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Bowie at the Beeb - The Best of the BBC Radio Sessions, 1968-1972

David Bowie

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Album Review

Some collectors might complain that the double-disc Bowie at the Beeb, the first official collection of David Bowie's BBC Radio sessions, isn't complete, yet they likely have bootlegs of this material. All other fans are in for a real treat. Spanning from 1968 to 1972, these recordings find Bowie, if not in his prime, at least at a peak, as he developed from a swinging Carnaby Street pop crooner to swaggering glam rock star. Bowie at the Beeb makes this era come alive. Opening with the lovely, florid "In the Heat of the Morning," the sessions spend time with David the Dandy before he delves into his dramatic heavy rock of the early '70s. That's where guitarist Mick Ronson made his public debut with Bowie at the session that comprises the middle of disc one. This is lean, powerful, terrific music, not as pummeling as The Man Who Sold the World, but it's slightly overshadowed by the session that concludes the first disc. It contains the bulk of rarities here, including the never-released "Looking for a Friend," a rollicking cover of Chuck Berry's "Almost Grown," a version of "It Ain't Easy" where Bowie trades verses with Geoffrey Alexander and George Underwood, and a performance of the exquisite "Bombers." After a pair of songs by just Bowie and Ronson, the second disc finds the Spiders From Mars forming and quickly hitting their stride. Since this disc is largely devoted to recordings from 1972, it's a bit more consistent than the first, and it results in a live Spiders album better than any yet officially released. Bowie at the Beeb may not be revelatory, yet this set is filled with wonderful music that deepens appreciation of Bowie's first great blast of creativity. Any true fan needs it in his collection.

Customer Reviews

okay

i can't believe bowie had the audacity to remake "i'm waiting for the man"

Biography

Born: January 08, 1947 in Brixton, London, England

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

The cliché about David Bowie says he's a musical chameleon, adapting himself according to fashion and trends. While such a criticism is too glib, there's no denying that Bowie demonstrated remarkable skill for perceiving musical trends at his peak in the '70s. After spending several years in the late '60s as a mod and as an all-around music-hall entertainer, Bowie reinvented himself as a hippie singer/songwriter. Prior to his breakthrough in 1972, he recorded a proto-metal record and a pop/rock album,...
Full Bio

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