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Don Juan's Reckless Daughter

Joni Mitchell

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iTunes Review

Joni Mitchell appeared on the cover of Don Juan’s Reckless Daughter disguised as a black man — an oblique comment, perhaps, about the shape-shifting nature of this album’s music. This sprawling work covers a lot of terrain, both sonically and thematically — from grandly-arranged art songs (“Paprika Plains”) to jittery jazz-pop tunes (“Talk to Me”) and extended percussion interludes (“The Tenth World”), there’s a lot to digest here. Don Juan may best be approached in pieces, starting with Mitchell’s slinky nightclub excursion “Cotton Avenue” and ending with the rueful love meditation “The Silky Veils of Ardor.” An erotic charge animates tracks like “Dreamland” and “Jericho,” while “Otis and Marlena” offers a satiric snapshot of Florida tourists. Lyrically, Joni dives into a dense Hejira-like travelogue in the title track and delivers a pared-down account of two-timing love in “Off Night Backstreet.” Along the way, she coos and soars in jazz-chanteuse fashion over her deft guitar playing. The overall mood here is dreamily downbeat, defined by Jaco Pastorius’ throbbing bass and Wayne Shorter’s piping sax.

Customer Reviews

Don Juan's Reckless Daughter

It is interesting to see the lukewarm review on Itunes. This album, with an All Star Cast is a show case for Jaco Pastorious. At his prime, his playing on this album is equal to anything done by other musical geniuses such as Charlie Parker or Jimi Hendrix. More like Miles on this album, Joni allows her all star band of Wayne Shorter, Don Alias Manolo Badrena, Jaco, Wayne Shorter, Airto and others to do their thing. What a great album.

The Itunes review of this is ridiculous...

I don't understand the review of this album. Don Juan's Reckless Daughter is brilliant. The "mainstream" likes to be spoonfed, so I wouldn't expect this album to go over that well sales-wise, but that says nothing for its artistic value. Wasn't art created for the sake of art? This album is well worth the price, and it will surprise you listen after funky listen. Thanks Joni. Thanks Jaco. Jeers to the Itunes reviewer on this one.

Joni and Don Juan

It's a bit disingenuous when reviews try to say that 'loyal fans' didn't like this or that. By definition, it's hard to call them 'loyal' fans when they're cherry picking. Perhaps the mainstream pop audience wanted more Free Man in Paris or Help Me. But true Joni fans know that she's in a constant state of reinvention. In fact, I think we would say Hissing, Hejira, Don Juan and Mingus are every bit as much a part of her aesthetic as Big Yellow Taxi. [Maybe more so.]

In her own words, "“A painter does a painting and it’s done…Nobody ever said to Van Gogh, ‘paint A Starry Night again, man.’” Listen to Don Juan and let the woman paint.

Biography

Born: November 7, 1943 in Fort Macleod, Alberta, Canada

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century. Uncompromising and iconoclastic, Mitchell confounded expectations at every turn; restlessly innovative, her music evolved from deeply personal folk stylings into pop, jazz, avant-garde, and even world music, presaging the multicultural experimentation of the 1980s and 1990s by over a decade. Fiercely independent, her work steadfastly resisted the whims of both mainstream...
Full Bio

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