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In the Fishtank 5

Tortoise & The Ex

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Album Review

In a meeting of musical minds that took just 48 hours to record, meticulous sonic sculptors Tortoise collaborated with the Ex, a group of Dutch avant noise-mongers. The result is In the Fishtank, a six-song EP that sometimes blends the bands' divergent styles into a harmonious hybrid, and other times falls victim to stylistic clashes. The more spacious tracks, like "Pleasure as Usual," "Huge Hidden Spaces" and especially "The Lawn of the Limp" feature the blend of dissonance and ambience, and highlight the best qualities of each of the collaborators. The slightly more fractured and fractious "Did You Comb?" is still a fairly accessible mix of the groups' visions, but the Ex-dominant "Central Heating" is a noisy, acquired taste. Spontaneous and mercurial, In the Fishtank truly is experimental rock — but not all the experiments succeed completely.

Customer Reviews

Affliction to Addiction

I bought this album 4 times. The first time, I hated it and felt ripped off to the point where I actually returned it. Then, a haunting started. 3 months later I couldn't help but think about this fishtank album. Lawn of Limp to my amateur ears baffled me. How can such a flowing song be written in an 11/8 time signature? The sampling randomly stirred in my memorybanks. And I wanted to know if the Ex just really sucked at their instruments, or were total geniuses. (Turns out it's both) I ended up buying 2 more copies and giving them both away. And my last one got so scratched from transport that the skipping disrupted the flow of organized chaos therein.

This is the best shake-up album I've ever bought. A great reference for whenever your music collection goes stale or when song-writers block is driving you to the bars.

Biography

Formed: 1979 in Amsterdam, The Netherlands

Genre: Alternative

Years Active: '70s, '80s, '90s, '00s

Playing a hybrid of punk to advance their liberal socialist agenda (serving as the rough equivalent of a Dutch Crass), the Ex put out reams of records and propaganda during the '80s — each released on a different Dutch label — but in the '90s began to embrace industrial forms of percussion and improvisation more in line with Einstürzende Neubauten and Test Dept. Formed in the late '70s, the group debuted at the turn of the decade with Disturbing Domestic Peace. The year 1983 was...
Full Bio
In the Fishtank 5, The Ex
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