Good Thing He Can't Read My Mind

Christine Lavin emerged out of the crowded New York City songwriter scene of the '80s with a style that distinguished her from her peers. First, her songs were overwhelmingly concerned with contemporary romantic mores (that scary, uncertain world of "relationships," "commitments," and "biological clocks"). Second, while her takes on this subject could sometimes be sentimental or even maudlin, more often they were humorous. "If You Need Space, Go to Utah" was the first track on her second recording,...