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Remedy

Basement Jaxx

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Album Review

The duo's long-awaited debut album is one of the most assured, propulsive full-lengths the dance world had seen since Daft Punk's Homework. A set of incredibly diverse tracks, Remedy is indebted to the raw American house of Todd Terry and Masters at Work, and even shares the NuYoricans' penchant for Latin vibes (especially on the horn-driven "Bingo Bango" and the opener, "Rendez-Vu," which trades a bit of salsa wiggle with infectious vocoderized disco). True, Ratcliffe and Buxton do sound more like an American production team than a pair of Brixton boys would — they get props (and vocal appearances) from several of the best American house producers out there including DJ Sneak, Erick Morillo, and Benji Candelario. And "U Can't Stop Me" is an R&B production that could probably have gotten airplay in major rap markets across the U.S. Elsewhere, Buxton and Ratcliffe chew up and spit out mutated versions of hip-hop, ragga, Latin, R&B, soul, and garage — the varied sound that defined the worldwide house scene of the late '90s.

Biography

Formed: 1994 in London, England

Genre: Dance

Years Active: '90s, '00s, '10s

The production duo of Simon Ratcliffe and Felix Buxton released several of Britain's most respected and enjoyable progressive house anthems of the '90s and early 2000s from their base in South London. Before they met (at a Thames riverboat party organized by Buxton), Ratcliffe grooved to the deep Latin funk of War and George Duke while Buxton was turned on to Chicago house. Ratcliffe and Buxton formed Atlantic Jaxx Records in 1994 and were undoubtedly honored to count among fans of their first release...
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Remedy, Basement Jaxx
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