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Fleurs

Former Ghosts

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Album Review

Freddy Ruppert is the founder of Former Ghosts, but listeners might be more familiar with the other two-thirds of the band, Xiu Xiu's Jamie Stewart and Zola Jesus' Nika Roza. While the trio's debut album, Fleurs, isn't quite as severe as Xiu Xiu or as unearthly as Zola Jesus' music, its harsh beauty and vulnerability is certainly of a piece with those groups. Like these bands, and contemporaries such as Cold Cave, Ruppert and his fellow Ghosts reinvent and deconstruct synth pop by contrasting and blurring overtly mechanical, detached-sounding electronics with highly emotional melodies and topping it all with heroic doses of noise. The damaged 8-bit tones on songs like "Hello Again" whip up more pure distortion than a guitar, while the quivering synths on "Choices" match the shaky voiced intensity in Ruppert's voice when he sings "When will your choice be me?" His baritone adds an extra weight to these songs, which are often anguished but surprisingly wide-ranging, spanning "Mother"'s hard edges and "Dreams"' brisk, brittle pop. The interplay between Ruppert, Stewart, and Roza also helps keep Fleurs fresh. Roza sings "In Earth's Palm" and the Siouxsie Sioux-like, klaxon oddness to her voice is the perfect fit for the abrasive textures around her; later, on in "The Bull and the Ram," her piercing vocals make her lament that much more keenly felt. Stewart takes the lead on "I Wave," which features creepy, childlike vocals and, not surprisingly, sounds a lot like early Xiu Xiu's mix of simple sounds and complex emotions. However, it's Fleurs' most collaborative moments that are among the most memorable, in particular the anthemic Ruppert/Stewart duet "Hold On," which is one of the few candles in the album's dead-of-night darkness, and Roza and Ruppert's "This is My Last Goodbye," which closes the album with the echoing question "Who is going to love you like I do?" Asking questions like that (and leaving them unanswered) means that Former Ghosts evoke isolation with a fearlessness that few of their peers can match.

Customer Reviews

from the heart, darkly.

former ghosts takes us on a pretty intimate journey. yet upon several listens the album develops a reflective quality, and you end up learning more about yourself than said artists. the arrangements are layered in discord and harmony...fragility and strength...control and complete lack there of. this isn't just music you listen to, you breathe it in.

the epitome of cold wave

if ian curtis never died and kept making music all the way until now this would have been it.

the gems on this one:

hold on

mother

dreams

those are the best tracks but honestly this whole album is amazing. there is so much emotion put into his words(especially 'mother') and so much effort put into producing the music on this album it would be an insult not to listen to this all the way through.

7 out of 5 stars.

ONE OF MY FAVORITES IN YEARS!

I never ever bother to write reviews for anything- but this time I am compelled. This is a really great record I feel for several reasons...
In terms of tone, "Fleurs" is quite the departure for Freddy Ruppert. The desperation is definitely preserved from This Song Is A Mess But So Am I days, but this one keeps its intensity in a frank, hopeful mode of expression. The lyrics on the album are obscenely beautiful and sincere- being both plainstated and yet acquiring a certain depth with the listener. Freddy takes on most of the main vocals- his voice has a stressed, emotionally cathartic, almost husky sound to it. It seems as if he is almost just talking and the result is mystifying and very very much musical. The strain seems to become the notes. The other two performers also provide interesting and minimalistic backing vocals- but have remarkably strong leads on their own. All of this is passed through impossible amounts of reverb...

Vocals are placed high in the mix- but the complex and unique electronic instrumentation serves as an overall structure. What is most entrancing about the drum machines and synthesizers are that they together share a both scraping and melodic quality- passing it seamlessly back and forth between instruments. The synths sound fuzzy the drum programming jars and weaves together in unexpected and exciting ways. Or the synths sound pure and the drum machine pulses pure (albeit drenched in reverb). There are many shades in between, and it always stimulating.

This album features remarkable progression in terms of sound and feeling- which interestingly- belies its seemingly sparse instrumentation. Small digital sounds are given HUGE presence in the production- the voices propel it all forward- the drum machine offers a pulse- the voices propel it all forward- the synthesizers sweep it clean away ...and it begins again... All of it is completely enrapturing, emotional, contemplative- each new organization drills into your heart it's so DENSE. I cannot stop- "Fleurs" is beautiful, beautiful, beautiful... nothing short of AMAZING. Great job Freddy, Nika, and Jamie- you are inspirations for lots of musicians and people.

I hope this review says something about any of it. Listen to the previews and buy it.

Biography

Genre: Pop

Years Active: '00s

A trio of underground synth pop reinventors akin to Cold Cave and Silk Flowers, Former Ghosts was formed by vocalist/keyboardist/programmer Freddy Ruppert, formerly of This Song Is a Mess But So Am I, and features Xiu Xiu's Jamie Stewart (vocals, synths) and Zola Jesus' Niko Roza (vocals). The group played their first tour in spring 2009, and...
Full Bio
Fleurs, Former Ghosts
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Customer Ratings

Contemporaries

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