First Blood (Original Motion Picture Soundtrack)
Jerry Goldsmith
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| Name | Artist | Time | Price | ||
|---|---|---|---|---|---|
|
1 |
Home Coming | Jerry Goldsmith | 2:28 | Album Only | View In iTunes |
|
2 |
Escape Route | Jerry Goldsmith | 2:43 | Album Only | View In iTunes |
|
3 |
First Blood | Jerry Goldsmith | 4:41 | Album Only | View In iTunes |
|
4 |
The Tunnel | Jerry Goldsmith | 4:05 | Album Only | View In iTunes |
|
5 |
Hanging On | Jerry Goldsmith | 3:34 | Album Only | View In iTunes |
|
6 |
Mountain Hunt | Jerry Goldsmith | 6:10 | Album Only | View In iTunes |
|
7 |
My Town | Jerry Goldsmith | 2:00 | Album Only | View In iTunes |
|
8 |
The Razor | Jerry Goldsmith | 3:13 | Album Only | View In iTunes |
|
9 |
No Power | Jerry Goldsmith | 2:56 | Album Only | View In iTunes |
|
10 |
Over the Cliff | Jerry Goldsmith | 2:09 | Album Only | View In iTunes |
|
11 |
It's a Long Road | Jerry Goldsmith | 2:57 | Album Only | View In iTunes |
|
12 |
It's a Long Road | Jerry Goldsmith | 3:21 | Album Only | View In iTunes |
| Total: 12 Songs |
Customer Reviews
One of Goldsmith's Quintessential Scores.
One of Jerry Goldsmith's definitive "masculine" scores, First Blood transports the listener into the body of John Rambo, a disoriented Vietnam vet who only "wanted something to eat." Composed in 1982, this is the first in a trilogy of post-apocalyptic films that continue to be held in high regard and close to the hearts of those who love Goldsmith's legendary talent. For First Blood, Goldsmith composed a solitary theme that perfectly underscores Rambo's sense of longing and eventual self-exile. The first track, "Home Coming", states this theme very simply, performed by solo trumpet, guitar, and eventually sweepingly lavish strings. The peaceful, personal nature of this theme doesn't last, as the next track, "Escape Route," barges in with one of Goldsmith's most famous motifs, a recurring five-note electronic passage that often signifies a sense of stealth and urgency. This mood is carried in variation all the way up to "Hanging On," where this motif is taken at slightly different pace, accompanied by hints of an anxious orchestra that continues to build before eventually exploding into full Goldsmith symphonia. Sure enough, the orchestra lets loose in the next track, "Mountain Hunt." Fans of Total Recall will feel right at home. Posing as probably one of the most powerful and tense tracks on the album, Goldsmith begins with his five-note motif (now played by full orchestra), building up to a climax where Goldsmith's trumpet/guitar theme is transformed into a fully orchestral climactic moment that turns the musical canvas into complete chaos. It's highly energetic, and it morphs into hair-raising tension, complete with high strings and unexpected outbursts of bombast only Jerry Goldsmith could write. The listener is provided a short break during "My Town," but then is dragged back into Rambo's chaotic search for peace in "The Razor." It all culminates in an exciting but seemingly unfinished conclusion in "Over the Cliff." "It's A Long Road (Instrumental Version)" gives Goldsmith's main title theme the full, orchestral treatment it seems to have been searching for throughout the entire score. All of the thematic ideas are brought together in this wonderful track, not only bringing closure to our journey, but also ending it on a very satisfying note. This was originally meant for play over the End Credits, but was replaced with a pop version accompanied by Dan Hill's enjoyable vocal performance (track 12). Goldsmith's score is merely the beginning of what the dedicated listener is in store for when exploring the world of Rambo. His music for First Blood continues in a similar but progressive fashion in Rambo 2 and 3, based on the ideas he set in motion here with this original score. He not only expands on these ideas, but also pushes them to a new level through an evolution that parallels with that of Rambo's character throughout the continuing storyline. While I recommend all three as a complete and exhilarating listening experience, First Blood is the perfect place to start.
Haunting and Gripping Score
Don't listen to the negative reviews, this score is beautifull, it starts out simple and builds to a wonderfull climax. From the haunting guitars in the beginning to rich orchestra that builds as the action increases.
always perfect from jerry
jerry does yet another great job.
Biography
Born: February 10, 1929 in Los Angeles, CA
Genre: Soundtrack
Years Active: '50s, '60s, '70s, '80s, '90s, '00s
Top Albums and Songs By Jerry Goldsmith
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- $9.99
- Genres: Soundtrack, Music, Classical, Original Score
- Released: Aug 10, 1999
- ℗ 1999 Varèse Sarabande







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