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Dimensional Bleedthrough

Krallice

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Album Review

Krallice are a meeting of two approaches to avant-metal guitar and composition. Colin Marston of Behold...The Arctopus and Dysrhythmia has long demonstrated an interest in the epic and a catharsis through lightning-speed displays of technical proficiency on his massive, 12-string Warr guitar. Mick Barr, on the other hand, prefers to achieve transcendence through maddening repetition, as on his two-man band Orthrelm's magnum opus OV. Krallice manage to reconcile these two approaches into one through the medium of black metal. Far from ramping their abilities down to pursue a Darkthrone-esque roar, Krallice are a forum in which Barr and Marston (accompanied by bassist Nick McMaster and drummer Lev Weinstein) can transform the genre's ultra-fast tremolo-guitar riffs and blasting rhythms into something akin to Steve Reich or Philip Glass playing incredibly dense progressive rock. These songs, four out of seven of which pass the ten-minute mark with ease, combine insanely focused, dual-guitar interplay with individual moments of anthemic power, most ably demonstrated on "Autochthon," where the composition repeatedly shifts and splits into parts, either guitarist taking the lead (without ever "soloing" in the traditional sense) and changing the riff, the rhythm section holding it all together. Krallice tracks are almost entirely instrumental; when vocals (by Barr) do appear, they're indecipherable roars, which is fine. This music is clearly about driving the listener out of his or her mind and into some sort of state of pure sonic bliss, and Dimensional Bleedthrough succeeds tremendously on that score. The production, too, is ace, never catering to black metal's lo-fi impulses. Each instrument is clearly audible, and in the case of McMaster's bass, that's invaluable. This is metal that could appeal to fans of 20th century classical music as much as extreme rock.

Customer Reviews

Krallice, Part II

In the past year, Krallice have become one of my favorite bands. Something about them - their energy, their sheer virtuosity (thanks to Mick Barr and Colin Marston), their impossible to decipher song structures that somehow make sense when all combined into one. Their debut eponymous CD had barely a flaw, the only complaint I have in that a few of the songs dragged out way too damn long (Molec Codices, Forgiveness in Rot). Of course you're gonna get this - it's a black metal album for God's sake! But the good outweighed the bad in so many regards. 'Energy Chasms' still plays in my head all the time. I saw them live last year in San Francisco, one of the best shows I've ever been to. Now here we are a year later, with Dimensional Bleedthrough. I had such high expectations preceding the album - I listened to the title track at least a few times a day. Were my expectations met? Well, you could say so. In terms of overall songwriting and listenability, I prefer the first album. But that's not to say this album is total crap, no far from it. The songs I'm sittin' on right now are still the title track (comparable to Energy Chasms for me anyway), and the finisher 'Monolith of Possession'. Does that mean the body of the album is just filler? Definitely not. It's great to hear Nick McMaster's vocals on 'Autochton' - he has some damn fine death metal shouts. The beginning of 'Aridity' makes me feel like I'm floating out in space somewhere, like listening to a Hawkwind album or something. 'Untitled' confuses me a bit..I swear to God it sounds off something a Wolves in the Throne Room album. But My God, 'Monolith' just slaughters everything in its path!! The immense 18-minute buildup, then the end almost gave me a heart attack the first time I heard it. Basically, I recommend this album if you worshipped the first album as much as I did. Or if you just like to listen to music that makes you sit and wonder for days and months after, give this a spin.

Biography

Formed: New York, NY

Genre: Rock

Years Active: '00s, '10s

A collaboration between well-respected guitarist Mick Barr (of Orthrelm and Ocrilim) and the equally well-appreciated axeman Colin Marston (of Behold... The Arctopus and Dysrhythmia), Krallice are an immensely technical — yet somewhat restrained, compared to some of Barr's other endeavors — black metal project whose music harks back to the early days of Burzum, Gorgoroth, and Ulver, names that helped build the black metal style in its formative years. Their debut, Krallice, was released...
Full Bio
Dimensional Bleedthrough, Krallice
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