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Grey Britain (Deluxe Version)

Gallows

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iTunes Review

Grey Britain is the U.K. hardcore punk quintet’s response to current-day greed and racism, delivered with mouth-frothing ferocity. It’s true that the unlikely use of strings on “Vulture (Act I)” and “Misery” adds some embroidery to the pervasive sturm und drang, but really, Grey Britain can best be seen as a conceptual successor to the Clash’s London Calling and similarly politically minded punk discs of the ‘80s. Singer Frank Carter is unrelenting in his indictment of his nation’s ills, bellowing his way through “Leeches,” “Death Voices,” “Queensberry Rules” and “Crucif**ks” with righteous rage. The tongue-lashing he gives St. Peter during “The Great Forgiver” is a highpoint. The shout-along choruses to “London Is the Reason” and “I Dread the Night” invite the alienated everywhere to join in the struggle. Under the production guidance of GGGarth Richardson, the tracks seethe, slash and even swing, especially on the maniacal boogie tune “Graves.” Brutal and sporadically brilliant, Grey Britain burns white-hot from first cut to last.

Customer Reviews

Genius

Grey Britain, the second album from Gallows truly shows that the band has no limitations. They combine punk speed with hardcore breakdowns, soft singing and acoustic guitar playing with distortion and Franks vocals. This album stabs at religion, goverment, and humanity while remaining intelligent and collected. I reccoment to truly understand this album simply look up the lyrics. Enjoy heavy, talented bass riffs, overlapping soloing guitars, talented drums with a touch of double bass, and the passion of the vocals.

Excellent

This harkens back to the good 'ol days of early 80's hardcore punk. The vocals are much richer than the ones found on Orchestra. The sound and the flow are much tighter on this record. It also contains much more diversity than their first record. Overall an excellent record. You can tell that they have an excellent understanding of the fundamentals of classic punk, and at the same time they mix in newer sttyles of music. The lyrics also adhere to an a very angry style that should to appeal to both the older and young punk crowds.

A Step Up!

Gallows come back with an amazing Sophomore album, it’s just as intense as the first with a little more construction done on the tracks, they aren’t as chaotic as “Orchestra of Wolves” which is a good thing because each song sounds very distinct and memorable. From the very first song “The Riverbank” you can sense the themes of death and destruction in the album, there isn’t one track that you will want to skip because they are all great.

Biography

Formed: 2005 in Watford, England

Genre: Alternative

Years Active: '00s

As a disenfranchised D.I.Y. punk band from the U.K., Gallows fuse rage with a disgust with their social surroundings in the same fashion as their forefathers, the Sex Pistols and the Clash, to add a genuine urgency to their punk revival. In 2005, Frank Carter (vocals), Steph Carter (guitar/vocals), Laurent Barnard (guitars/keys/vocals), Stuart Gili-Ross (bass), and Lee Barratt (drums) formed the band after digesting a steady diet of '80s hardcore staples like Black Flag and Minor Threat and underground...
Full Bio
Grey Britain (Deluxe Version), Gallows
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