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Into the Wind

Bei Bei & Shawn Lee

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Album Review

The "Beauty and the Beast" 12” was the first collaboration between Chinese Guzeng virtuoso Bei Bei and producer/multi-instrumentalist Shawn Lee. It only hinted at the imagination of Into the Wind, their full-length debut. The guzeng is a revered, ancient, traditional instrument belonging to the Asian long zither family. Bei Bei studied in China but now lives in California. She and Lee met only once but made the album by sending files back and forth between California and London. The end result perfectly marries Lee’s blunted hip-hop and slippery funk beats to the timeless, soaring lyricism of Bei Bei's instrument. The sound feels like the place where kung fu and blaxploitation soundtracks, soulful spiritual jazz, and of course, Chinese folk music, overlap but keep their respective identities while being transformed into something else. Check the boss spaces and textural dynamics at work in the title track. Lee paints Bei Bei's seductive, exotic Eastern melody with a tough, percussive groove, a full horn section, and a punchy bassline. It sounds something like funky '70s movie music married to modern big-band arrangements led by Alice Coltrane’s modal harp. “Bei’s Bossa” lives up to its name with a shimmering guzeng line backed by swaying electric guitars, muted drums, and a fluid bassline. “East” begins inside a wind tunnel of effects and plucked guzeng chords, accented by a Farfisa. It weds Arab and Chinese folk sounds to trippy textures before it breaks into a full-on groove-drenched swagger with a swtichblade guzeng solo, hopped-up bass, skittering snares, and horns and winds popping on queue.(Think Johnny Pate or Quincy Jones in the early '70s.) Georgia Ann Muldrow adds fractured, future-perfect soul vocals to the restrained groove on “Make Me Stronger,” and a jazz-noir spirit to “Willingness.” “The Ambush” reflects the influences of both Richard Evans and Dorothy Ashby, and carries a tense yet breezy groove of drama and celebration. Into the Wind evokes many sounds and musics, but is ultimately its own sexy animal. Just say yes.

Customer Reviews

Review on Into the Wind

Into the Wind is an utterly inspiring album, in which Bei Bei He and Shawn Lee have collaborated to create music both innovative and infectious. Taking listeners on a journey through the genres of jazz, blues, hip hop, soul, and electronic (just to name a few), Bei Bei and Shawn Lee have gracefully entwined the long and bending tones of the guzheng (Chinese harp) with contemporary beats, putting a magical twist on all types of music they touch. On pieces such as Hot Thursday and Whiskey Waltz, Bei Bei shows how she continues to pioneer the guzheng into modern realms, all the while staying true to the traditional foundation of the guzheng. From “East” to “Make Me Stronger”, Bei Bei and Shawn Lee have created music so creative and diverse, there is sure to be something here for all music tastes.

Shawn Lee is the funky Einstein

I honestly don't know where the other reviewer's Kitaro comparisons are coming from -- this is no synth-laden New Age snoozefest. Bei Bei's name might be first in the credits, and her comely profile might be featured on the cover, but this is most definitely a Shawn Lee album. Bei Bei's zither virtuosity is featured on every track, but as is usually the case on Lee's albums, he is playing literally every other instrument heard. The marriage of Bei Bei's traditional Chinese instrumentation with Lee's killer production and song crafting is natural and compelling from the first note. Now I'm not as keen on the addition of Georgia Anne Muldrow's smokey vocals on tracks 4 & 8, but I don't really like any of her Stone's Throw stuff either. Generally I'm not a big fan of 'soul' vocalists (Shawn Lee's 'Hole In the Soul' album is one that I still can't get into). But the rest of the album is solid with all the earmarks of a bonafide Shawn Lee funk masterpiece.

tomb

Absolutely fabulous! A beautiful marriage of worlds and cultures. Bei Bei is amazing as is Shawn Lee, both doing such a wondrous tango in each track. As a painter, this is studio music: Not frantic or sleepy. Like Goldilocks, it's just right. I found the torchy vocals very nice and in keeping with the tones of its pieces. If the trio did another album, I'd buy it and let my paintbrushes fly through the night. LOVE IT. EVERY TRACK!!

Into the Wind, Bei Bei & Shawn Lee
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Customer Ratings

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