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Emerald Fantasy Tracks

Loné

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iTunes Review

The sunburnt, sepia-toned sleeve of Lone’s latest is a little misleading. Aside from the occasional melancholic melody or hazy hook, Emerald Fantasy Tracks is a marked departure from the Boards of Canada nods that dotted the producer’s previous beat suites. What we get instead is a manic approach to house music, a place where cowbells and handclaps converge amid swiftly slapped drum pads and deftly layered synth lines. A couple tracks dial the twitchy tempos down a bit (the hi-hat hisses and static-lined chords of “The Birds Don’t Fly This High,” the funk-infused breaks and drunken last call loops of “Ultramarine”), but there’s no mistaking just how joyous the whole thing sounds. It’s as if Lone decided to pen a love letter to the warehouse rave roots of his native Manchester — a letter we can all appreciate and get swept up in.

Customer Reviews

Heaven in my earphones

Lone is downright staggering. He is such an imaginative producer with the best use of samples and beats.
Lone takes ecstasy to a whole new level. If Ecstacy and Friends wasn´t danceable enough, this record is definitely worth it.

Better Than Ever.

New Sound.
Better Sound.
I Loved His Older Music But This Is Just,
Amazing. My Ears Are Having A Orgasum.

head hurts...

The compressor pumping all of the sound with each bass drum beat on EVERY SONG makes my head hurt. Bad producer, bad.

Biography

Born: England

Genre: Electronic

Years Active: '00s, '10s

The primary alias of Nottingham, England native Matt Cutler, Lone debuted in 2007 with a CD-R, Everything Is Changing Colour. A series of 2008 and 2009 releases — Lemurian (Dealmaker), Cluster Dreams (Dealmaker), Ecstasy & Friends (Werk Discs), and Joyreel (Werk Discs) — positioned Cutler's project as something of a midpoint between admitted inspirations Madlib and Boards of Canada, as the producer combined abstract hip-hop beats with wistful, dreamlike textures and melodies. While...
Full Bio
Emerald Fantasy Tracks, Loné
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