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Fever

Sleepy Sun

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iTunes Review

Following quickly on the heels of their debut full-length, Embrace, California’s Sleepy Sun improve on their psychedelic, prog-tinged sound. The production is tighter and crisper (it’s easy to get muddy in this genre) and the band’s careful balance of pinwheeling wisps of sound and bong-tastic guitar washes (substitute “washes” for “assaults” if you’re sensitive) — is mind-blowing in its perfection. A sextet with two muscular guitarists, the band wisely keeps the dense layers from becoming too obtuse or stifling, even when there are various ideas at play in one track. Consider opener “Marina,” which kicks off with a blast of distorted, Kyuss-flavored guitar but yields softly to a folk tableaux, with Rachel Fannan’s beautiful vocals glittering like a ray of sun against a twinkling synth. The tune abruptly shifts into a tribal, percussive interlude which gives way to guitars launching into hyperspace, drenched in effects. You’ll think you heard three songs in six and a half minutes. The key to Sleepy Sun’s future is in preventing all these ideas and tools in their collective heads from getting in each other’s way. Right now, they’re on track to contemporary, psych-rock supremacy.

Customer Reviews

I write this in a special state of mind...

I got this album on a whim. I read the review with all caps (it was the first one, I don't remember what it said, just that it was in all caps - and I'm too lazy to scroll down and read the author's name.) I didn't really expect much, just, you know - something worth $8.91 on a credit card that I should not be using.

It was worth it. The intro song (Marina) itself was worth the price! Well, the price of one song, I mean really...who in their right minds would pay that much for a song these days on the internet when you can just type in the album and artist into a search engine and bam - it's there to download for free, usually illegally though (yeah, there's always that catch).

Anyway, to the album!

Marina was great, though I wish the really really really cool drum part got more intense. I was really hoping for a tribal drum beat almost, but that's probably just the "trippy" in me. The second song, Rigamaroo, did not impress me much, and I have found no real reason to put it on repeat, I usually just skip past it. You may like it though, give it a chance. I love love love the intro into Wild Machines, and the rest of the song is just as good (I needed to put the three loves in there man, gotta spread it around a bit more as they say). Ooh Boy is boring to me (two filler songs already? Really?) and I often just skip past it. Maybe I'm just not the sentimental type, i don't know. Acid Love (gotta love that name, and no pun intended [really]), is a good enough song. I've only skipped past it a couple of times, but I feel it could have been really turned into an amazing song. Another filler? No, not quite, but the pessimistic side of me does want to call it another filler. Desert God, on the other hand, is most definitely not a filler, and is one of the best songs on the album in my honest opinion. I don't like the last few notes played at the end though, I don't know what production was thinking, as it has nothing to do with the song and kid of ruined the feel of the end for me. If you don't like that song though, you should probably take everything I say and just ignore it completely. Open Eyes is definitely not a filler and is a great, short song. Freedom Line is another great short song. Last, but definitely not least, comes Sandstorm Woman. As the last track on the album, it does a great job of wrapping up the album in a nice feel. The beginning is nice a slow, as it slowly winds up - wait, why am I telling you this, I feel like I'm spoiling the ending to a good book. Listen to it and find out, they did a fantastic job.

Tl;dr
Marina - good
Rigamaroo - filler
Wild Machines - good
Ooh Boy - filler
Acid Love - good/filler
Desert god - good
Open Eyes - good
Freedom Line - good
Sandstorm Woman - good

I don't say anything more than good/filler because this is the too long didn't read section. If I made spelling errors and didn't see them, I could honestly care less, leave a review telling me how bad my opinion is because of a stupid spelling error.

Enjoy the album, it's great (which is what a 5 start rating on iTunes means).

Sleepy Sun Exceeded All My Expectations

Sleepy Sun are masters of temperance. Unlike more impatient rock bands who rock all the time and thus get boring, Sleepy Sun know just how to build up a song first, waiting till just the right moment, the climax, to really jam. For this reason, "Fever" is a masterpiece. Best of 2010 probably.

Primo Stuff

You can really taste the sound.

Biography

Formed: San Francisco, CA

Genre: Alternative

Years Active: '00s

Trippy rockers Sleepy Sun began in 2005, when UC Santa Cruz students Bret Constantino (vocals), Matt Holliman and Evan Reiss (guitar), Hubert Guy (bass), and Brian Tice (drums) formed the bluesy garage-rock act Mania. However, the band's music gradually became more expansive and eclectic, and by 2007, they were known as Sleepy Sun. Rachel Fannan of another Santa Cruz act, Birds Fled from Me, saw the band's first gig as Sleepy Sun and wanted to join the group; after sitting in with the band at a gig,...
Full Bio

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