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Hymns of the 49th Parallel

k.d. lang

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Album Review

In 1988, Stompin' Tom Connors, the most fiercely patriotic Canadian musician to ever take the stage in the land of the Maple Leaf, wrote a song in tribute to fellow Canadian k.d. lang for continuing to hang her hat in Alberta after enjoying a commercial breakthrough in the United States. It's hard to say what Stompin' Tom thinks about lang these days, now that she's an out-of-the-closet lesbian, an animal rights activist, and (gulp) spending most of her time in America, but it's a good bet he approves of Hymns of the 49th Parallel, in which lang turns her attention exclusively to the work of Canadian tunesmiths. Anchored by classic songs from Neil Young, Joni Mitchell, and Leonard Cohen (all of whom rate two songs each), Hymns of the 49th Parallel is not so much a flag-waving celebration of Canada as an appreciation of the often spare and evocative style of its best-known lyricists (or at least that's the case with the material on board), and lang and frequent collaborator Ben Mink have matched the selections with production and arrangements that are simple and to the point, with only a piano/bass/drums trio for accompaniment (though a string section pops in every once in a while). With her phrasing subdued and her projection scaled back from the big-as-all-outdoors sound of her early days, lang seems to have kept her own instrument in check as well, though her best moments still inspire a very real awe. Though lang has chosen some superb songs (and written a fine one herself in the album's only original, "Simple") and performed them with obvious love and affection, Hymns of the 49th Parallel seems oddly lacking in passion; perhaps in deference to the frozen North, this album has a cool and frosty undertow that seems designed to hold the listener at arm's length, despite the inarguable beauty of its craft. Perhaps for the follow-up, she should bring in Stompin' Tom for a duet on "The Hockey Song" to liven things up.

Customer Reviews

Skeptical after listening to the samples...

Skeptical after listening to the samples, I was persuaded to fulfill my constant craving for more k. d. lang by the reviews that others had previously written. Having downloaded this album during the writing of a final paper for a grad course, I had to stop during the writing when Hallelujah came on my headphones. It is, quite simply, one of the best renditions of this piece ever sung. The whole album is produced elegantly, with k. d. clearly placed as the centerpiece, often with simple accompaniment. It is simply a sublime work, and for any people I know who are k. d. lang fans, (and there are plenty) this will be my next gift for them.

They Say It's Cold In Canada

But this cd from our favorite songstress from the North warms things up. Sure, k.d. sings with the precision that Steely Dan posesses with their instrumental arrangements, but she can make you feel it. It would be redundant to say all the songs on this album are excellent and the choice of writers interesting because they all hail from Canada, what we really need is a retrospective of k.d.'s work. There are so many hidden treasures from this gifted singer that if her body of work was collected on one comprehensive collection, most of us would be willing to investigate her past. After all of these albums and her guest appearances on other projects, it's time to bring it all home.

Absolutely Superb!

k.d. lang has to have one of the most beautiful and haunting voices of our time. While keeping the integrity of each song, lang is able to put her own personal touch through her unique phrasing and arrangements. I am NOT a huge k.d.lang fan but this album really spoke to me. It's a shame mainstream success has once again alluded lang; this album is truly brilliant. He voice is just so incredible. PLEASE download this album and play it during the winter months. It will warm your heart...

Biography

Born: November 2, 1961 in Consort, Alberta, Canada

Genre: Pop

Years Active: '80s, '90s, '00s, '10s

When k.d. lang released her first major-label album in 1987, she caused considerable controversy within the traditional world of country music. With her vaguely campy approach, androgynous appearance, and edgy, rock-inflected music, very few observers knew what to make of her or her music, although no one questioned her considerable vocal talents. That confusion never quite dissipated over the course...
Full Bio

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