heavy metal feel to it. Demons and Wizards also produced a notable radio hit for the band in "Easy Livin'," a punchy little rocker whose raging blend of fuzz guitar and swirling organ made it feel like a '70s update of classic '60s garage rockers like the Electric Prunes or Paul Revere & the Raiders. However, the top highlight of the album is the closing medley of "Paradise" and "The Spell": the first part of the medley starts in an acoustic folk mode and slowly adds layers of organ and electric guitar until it becomes a forceful, slow-tempo rocker, while the second half is a punchy, organ-led rocker that includes an instrumental midsection where choral-style harmonies fortify a killer, Pink Floyd-style guitar solo from Ken Hensley. All in all, Demons and Wizards works both as a showcase for Uriah Heep's instrumental firepower and an excellent display of their songwriting skills in a variety of hard rock styles. As a result, it is considered by many fans to be their finest hour and is definitely worth a spin for anyone with an interest in 1970s heavy metal. ~ Donald A. Guarisco, Rovi

Customer Reviews

This is simply must have.

     Uriah Heep released a lot of great songs, recorded in studio as well as live. But "Demons and Wizards" is the best disk in the way how it takes you to the strange world of fantasy from the beginning and then leads through eruptions and waterfalls of brilliant rock to the philosophic end.  I wouldn't call it "heavy metal". It's much more sophisticated and mellow - well aged and pleasingly mild, rich and full but free from garishness or stridency.        The disk is mainly  based on song-writing by Ken Hensley and heavily depends on his keyboards.  After you obtain other Uriah Heep disks (and this is a must for a good rock collection), I recommend you to buy "Ken Hensley: The Anthology" comprised of the best from his 2 solo disks. Those are pure lyric compositions, many with acoustic guitar and piano.

Coachbento

This is a great album. It was a magical time for Uriah Heep as they had just completed the group with the addition of Bassist Gary Thain. The high point's are "Circle Of Hands" and Paradise/The Spell in my opinion. I do agree that it is an essential album to complete any rock and roll collection.

The Heep's Perfect Record

I get the Spinal Tap reference by Spongebob Ulyssesspants and its probably on the money. Ken Hensley & Co made some stinkers during their history. But they got it right with this one. D&W is perfect from start to finish, probably one of the best rock records of 1972. Buy This and Enjoy.

Biography

Formed: 1969 in London, England

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Uriah Heep's by-the-books progressive heavy metal made the British band one of the most popular hard rock groups of the early '70s. Formed by vocalist David Byron and guitarist Mick Box in the late '60s, the group went through an astonishing number of members over the next two decades — nearly 30 different musicians passed through the band over the years. Byron and Box were members of the mid-'60s rock band called the Stalkers; once that band broke up, the duo formed another group called Spice....
Full Bio

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