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Gipsy Freedom

Wooden Wand & The Vanishing Voice

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Customer Reviews

Completely unexpected

As the other reviewer so far expressed, I have never heard something like this before. In my case, with this record, with the exception of "Don't Love the Liar", I had a really hard time sinking in to it. That song - Don't Love the Liar - is easily the most standard rock or pop related piece on the record, and in itself is a totally bent piece of work. After a while though, I found myself craving the depth of psych dives they take on even the second song - Didn't It Rain. You fool yourself into thinking it is going to be some hippy faerie woodwinds in the wilderness thing, and then the song just goes off the deep end... by 1:50 you're realizing that something is weird... then another full minute and a half of dronezilla, but wait - at 3:25 something changes again... we're in kind of a restrained "psychic... powerless..." vibe here - which gets cemented when the vocals finally come in after an epic *7:33*, the unaffected female voice sounds entirely unnatural against the previous ascention from low hum vibe through huge tribal and mechanical drum sounds, guttural sublingual vocal samples, etc. Oh right, ahem. Further on in the album, further gems exist that were hard for me to decode previously - Dread Effigy is insane, and I am trying to figure out where the english and sublingual ratio is on that song (someone let me know if I am just missing some of it), and then Genesis Joplin winds out into a similar jazz-sounding piece as the opener. Even the cover art freaks me out - open it large and look at it in detail. Confusing painting, to say the least.

I've never heard anything like this before

This could very well be one of the best albums I've ever heard. It doesn't sound like other free-folk, freak-folk, or noise rock. It doesn't sound like anything. It's... it.

DON'T LOVE THE LIAR!!!!!!!!!!!!!!!

who said this album is horrible DO LOVE MR.Toth for SHINING in a strange but beautiful universe...........

Biography

Formed: New York, NY

Genre: Rock

Years Active: '90s, '00s, '10s

In addition to running the Polyamory label with Tovah O'Rourke, James Toth was the leader of New York-based avant-garde/freak folk ensemble Wooden Wand & the Vanishing Voice. Taking the first part of that name as his own — and occasionally billing himself as "Wooden Wand Jehovah" — Toth gathered at one point or another O'Rourke (who also comprised Dead Machines with her husband, Wolf Eyes' John Olson), Satya Sai, Glucas Crane, Steven the Harvester, and Heidi Diehl. There were others,...
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