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GNV FLA

Less Than Jake

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Album Review

Free from a major-label contract and comfortably resting at their own newly created Sleep It Off Records, Less Than Jake do what most bands in similar situations do — reach back to their roots and prove to fans that, despite any past musical transgressions, the band they loved so much years ago is back. And in doing so, Less Than Jake have essentially created a bittersweet tribute to their hometown of Gainesville, sparing no detail in naming the album GNV FLA, stringing the liner notes together with bleak snapshots of the city, and littering song names and lyrics with nods to both the state of Florida and the beloved college town of their inception. At first glance, it might appear that they're trying just a bit too hard to shed reminders of the recent past — the shiny pop veneer of 2006's In with the Out Crowd only produced a handful of memorable songs, after all. But thankfully, the throwbacks to Less Than Jake's past run deeper than just the Sunshine State references — they remember to convincingly bring back the tightened and exuberant ska-punk of their Hello Rockview days; Roger and Chris seamlessly switch off on vocals as driving power chords and sunny ska riffs alternately cut through hammering drumbeats, and high-spirited horns punch their way through it all. Light opener "City of Gainesville" may run on a lackadaisical, totally unassuming groove, but then "The State of Florida" explodes forth with barely a second between songs, disenchanted lyrics spat over a sped-up and charging rhythm section. The punk side of their ska-punk comes front and center and doesn't let up from the caffeinated riffs of "Does the Lion City Still Roar?" to the frantic woahs of "This One Is Going to Leave a Bruise." It's a joyous return for a band many may have already given up on, especially based on the overly sober and distant introspection of their last album. But on GNV FLA, Less Than Jake are still very much alive, and their exuberant, singalong melodies are heightened this time by actually being sung with heart, feeling, and a sense of fondness. Lyrics look back on drunken nights, former frustrations, and wasted hours spent doing nothing but getting through another day, but the mix of regret, defiance, disillusionment, and affection — coupled, of course, with steamrolling rhythms, giddy guitars, and a resounding horn section — makes GNV FLA seem like the album Less Than Jake needed to make, not just as a tribute to their past in Gainesville, but as proof to themselves and their fans that they still have it.

Customer Reviews

Welcome Back Outcasts

First things first; for those expecting Less Than Jake to sounds ten years younger, sorry, the Capitol days are over. Also gone are the Fat Wreck and Warner Bros days. This new chapter in what has been the Less Than Jake roller coaster just took another crazy turn, and this one may actually excite some people. For the band's last three albums, the receptions have been all over the board. I wouldn't expect anything less from this album. Just when you think Less Than Jake has written everything possible, they make a new album that progresses in music and lyrics. Though you'll hear some elements of music familiar enough to let you know it's Less Than Jake, you'll hear new things that'll be totally new and foreign. First off, the first four songs should be loved by all. 'City of Gainesville' is an unexpected slow, reggae number with a the first ever LTJ-use of a drum machine, which kicks right into the fastest and most exciting song on the album, 'The State Of Florida'. 'Does The Lion City Still Roar?' and 'Summon Monsters' are a bit of a change from the usual at first, but turn into fan favorites after a few listen throughs. After that, the rest of the album turns into personal favorites. There's a song (or more) for everyone on here. Unlike the past two albums, there are lots of horns (only three songs, including the 39 second one, 'The Life Of The Party Has Left The Building', are hornless), lots of guitars, and lots of unexpected stops. Many of these songs are short (only three are longer than three minutes), and some (including 'City of Gainesville' and 'Golden Age Of My Negative Ways') may be missing bridges that'd make the songs stronger. At this point, I'm nitpicking with what may or may not be wrong with the album. My suggestion; buy it, listen to it for a week or two, and tell me how you like it. Though a change at first listen, the album will grow on you fast, and it'll just be like listening to Less Than Jake for the first time again.

johnny quest...

just got an enourmous punch in the face.

Welcome to Gainesville!

Sticking together for 16 years is an accomplishment few bands ever achieve - hell, most marriages don't even make it that long. To be musically relevant and still full of creative, original content for 16 years is an entirely different thing. With "GNV FLA," the latest album from ska/punk/pop/metal sensations Less Than Jake, the band attempts to return to their roots after 2006's "In With the Out Crowd." What can I say? This album is terrific - and for those diehard, longtime fans of Less Than Jake, "GNV FLA" is something of a coming home. It's clean and crisp - and probably over produced when compared to the band's most gritty beginnings, but the songs have never been better. Less Than Jake has been my favorite band for around 10 years now, and they're one of my absolute greatest inspirations in life. I've found a deep connection with their songs - lyrics that tap into my own heartbeat. "GNV FLA" has struck the same chord Less Than Jake's previous albums have - and it's a wonderful sound. I love you guys - and I love this album. Can't wait to see you this summer!

Biography

Formed: 1992 in Gainesville, FL

Genre: Alternative

Years Active: '90s, '00s

Although formed in 1992 as a power pop trio with heavy punk leanings, Less Than Jake steadily transformed into a ska-inspired punk band with the addition of a horn section. Vocalist/guitarist Chris Demakes, bassist Shaun, and drummer/lyricist Vinnie Fiorello formed the first incarnation of the group, which took root in Gainesville, FL. After Shaun became the group's roadie, however, he was replaced by bassist Roger Manganelli, who picked up the instrument just to join the band. During 1993-1994,...
Full Bio

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