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Hardcore Will Never Die, But You Will (Bonus Track Version)

Mogwai

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Album Review

By the 2010s, post-rock had been around long enough that the style’s artists could look back to their roots. Mogwai does that on Hardcore Will Never Die, But You Will, from the title’s bone-dry humor to the band’s reunion with Young Team producer Paul Savage. The musical DNA of Young Team — and its definitive track “Like Herod” in particular — is everywhere on Hardcore Will Never Die, informing the doomy coda of “Too Raging to Cheers” as well as opening track “White Noise”'s graceful melodic arcs, which lure the listener in rather than making a grand statement. Indeed, the album carries much of its emotional weight in its keyboard melodies, whether it’s the subtle soar of “Death Rays” or the more mournful tones of “Letters to the Metro.” Compared to the epic sprawl of The Hawk Is Howling, Hardcore Will Never Die feels simpler and more structured. The album’s rock songs, including “Mexican Grand Prix” and “San Pedro,” feel almost like a theme Mogwai returns to throughout the album, with driving motorik rhythms and precipitous riffing that get heads nodding vigorously, if not exactly banging. Mogwai tease listeners with tantalizing glimpses of their full power as the album progresses with “Rano Pano”'s shimmering majesty and “How to Be a Werewolf”'s epic solo, but they save Hardcore Will Never Die's definitive onslaught for last. “You’re Lionel Richie” combines the driest wit with the heaviest rock — a quintessential Mogwai move — as it builds from quasi-classical guitar figures to a scorching climax. As impressive as this moment is, it underscores how much smaller and subtler this album is than what came before it. While the album is far from rote, Hardcore Will Never Die, But You Will certainly feels familiar; it may not be as immediately impressive as some Mogwai albums, but its back-to-basics approach makes it another fine addition to their body of work. [The album was also released with a bonus disc, featuring Mogwai's composition "Music for a Forgotten Future (The Singing Mountain)" for artists Douglas Gordon and Olaf Nicolai's work Monument for Forgotten Future.]

Customer Reviews

Different, but awesome.

Unlike 99% of all the other post-rock bands, Mogwai keep on doing new things, keep re-defining themselves. And yet, they still sound like Mogwai. The tracks on this album have a totally different feel than their last album Mr. Beast, but you can tell its still the same band that created Young Team and all of their other classics. Instant awesome!

Mogwai never sleeps

this album will never stop playing. it is amazing top to bottom.

blah

I have liked past Mogwai records, although not all of them. This one is kind of boring. Most of the songs are super repetitive and lack purpose..just kind of going through the motions. Perhaps if this record were produced well it would be a lot better, but it is really over compressed and quite abysmal. I think the people giving this record 5 stars would give it the same rating if Mogwai recorded themselves farting. Repetitive farting, of course.

Biography

Formed: 1996 in Glasgow, Scotland

Genre: Alternative

Years Active: '90s, '00s, '10s

The cosmic post-rock band Mogwai were formed in Glasgow, Scotland, in 1996 by guitarist/vocalist Stuart Braithwaite, guitarist Dominic Aitchison, and drummer Martin Bulloch, longtime friends with the goal of creating "serious guitar music." Toward that end they added another guitarist, John Cummings, before debuting in March 1996 with the single "Tuner," a rarity in the Mogwai discography for its prominent vocals; the follow-up, a split single with Dweeb titled "Angels vs. Aliens," landed in the...
Full Bio

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