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Give Out But Don't Give Up

Primal Scream

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iTunes Review

Always teetering on a tightrope with revved-up dance music on one side and rootsy down-home rock ‘n’ roll on the other, Primal Scream followed up its innovative and celebrated opus Screamadelica with 1994’s Give Out but Don’t Give Up, an album steeped in Southern heartland boogie rock. Give Out . . . served up a hearty helping of greasy Stones- and Faces-inspired music not too dissimilar from The Black Crowes’ The Southern Harmony and Musical Companion (released just two years prior). There are a good grip of songs that have ripened well over the years, like the soulful opening “Jailbird” and the album’s only single, “Rocks,” a hard-stomping, hand-clapping, hair-shaking, barroom beast of a hit that sounds like a long-lost gem from Exile on Main Street-era Stones. On Creation Records’ dime the band even landed the Memphis Horns in the studio, as well as the legendary George Clinton, who gave the title track and “Funky Jam” a heavy dose of authenticity. 

Customer Reviews

Don't Give Up on this album...

It has some good songs on it, like Rocks.

Great Rock Album

Any fan of the Producer George Drakoulias should be interested in this. He worked with Primal Scream after his two albums with the Black Crowes, and between Maria McKee and Jayhawks albums. The Brits do great rock, and Primal Scream on this album are the epitome of that.

Biography

Formed: 1984 in Glasgow, Scotland

Genre: Alternative

Years Active: '80s, '90s, '00s

Primal Scream's career could in many ways be read as a microcosm of British indie rock in the '80s and '90s. Bobby Gillespie formed the band in the mid-'80s while drumming for goth-tinged noise rockers the Jesus and Mary Chain, who were the exact opposite of Primal Scream — the latter specialized in infectious, jangly pop on its early records. After a brief detour to punky hard rock, the group reinvented itself as a dance band in the early '90s, following through on the pop and acid house fusions...
Full Bio

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