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iTunes Review

On one level, Electric Light Orchestra’s Eldorado (1974) is about a quest for “the key to the eternal dream” just beyond reach. But it’s also very much about band leader Jeff Lynne’s own quest to fuse rock and classical music forms into an artistically valid whole. Decked out in sumptuous arrangements, its tracks are filled with scurrying harps, massed guitars and cooing choruses, invoking the grandeur of a 1930s film soundtrack. Lynne escorts the listener through this dazzling tableau, singing with John Lennonesque dreaminess and wonder. Beneath all the baroque pomp beats a rock ‘n’ roll heart, as evidenced by the bluesy “Nobody’s Child,” the ‘50s-flavored “Illusions In G Major” and the Dylanish “Poor Boy (The Greenwood).” Lynne and his bandmates indulge their orchestral fantasies fully during the album’s “Overture” and “Finale.” Reining in the flourishes, they deliver “Can’t Get It Out Of My Head,” a natural hit single. ELO whipped up a gorgeous layer cake of an album with Eldorado, spooning lush symphonic icing over solid pop/rock rhythms. It remains a richly enticing treat.

Customer Reviews

The Mostly Undiscovered Gem

When i first heard this album, i wasn't blown away. i felt the same way about this album as when i heard 'Sgt. Pepper.' i thought it was really good, but there were those few tracks that i couldn't wait to go back and listen to again ('Eldorado Overture' 'Can't Get It Out Of My Head' 'Boy Blue' 'Mister Kingdom'). But it quickly grew on me after a few more listens. The album wonderfully weaves it's songs together in an improvement over the classic 'Dark Side of the Moon' album. The album scores perfect coherency as a whole, but also manages to make sure that each individual track has enough power to stand on it's own. Something that even 'Dark Side' didn't fully manage. Honestly, if the album had ended with the 'Eldorado Instrumental Medley' instead of the 'Eldorado Finale', this would be the greatest album i've ever heard. But regardless, it's one of my top five greatest albums ever. Along with 'Achtung Baby' (U2), Siamese Dream (Smashing Pumpkins), Abbey Road (The Beatles) and 'Welcome To My Nightmare' (Alice Cooper).

A work of genius, beginning to end

I look back on this album fondly and remember everything that happened when I got this one. My mum and I were running errands, and for whatever reason, she decided to go and buy some albums at a store. One of them was Eldorado. On our way to the other places we had to go, we listened to this in the car. I was at first a bit skeptical that it'd be any good, but as the overture began, there was no doubt in my mind. This was a work of genius. Even today, I still think so. This was one of the first concept albums I ever heard, and it stuck in my mind as the very model of a concept album. It is truely one of the best albums ever recorded, right up there with "Dark Side of the Moon" and "The White Album". A work of genius from beginning to end, if you are to choose only ten albums to listen to for the rest of your life, surely Eldorado must be one.

An Amazing Achievement

I still remember hearing this album for the first time. It has more hooks than a fishing store. Jeff Lynne has an amazing gift for melody and lyrics that are not too silly or syrupy. And this band is musically amazing in all aspects of this album. They can sound intimate and symphonic at the same time. Can't Get It Out Of My Head is one of the most beautiful melodies I've hard and Illusions In G Minor is a wonderful, obscure treat. Excellent from start to finish. Exceeded only by Face The Music, their incredibly follow-up to this. Spend the 10 bucks and enjoy.

Biography

Formed: October, 1970 in Birmingham, England

Genre: Rock

Years Active: '70s, '80s, '90s, '00s

The Electric Light Orchestra's ambitious yet irresistible fusion of Beatlesque pop, classical arrangements, and futuristic iconography rocketed the group to massive commercial success throughout the 1970s. ELO was formed in Birmingham, England in the autumn of 1970 from the ashes of the eccentric art-pop combo the Move, reuniting frontman Roy Wood with guitarist/composer Jeff Lynne, bassist Rick Price, and drummer Bev Bevan. Announcing their intentions to "pick up where 'I Am the Walrus' left off,"...
Full Bio

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