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In Between Evolution (International Version)

The Tragically Hip

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iTunes Review

Many bands that have been together for 20 years tend to mellow about this mark. Not so the Tragically Hip. Though they’ve refined their sound in subtle ways by tightening the songwriting and adding new textures, they remain intense and razor sharp, and the powerhouse bar band that they once were can still be heard. The dual crunching guitars (and there is a lot of great guitar on this album) and rock-solid rhythm section still lock in as well as anyone, thanks to many years of heavy touring. Singer Gordon Downie’s distinct voice sounds more frenzied than usual here, almost as if he’s straining at times to stay in key under the weight of the guitars, but that only makes his performance on songs such as “Heaven Is a Better Place Today” more intriguing. His lyrics, as inventive, literate, and downright odd as ever, continue to be wide open to interpretation, which is definitely part of the fun. The Hip sound like they’re completely enjoying themselves and playing for each other here as much as for their millions of fans, as evidenced by the energetic chorus in “As Makeshift As We Are."

Customer Reviews

Easily The Hip's Worst Album

Coming off the brilliant and adventurous In Violet Light, this album was a serious artistic lapse. Easily the weakest album in an otherwise strong catalogue. Fortunately, they came back with likely their strongest work to date after this album; the staggeringly good World Container. Buy that instead.

A Pity Vote

This is probably their worst album but hey... they're the Tragically Hip, they can't be good all the time. Sometimes you got to give them the benefit of the doubt. The best song on this album is "It Can't Be Nashville Every Night" Track 5.

raw and edgy - excellent album

It took me a listen or two, but this is now my favourite Hip album. Those listening with certain expectations may be disappointed, but move beyond that and listen to the band on this one, they have never sounded as tight. To contrast, this one doesn't chart new territory like World Container; this record doesn't have the subdued and restrained feeling of Day for Night, the mellow easiness of Phantom Power, or the pop oriented songs of Fully Completely, although I could see several of these songs at home on those albums (It can't be Nashville..., As Makeshift As We Are, Are We Family, Goodnight Josephine). This ablum sounds more like Road Apples, but modernized and taken up several notches. The mixing on this one is excellent, as Gord Downies's voice is given it's rightful volume relative to the music, and the percussion volume is in proportion. Many of the songs are fast, raw, and guitar heavy rock, with an impatient edge that gives this album lots of energy. Summer's Killing Us sets the tone, followed by the crushing Gus. The lurching chorus of You're Everywhere is brilliant, and The Heart of the Melt is just plain awesome. These songs allowed The Hip to evolve to the World Container album with rockers such as The Kids Don't Get It and The Drop Off. For fans of the Hip, this one is definately worth buying.

Biography

Formed: 1983 in Kingston, Ontario, Canada

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

Formed in 1983 in Kingston, Ontario, the Tragically Hip came together with childhood friends Gordon Downie (vocals), Bobby Baker (guitar), Paul Langlois (guitar), Gord Sinclair (bass), and Johnny Fay (drums). The bandmembers took their name from a Michael Nesmith video entitled Elephant Parts and focused on making a name for themselves in the local scene during the mid-'80s. While performing Toronto's Horseshoe Tavern, MCA Records president Bruce Dickinson was impressed by the Hip's infectious live...
Full Bio

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