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Hamburger Concerto

Focus

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Album Review

Focus had well proven their ability to write rocking instrumentals by the time of this release. Their catalog, although consisting of four albums, rarely had a dull moment between them. Hamburger Concerto is equally consistent, much of it being prime Focus material. The Akkerman-written "Birth" and "Early Birth" are examples of Focus fully flexing their muscles, featuring superb guitar work and amazing all-round musicianship, as well as sporting some superb riffs. The usual lengthy instrumentals are present also, as well as some manic vocals from the manic but genius Thijs Van Leer. Although Hamburger Concerto is not as unerring as Moving Waves or Focus III, anyone who enjoyed the previous releases would undoubtedly find great satisfaction from this album.

Customer Reviews

timeless

i've had this release since the heyday of focus, in different formats; album, cassette and 8-track, now finally the time has come to get it in another format, digital, to hear all the high-handed musicianship of focus that stands the test of time. this release is powerful, majestic, melodic, bestows a vast spectrum of sound upon the listener, is finely crafted and if it doesnt send chills down your spine at times, you don't have a pulse! to top it all off, i saw focus, at a local venue, perform the entire release when touring the states to promote this incredible opus! for any discerning music collector, this release must not be overlooked.

I was waiting for this

To hear this album again is to have a blast of a wonderful part of the 70's that was not "Disco". Focus and Jan Akkerman provided road music that was both sophisticated melodically and a test of automotive audio systems that made drive time a blast.

A Hamburger With All The Fixin

This CD demonstrates how wonderfully versatile these musicians were (or are). Overall it sounds like a gentle fusion between rock, jazz and classical.

The first cut..."Delitae Musicae" starts off the first 73 seconds of the disc with Akkerman on lute and Van Leer on recorder. It reminds me of a brief period piece from mideaval Europe.

The next track (my favorite) is "Harem Scarem". This is a fast paced, charging tune with plenty of piano downbeats and Van Leer's "yeah yeah yeah" vocal augmentation in the background. There are also the sounds of rythmic handclaps in the background which I gather are supposed to mimic the gesture of a middle eastern man summoning a member of his harem (don't know where the "Scarem" reference comes in...possible reference to an unattractive member of the "Harem"?)

The next tune is "La Catherdrale de Strasbourg"...a gentle, slower-paced tune craftfully performed with Van Leer singing in French towards the end.

"Birth" is basically a seven and a half minute jam that depicts the essence of the band...nice harpsichord intro.

The title track "Hamburger Concerto" is a 20 minute jam session that beautifully displays the bands musical range and versatility. Van Leer even briefly yodels in a short vocal passage which is obviously reminiscent of "Hocus Pocus". In a passage towards the end of the concerto, Van Leer can even be heard singing a verse in "a language other than english" (no surprise since they're from Europe).

In a review of this album that I recall from '74 (when this work first came out) the person conducting the review thought he was singing in Danish...could be since I've never heard that language spoken before.

The only interesting downside to this effort was the fact that the mellotron track was omitted on the digital version as a backdrop to Akkerman's guitar solo during "Haren Scarem" (yes, I also own the original LP). I wonder why it was taken out when this work was converted to digital? Possibly to better emphasize Akkerman as a guitar player with a unique conveyance of pathos.

Biography

Genre: Rock

Years Active: '90s, '00s

Focus was a project headed by respected house and broken beat producer/DJ Phil Asher. Signed to DJ Gilb'r's Paris-based Versatile imprint, Focus released a pair of singles (including the excellent "Having Your Fun," which swiped the piano lick from Fonda Rae's "Over Like a Fat Rat") and an album by the end of 2002. Including contributions from Kaidi Tatham (Agent K, Neon Phusion, Bugz in the Attic), Sweet and Sour received mostly positive press for its diverse collection of productions; it was definitely...
Full Bio
Hamburger Concerto, Focus
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Customer Ratings

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