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Even If It Kills Me (Bonus Track Version)

Motion City Soundtrack

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Album Review

With punk-pop stalwarts blink-182 now out of the running, Motion City Soundtrack could very well be crowned the genre's new torchbearers. Theirs is a punk-pop untainted by emo, unfazed by hardcore, and firmly focused on the latter element — pop music. To that end, Even If It Kills Me finds the band working with (among others) Cars co-founder and veteran knob-twiddler Ric Ocasek, who piles their harmonies and distorted guitars into crunchy blocks of radio gold. Motion City Soundtrack shares more than a few similarities with Ocasek's former group — their dedication to the pop genre, for instance, with roots in something harder — and his presence is a warm tribute to a band whose efforts deserve some veteran recognition. As before, frontman Justin Pierre is the star of this album, whether he's doing his part to liven up a semi-sedate ballad ("The Conversation" — one of the album's only downer tracks) or channel the commercial spirit of former single "Everything Is Alright." In fact, Even If It Kills Me does seem to consciously aim for commercial acceptance, but rarely at the expense of the quirks and literate lyrics that first endeared Motion City Soundtrack to its fans. There's simply more radio-minded material here, from the beefy bass-driven "This Is for Real" to the mix of synthesized pop/rock and latter-day Guster in "Hello Helicopter." By splitting productions duties between power pop veteran Adam Schlesinger, Eli Janney, and the aforementioned Ocasek, Motion City Soundtrack also avoids the seventh inning stretch — that nebulous point on Memory and I Am the Movie where the albums' final tracks began to suffer from being so similar to their predecessors. There's no lull here, just fast-paced fun — which, given the band's motion-centric name, is both apporpriate and tuneful

Customer Reviews

Awesome album, crappy business practices.

Let me just say- this is an easy buy. Every song is catchy, introspective, and beautiful in it's own, someonewhat screwy, way. Justin Pierre's lyrics are deeper than ever, and his rhythm guitar complements Joshua Cain's lead guitar work well. Bass and drum work by Tony Thaxton and Matt Taylor all provides a great canvas for Jesse Johnson to throw heavy synth and keyboard parts onto. In the end, MCS' layered sound is even more beautiful on this record than their previous two albums, and goes from filling your ears like a miniature orchestra on "Calling All Cops" and "This is For Real" to dialed-down, piano-only accapella tracks like "The Conversation", and goes through every in between. That being said, I'm sick of this re-release crap. The whole point to iTunes is to be able to buy your music by-the-song, right? It rewards everyone- the people who just love one single can buy their one single, the people who like the entire record can get it cheaper/ more quickly, and when it gets re-released the fans who brought the record the day it came out can get the bonus tracks. Wrong. Because the real fans who brought the record the first day it was out can't legally get those bonus tracks without buying the entire freaking album again. I don't care if it's Epitaph, Apple, or MCS themselves, someone needs to fix this arcane system, ASAP. And I get the feeling it's Apple, because these album-only, re-release tracks are pretty common, and pretty damn annoying. Five-star album, but zero-star treatment of consumers.

acoustic sounds even better

i know that you may love MCS, but the acoustic version of can't finish what you started is one of the best, acoustic or not acoustic, songs i have ever heard. YES if you agree

Acoustic tracks

I already had the cd so I just bought the acoustic tracks. I'm not even mad about Not Asking You To Leave being Album only because the rest of the cd is amazing! This is a must for ANYONE who even remotely likes MCS. The acoustic songs remind you how great they are, stripped down to guitar, piano, and Justin's voice.

Biography

Formed: 1999 in Minneapolis, MN

Genre: Alternative

Years Active: '90s, '00s, '10s

A leading light in the punk-pop genre, Motion City Soundtrack includes members Joshua Cain (guitar), Tony Thaxton (drums), Justin Pierre (vocals/guitar), Jesse Johnson (Moog), and Matthew Taylor (bass). Following their high-school graduation, Minneapolis natives Pierre and Cain — both of whom were inspired by Sunny Day Real Estate, Jawbox, the Flaming Lips, and Superchunk — formed the band in 1999. The pair assembled a temporary lineup and issued a self-released 7" that same year. Later,...
Full Bio

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