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Hot Buttered Soul (Remastered)

Isaac Hayes

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iTunes Review

Eighteen minutes and 42 seconds of “By The Time I Get To Phoenix” redefined what soul music could be in 1969. Stax/Volt session musician and staff songwriter Isaac Hayes could only fit four tracks on his second solo album, but each one resonated for each and every elongated minute. This 2009 re-master includes “single” edits for “Phoenix,” cut to seven minutes, and “Walk On By,” the 1964 Dionne Warwick hit, cut from 12 minutes down to four-and-a-half. It’s interesting and fun to hear the tracks paired down to what someone in the business thought were the essential moments, but it’s still the free-for-all sprawl, the droning organ chord that lingers in the background while Hayes sets up the scenario for Jimmy Webb’s tale of a man leaving his woman behind, that makes this a landmark recording. In addition to “Phoenix,” Hayes offers up the hypnotic “Hyperbolicsyllablecsesquedalymistic” (later sampled by Public Enemy) and the relatively conventional and smooth “One Woman.” Hayes’ monologues were an unusual innovation, but they merely set the stage for his heartfelt vocals and sensitive reads of quality songwriting that transcended all genres.

Customer Reviews

What Can I Say About Isaac Hayes . . . except . . . . EXCELLENT and SOOOOOO SMOOTH ! ! !

I fell in love with Isaac Hayes after hearing Walk on By on the radio, and i was hooked ! His way of ' telling ' a song is unmatched in my book, and this is HIS BEST ALBUM I feel, although Black Moses is a close second . . . I have both on LPs but they dont fit into my CD player on my computer ( LOL ) so I got the digital version and AM LOVING EVERY SECOND . . . . SUPERB !

Seminal late-60s soul

After several years as a staff arranger, producer, writer and instrumentalist for Stax Records, Hayes cut his 1967 solo debut, Presenting Isaac Hayes, sketching an album template that was rendered in ink on this 1969 follow-up. Where the debut riffed on tunes by Willie Dixon and Count Basie, this sophomore effort offers full-length dissertations. With only four tracks, but a running time of over 45-minutes, Hayes stretched covers of Bacharach and David’s “Walk On By” and Jimmy Webb’s “By the Time I Get to Phoenix” to epic length. The single versions, added here as bonus tracks, still clock in at 4:33 and 6:57, respectively, even when edited to their radio essentials. Hayes didn’t just lengthen these songs by adding musical jams and verbal recitations; he refashioned them completely into soul music, with thumping drum beats, deep bass, and wailing psychedelic guitars. His deeply pained vocal on “Walk On By” is as much sung as it is begged, and an 8-minute rap blossoms brilliantly into an emotional reading of “By the Time I Get to Phoenix.” These covers didn’t just separate themselves from earlier versions, they separated themselves from everything else then being recorded in soul music. The album’s new pieces include the heavy soul “Hyperbolicsyllablecseseuedalymistic,” featuring a terrifically funky piano solo, and a standard ballad arrangement of Charles Chalmers’ “One Woman.” Interestingly, Hot Buttered Soul, wasn’t recorded in the famed Stax studio, but at the nearby Ardent complex that regularly hosted overflow Stax work and was the home turf of Big Star. Clearly there was magic in those rooms. This latest reissue includes 24-bit remastering by Bob Fisher and a 12-panel booklet with introductory notes by Jim James, liners by Bill Dahl and a couple of great photos. [©2009 hyperbolium dot com]

Biography

Born: August 20, 1942 in Covington, TN

Genre: R&B/Soul

Years Active: '60s, '70s, '80s, '90s, '00s

Few figures exerted greater influence over the music of the 1960s and 1970s than Isaac Hayes; after laying the groundwork for the Memphis soul sound through his work with Stax-Volt Records, Hayes began a highly successful solo career...
Full Bio

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