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Have You Fed the Fish?

Badly Drawn Boy

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Album Review

The glossy production on Badly Drawn Boy's Have You Fed the Fish? adds a brassy sheen to even the most seemingly heartfelt songs, such as "You Were Right," which features the line "I'm turning Madonna down/And I'm calling it my best move." Actually, this lyric encapsulates many of Have You Fed the Fish?'s characteristics at once — it's trying to be quirky and yet mainstream at the same time, it's initially cute and yet a little too clever-clever. Songs like the jangly, off-kilter funk of "Using Our Feet," the title track, and "40 Days, 40 Fights" are similar. Not coincidentally, the shorter songs and vignettes that dot Have You Fed the Fish? reveal more of Badly Drawn Boy's strengths — the delicate, acoustic "I Was Wrong," the lush instrumental "Centerpeace," and the sweet, Lennon-y love song "Instrumental Lines" recall the dazzling, kaleidoscopic beauty of The Hour of Bewilderbeast. Yet for every misstep there are successes like the witty funk-pop of "The Further I Slide" and "All Possibilities," which blends disco strings and mariachi horns into a bittersweet yet uplifting gem. "What Is It Now?" is a quintessential Badly Drawn Boy single, while "How" is a searching ballad that features the motion, emotion, and surprises that define Damon Gough's best work, and recalls the self-reflexive style of singer/songwriters like Don McLean and Elton John to boot.

Customer Reviews

Have You Fed The Fish? I don't know, but this album is great!

This album is full of pure BDB greatness. While it doesn't quite live up to Bewilderbeast, it comes about as close as you can get. The first time I listened to HYFTF I wasn't so sure but soon the songs had grown on me and I enjoyed almost all of them... Highlights for me are: Have You Fed The Fish 40 Days 40 Fights All Possibilities I Was Wrong You Were Right (excellent!) How? The Further I Slide Imaginary Lines Tickets To What You Need Definitely worth buying.

a step down

there seem to be 2 types of artists: those who are constantly evolving and improving [their later work is an improvement over earlier material] and those that have show most of their top material in early recordings and do not age well over time. gough is solidly in the latter category. his 1st 2 major releases 'bewilderbeast' and even 'about a boy' [although to a lesser extent] were solid, introspective and rewarded the listener with many nuances over repeated listenings. this cd has its moments, but has not aged well over the past 4 years. the noodlings and left turns that made the 1st and 2nd releases so interesting seem forced and overdone here. unfortunately, this shines in comparison to some of his more recent works. stick with the 1st 2 major releases.

90% as good as The Hour Of Bewilderbeast

This CD is an incredible followup to BDB's The Hour of Bewilderbeast. And simply put, if you like Badly Drawn Boy at all, this is a must have. I highly recommend tracks 3, 5, 7, 10, 13. Buy it!

Biography

Born: October 2, 1969 in Bolton, Lancashire, England

Genre: Alternative

Years Active: '90s, '00s, '10s

Belying his status as a narcoleptic slacker icon, Badly Drawn Boy proved himself a tireless pop songwriter, with arrangements that reflect a great deal of creativity. Born Damon Gough, he began recording after meeting the like-minded Andy Votel at a Manchester nightclub. The pair formed the Twisted Nerve label, and Gough debuted as Badly Drawn Boy with an EP and several singles. The recordings dovetailed nicely with the experimentalist pop fringe of artists like Scott 4 and the Beta Band, and the...
Full Bio

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